Nobuo Kaneko Movies
Nearly ten years after his last screen appearance (in 1975's Terror of Mechagodzilla), the Tokyo Terror stomps again -- albeit awkwardly -- in Toho Studios' highly publicized bid to reestablish the Green Guy's popularity in Japan and overseas. More a remake of the 1956 classic Godzilla, King of the Monsters than a continuation of the series, Godzilla 1985 represents an attempt to revamp the Big G with Star Wars movie technology and a more "serious" approach. Unfortunately, Toho's efforts may have gone astray, since the film resorts to exactly the same cheesy conventions that had endeared the series to bad-movie buffs around the world: flimsy cardboard buildings, inconsistencies in the monster's size from one scene to the next, and the same mock-profound commentary from Raymond Burr. The only notable additions consist of some interference from those evil superpowers, America and the Soviet Union, who both want to nuke Godzilla before he decides to direct his rage somewhere other than Japan. Though the film did manage to jump-start the franchise, spawning several high-tech sequels (continuing with Godzilla vs. Biollante and 1995's Godzilla vs. The Destroyer), its cheesiness spelled certain doom for the series in overseas markets, with minimal legitimate U.S. distribution until their arrival on video amid advance hype for Sony-TriStar's mega-budgeted 1998 version. ~ Cavett Binion, Rovi
Based on the epic novel by James Clavell, Shogun originated as an epic five-part television miniseries, filmed on location in Japan. Richard Chamberlain stars as John Blackthorne, a 17th century British sea pilot in charge of a Dutch vessel. Shipwrecked off the coast of Japan, Blackthorne is in danger of being executed by the suspicious, reclusive Japanese hierarchy, but before long he has been accepted into the local culture. Accordingly, he begins to think of himself as Japanese, adopting the nation's customs and, while wearing the robes of a Samurai warrior, helping to defend the land against its enemies. The arrival of Blackthorne unfortunately arouses the interest of European empire-builders, who hope to add Japan to their holdings. Toshiro Mifune costars as Toranaga, a warlord who befriends Blackthorne, and Yoko Shimada appears as Mariko, the interpreter who eventually falls in love with the Englishman. When it first aired in September of 1980, Shogun caused eyebrows to raise with its seemingly reckless disregard of certain TV taboos: for example, one man is beheaded in full view of the audience, while another relieves himself on the body of an enemy. Most of the early dialogue sequence are in Japanese, which resulted in complaints from many monolingual viewers. As a result, the 1983 rebroadcast of Shogun included English narration by Orson Welles. The 125-minute feature version of Shogun, prepared for home video, includes English subtitles--as well as several originally excised scenes of nudity and excessive violence. ~ Hal Erickson, Rovi
- Starring:
- Richard Chamberlain, Toshiro Mifune, (more)
The director of Battle Royale and The Yakuza Papers delivers yet another gritty yakuza masterpiece in this brutal tale of two warring underworld factions determined to gain ultimate power over Kurashima City. The year is 1963, and the delicate balance of power in Kurashima City is shakily maintained between two warring factions. The political influence of the Kawade gang helps to legitimize the vicious group's lucrative rackets scheme, and the uneasy alliance shared between their rivals the Ohara gang and the corrupt local police force ensures that neither gang gets too much power. When the lure of some valuable waterfront property becomes too much for the Ohara boss to resist, however, the volatile standoff receives just the catalyst needed to spark a vicious bloodbath between the gangsters, cops, and politicians all looking to come out on top. The all-seeing eye of the horrific hurricane of violence, Detective Kuno of the Kurashima City Violence Squad remains torn by his childhood allegiance with a powerful yakuza kingpin and the increasing pressure from his reform-minded superiors to keep the city streets safe for the frightened citizens. An inherently decent man who recognizes the code of ethics on both sides of the law, Detective Kuno's itchy trigger finger finds him falling down an ever-darker path as he coolly plays both sides by walking a line that could be pulled out from under him at any moment. ~ Jason Buchanan, Rovi
- Starring:
- Bunta Sugawara

- 1974
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In this violent and morally ambiguous crime drama from master genre filmmaker Kinji Fukasaku, Takeda (Akira Kobayashi), a longtime leader of one of Hiroshima's Yakuza families (the Japanese Mafia), attempts to resolve the longtime war between various mob factions by reshaping his organization into a political organization that would be both powerful and legal. But not all of Takeda's men take to this new way of doing things, and a rash act by one veteran gangster (Jo Shishido) leads to a final turf war between the families. Jingi Naki Tatakai: Kanketsu-Hen (aka Yakuza Papers, Vol. 5: Final Episode) was the last film in the landmark series Fukasaku began with Jingi Naki Tatakai. ~ Mark Deming, Rovi

