Gerry Bamman Movies

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide

Tom Cruise juggles Martini shakers and ice cubes as the materialistic Brian Flanagan, a bartender who drops out of school to search for the perfect "rich chick" who will bankroll him into luxury. Brian meets up with bar veteran Doug Couglin (Bryan Brown) and they put together a dance-duo bar-tending act, taking five minutes to a mix a drink as they dance and toss gin bottles behind the bar to cutting-edge rock music circa 1988. The patrons, instead of demanding the booze, are dazzled by their antics and cheer them on. As a result, the bartenders become wildly popular -- in particular, Brian, who finds the bar babes falling all over each other to hop into the sack with him. As a result of their bar-tending success, they get hired to tend bar at a swanky disco, but there Brian and Doug have a falling out, and Brian takes off for Jamaica. There he meets vacationing New York City waitress Jordan Mooney (Elisabeth Shue) and the two fall in love. But then Brian meets rich New York fashion executive Bonnie (Lisa Banes) who wants to take Brian back to Manhattan with her to become her drink-mixing stud. When Jordan sees this, the love affair is put on hold. But not for long, as pangs of consciousness begin to filter through Brian's drunken haze. ~ Paul Brenner, All Movie Guide

Hiding Out, a surprisingly entertaining and engaging action comedy, directed by Bob Giraldi, takes the implausible idea that an adult man could enroll in high school and pass as a student and makes it real. Andrew (Jon Cryer) is a stockbroker hunted by a professional killer. He flees to stay with his sister and her teenage son Patrick (Keith Coogan). Andrew shaves off his beard, cuts his hair, and enrolls in Patrick's high school, pretending to be 17 years old. Cryer does a great job of convincingly playing both ages, and Coogan shines as the teenage son. Director Giraldi has great visual style and gives the film an energy that makes it both enjoyable and believable. ~ Linda Rasmussen, All Movie Guide

John Hughes and Chris Columbus repeat their best-selling formula from the first Home Alone film with this sequel. Once again Kevin McCallister's (Macaulay Culkin) family leave him behind, only now he gets on a flight to New York instead of going with his family to Miami. Kevin manages to hail a cab and is delivered to the doorsteps of the Plaza Hotel, where, using his father's credit card, he rents out a suite and has the time of his life -- although a smarmy hotel clerk (Tim Curry) and bellboy (Rob Schneider) eye him with suspicion. But ingenious Kevin keeps them at bay, using the same tomfoolery he applied to his uncle in the first picture. He takes time out from his consumer debauch to chat with a friendly old toy-store magnate (Eddie Bracken) and pontificate to a homeless Pigeon Lady (Brenda Fricker) on the meaning of Christmas. But then he runs into his old enemies Harry (Joe Pesci) and Marv (Daniel Stern).When he finds out that they plan on robbing the old man's toy store on Christmas Eve, he mans the battle stations once again, complete with electric prods, flames of fire, and sundry blunt instruments. ~ Paul Brenner, All Movie Guide

Season One of Law & Order came to an end with this emotionally charged episode, in which police captain Don Cragen (Dann Florek) is himself a suspect in a conspiracy investigation. Cragen's longtime friend and colleague Peter O'Farrell (Robert Lansing), the NYPD's Chief of Operations, is suspected of laundering drug money. Reluctantly, the D.A.'s office pursues a possible link between O'Farrell's alleged crime and Cragen's supposed complicity. Series regular George Dzundza makes his final appearance as Detective Max Greevey. ~ Hal Erickson, All Movie Guide

A body fished out of the East River turns out to be that of Karen Hall, a criminal investigator with the State Attorney General's office. Detectives Briscoe (Jerry Orbach) and Greene (Jesse L. Martin) launch their investigation by questioning Hall's boss Conroy (Nestor Serrano), who theorizes that Karen was kidnapped and killed while on a case. Things change dramatically when the facts surrounding Conroy's tempestuous private life (and his hold over three different women) come to light. Writer Fran Lebowitz makes the first of several cameo appearances as Arraignment Judge Goldberg. ~ Hal Erickson, All Movie Guide

Using computerized records, detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) try to determine time of death for a woman found murdered in an elevator. The next step is to identify the body and track down the perp. Assistant D.A.'s McCoy (Sam Waterston) and especially Ross (Carey Lowell) have difficulty pursuing the case in court thanks to an imperious and verbally abusive judge (Jerry Adler) -- leading to an extremely difficult decision for D.A. Schiff (Steven Hill). ~ Hal Erickson, All Movie Guide

Lightning Over Water is a penetrating documentary of the last days of cult film director Nicholas Ray. The film was lovingly assembled by Wim Wenders, whose idolatry of Ray is obvious in virtually every frame of his own work. Dying slowly of cancer, Ray reflects on a lifetime of accomplishments, failures and compromises, with plenty of screen time given over to his reminiscences of Joan Crawford, James Dean and others who appeared in his films. Most of the film was lensed in Ray's modest New York City loft, a sharp and poignant contrast to the comparative luxury of his Hollywood years. Lightning Over Water has also been released as Nick's Film. ~ Hal Erickson, All Movie Guide

Love, Lies and Murder is based on a true story that began its tragic unspooling on March 19, 1985 in Garden Grove, California. 23-year-old wife and mother Linda Brown is murdered. She leaves behind her computer-consultant husband Clancy Brown, her 17-year-old sister (Sheryl Lee), a 14-year-old stepdaughter (Moira Kelly) from her husband's previous marriage, and an 8-month-old infant. When police investigate, the stepdaughter confesses to the killing. This closes the case--until Mr. Brown callously marries his late wife's sister, and doubts begin to stir as to whether or not the stepdaughter was coerced into confessing. ~ Hal Erickson, All Movie Guide

Arthur Hiller directed this comedy/drama concerning three couples, thrown together by fate, who become friendly and help each other through their marriage difficulties. Claire (Cybill Shepherd) and Leo (Ron Silver) are a wealthy couple having trouble with a daughter from a previous marriage. John (Beau Bridges) and Iris (Stockard Channing) are a couple from the '60s who have weathered a relationship involving sex, drugs, and rock 'n' roll. Chuck (Robert Sean Leonard), a securities analyst, and Nina (Mary Stuart Masterson), a child psychologist, are newlyweds needing guidance through the pitfalls of married life. The couples meet on a committee formed at a PTA meeting. They find they like each other and invite each other to dinner parties. As they meet and talk with one another, they reveal their problems and help each other. ~ Paul Brenner, All Movie Guide

Director and writer Marissa Silver debuted with this captivating film on the friendship of two young girls from opposite sides of the economic tracks but same side of town. Twelve-year-old Lonnie Sloan (Sarah Boyd) is a well-to-do New York rich kid and Karen Bruckner (Rainbow Harvest) is the more ordinary, impoverished New York kid. They happen to meet one day on the street in their neighborhood and hit it off just because each is fascinated with unknown quantities. As they learn that they were taught to perceive and react to the world differently, their relationship becomes one of unfolding adventure -- even for the grown-up viewers. ~ Eleanor Mannikka, All Movie Guide

Three people attempt to bend justice for their own purposes in this drama based on the best-selling novel by John Grisham. After a man dies in a shooting incident, his wife files a lawsuit against the company that manufactured the gun, with her lawyer, Wendell Rohr (Dustin Hoffman), arguing that the firm in question knew the shop which sold the weapon was not following federal regulations pertaining to the sale of firearms. As the case goes to trial, the firearm manufacturer is taking no chances on the outcome of a potentially devastating case, and they hire as part of their legal team Rankin Fitch (Gene Hackman), a "jury consultant" who makes it his business to see that he knows enough about the jurors to be able to guarantee the result of the trial. Fitch and his team have learned incriminating secrets about nearly everyone hearing the evidence, but Fitch discovers two factors he wasn't counting upon -- Nick Easter (John Cusack), the jury member who appears to have an agenda all his own, and Marlee (Rachel Weisz), a mysterious woman who has her own plans regarding bending the jury to her will. Bruce Davison, Jeremy Piven, and Bruce McGill round out the supporting cast. Incidentally, in John Grisham's original book, the case was filed against a cigarette manufacturer, but the producers opted to adjust the story after several real-life trials against tobacco companies. ~ Mark Deming, All Movie Guide