- 1973
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The exploitation film Terrifying Girls' High School: Lynch Law Classroom concerns a young woman who is sent to a reform school full of sadistic inmates, and even more dangerous guards. In this rough setting, she attempts to figure out who killed her best friend. ~ Perry Seibert, Rovi
- Starring:
- Miki Sugimoto, Reiko Ike, (more)
Kinji Fukasaku directed this powerful and uncompromising look at the deadly stakes of life among the Yakuza -- the Japanese Mafia. Shozo Hirono (Bunta Sugawara) is a former Japanese soldier who, following his nation's defeat in World War II, finds himself in a prison cell in Hiroshima on a murder charge. While behind bars, Hirono gains a loyal friend in fellow criminal Wagasugi (Tatsuo Umemiya), and upon his release Hirono joins Wagasugi in an underworld gang. What starts as a seemingly easy way to earn some quick money becomes something darker and bloodier as Wagasugi and his comrades fall into a violent street war against another mob faction that grows into a long-standing feud. Jingi Naki Tatakai (aka The Yakuza Papers: Battles Without Honor and Humanity) was the first in a series of five successful crime films from Fukasaku. ~ Mark Deming, Rovi
- Starring:
- Bunta Sugawara, Hiroki Matsukata, (more)
Youth of the Beast marked a turning point in director Seijun Suzuki's career. No longer content to just crank out production-line gangster films, here Suzuki starts to assert his own voice. The plot is fairly typical for the genre: chipmunk-cheeked Jo Shishido stars as ex-cop Jo Mizuno, who muscles his way into the shadowy world of the yakuza. He gets hired by the clan that killed his former partner while double-dealing with the clan's rival. Yet the plot contains some particularly Suzuki-like details. Why is Jo's partner more interested in guns than in women? Why does Hide, the notorious gay gangster, always slash the face of anyone who mentions his mother? What does this all have to do with the Takeshita School of Knitting? Suzuki's audacious style heightens the absurdity and artifice of both the genre and the medium with pop-art colors, loopy camera placements, and bizarre, dream-like images: A feather-clad dancer silently struts behind sound-proofed two-way mirrors, a pink dust storm serendipitously occurs while a pimp whips a junkie prostitute. The film is a dizzying visual feast whose tone Seijun Suzuki would amplify to the most absurd heights in his later films, Tokyo Drifter (1966) and Branded to Kill (1967). ~ Jonathan Crow, Rovi
- Starring:
- Jo Shishido
A Soldier's Prayer (Ningen No Joken III) was the final entry in Japanese filmmaker Masaki Kobayashi's Human Condition trilogy. As in 1958's No Greater Love (see entry 23818) and 1961's The Road to Eternity (see entry 23819), the protagonist is the pacifistic Kaji, played by Tatsuya Nakadai. Strong-armed into the Japanese military during World War II, Kaji has reluctantly learned to kill on the battlefields. Upon his country's surrender, Kaji gives himself up to the Russian troops, hoping to receive better treatment than he had at the hands of his Japanese superiors. But his hopes are dashed once more, and he is subject to cruelty upon cruelty while imprisoned in a Manchurian POW camp. A Soldier's Prayer, like its predecessors, was based on the epic multipart novel by Jumpei Gomigawa. In sum total, the three Human Condition films run for nearly ten hours. ~ Hal Erickson, Rovi
- Starring:
- Tatsuya Nakadai, Michiyo Aratama, (more)
Akira Kurosawa's Ikiru details the existential struggle of one ordinary man in his desperate search for purpose. Upon learning he has terminal stomach cancer, a low-level government bureaucrat (Takashi Shimura) leaves his job of thirty years without a word to find meaning in the year he has left to live. He is completely alone in the world -- his wife is dead, his son is practically estranged, and his co-workers (the people with whom he has more contact than any others) are little more than strangers. Rather than face a death alone in pathos, Shimura opts to make up for lost time by going to the bar (for the first time in his life), spending every last yen in his wallet and drinking himself to death. There he meets a black-clad artist (a Mephistopheles to his Faust) who leads him on a hellish (and darkly humorous) tour of the city after dark as the two crawl through every booze-soaked juke-joint in town (Kurosawa's classical training as a painter surfaces in this sequence; many critics have noted the striking similarity of the crowded dance hall scenes to the paintings of Hieronymous Bosch, (particularly Walpurgis Night). Realizing he has missed nothing, Shimura then sets his sight on a pretty young girl from the office to divert his attention from his looming mortality. Although the girl fails to serve as a lifebuoy, she does give him the inspiration to do something meaningful -- to leave a legacy, however small, that makes the world a better place. A synopsis of Ikiru cannot serve the film justice; it simply must be seen. ~ Jeremy Beday, Rovi
- Starring:
- Takashi Shimura, Nobuo Kaneko, (more)










