Eddie Kane Movies
Tall, distinguished-looking Eddie Kane was never remotely a star in movies or television, but he played just about every kind of important supporting and bit role that there was to portray in a Hollywood career that stretched over a quarter century. Born in 1889, Kane entered show business by way of vaudeville and rose to the top of that field as a member of the team of Kane & Herman. Hollywood beckoned with the coming of sound and his first role was typical of the kind of work that he would do for the next 25 years. In MGM's The Broadway Melody, although uncredited, Kane played the important supporting role of Francis Zanfield (a thin burlesque of Ziegfeld), the theatrical producer whose interest in one of the two sisters, played by Anita Page and Bessie Love, gets the backstage plot rolling. In later films, the actor's parts varied from anonymous head waiters and hotel managers to essential supporting roles, small but telling in the plot. He was apparently at least a nodding acquaintance of James Cagney, playing important bit parts in two of Cagney's movies: in Something To Sing About, Kane portrayed the San Francisco theater manager who shelters Cagney from the crowds swarming around him on his return from an ocean voyage; in Yankee Doodle Dandy he played the actor in Little Johnny Jones who tells Cagney's George M. Cohan, in the title role of Jones, of the plan to fire a rocket from the ship when the evidence clearing him has been found. Kane's range of roles ran from business executives and impressarios to maitre d's and as he grew older and more distinguished-looking, his delivery grew even sharper onscreen. Kane is probably best known to audiences from the 1950s and beyond for his portrayal (uncredited, as usual) of Mr. Monahan, Ralph Kramden's boss at the Gotham Bus Company, in The Honeymooners' episode in which Kramden impersonates a bus company executive to impress an old rival. Kane retired from movies and television after the 1950s and died in 1969 of a heart attack at his home. ~ Bruce Eder, All Movie Guide- 1929
An early independently produced "part-talkie," this Tin Pan Alley melodrama starred future director Arthur Lubin as Benjamin Lederwitski, a serious Jewish composer turned Tin Pan Alley song-plugger under the more palatable name of "Russ Glover." An underhanded rival, Lon Roberts (played by Hollywood's favorite "drunk," Arthur Housman), steals poor Benny's potential hit tune and then accuses the songwriter of plagiarism. Benny loses his job and is reduced to banging a piano in a dive. Although tormented by this sad state of affairs, the distressed composer nevertheless finishes what an influential music publisher later considers a masterpiece. Benny's subsequent fame and fortune reunites him with his estranged father (Emile Chautard) and allows him to marry shiksa girlfriend Elaine Smith (Alice Day). Adele Buffington, a writer usually associated with B-Westerns, was obviously inspired by the The Jazz Singer (1927) but Times Square did not come anywhere close to duplicating that groundbreaking film's success and proved poverty row company Gotham Productions final release. ~ Hans J. Wollstein, All Movie Guide
- 1929
Carlee Thorpe (Buddy Rogers) and Claire Jernigan (Nancy Carol) enjoy considerable success with their vaudeville magic act. Offstage, Carlee thrives as a solo, performing various bits of sleight-of-hand at fancy society parties. At one such function, he falls in love with Hilt (June Collyer), the daughter of wealthy social-climber Jake Schmidlap (Knute Erickson). Heartbroken, Claire breaks up her act with Carlee and signs on as a "human target" for stage sharpshooter Magus (Rychard Cramer). Her depression deepening over Carlee's affair with Hilda, Claire suicidally replaces Magus' blank pistol cartridges with real bullets, hoping to be killed in the course of their act. Sure enough, Claire ends up being wounded on stage, but when she awakens in the hospital, the repentant Carlee is at her bedside. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles "Buddy" Rogers, Nancy Carroll, (more)
- 1929
In this 1929 comedy, two white minstrel comedians, Moran and Mack, in black-face, re-create their most beloved routines in this comedy. Their acts are loosely framed by a story involving a con woman after one of the comedian's money. Despite her efforts the "Crows" end up winning in the end. Among the routines are "Head Man," "Let's Not Talk about That," and the popular "Early Bird Gets the Worm." Some viewers may find the abounding racist attitudes in the film offensive. ~ Sandra Brennan, All Movie Guide
- Starring:
- Evelyn Brent
This landmark MGM backstage musical of the early sound era about broken dreams on the Great White Way features a bevy of standards by the songwriting team of Arthur Freed and Nacio Herb Brown. Freed later became unit producer of the legendary Freed Unit at MGM, which is the reason many of the tunes from Broadway Melody --""You Were Meant For Me"", "Broadway Melody", ""The Wedding of the Painted Doll""-- later appeared in Freed's seminal MGM musical Singin' in the Rain. The nominal story concerns midwestern sister act The Mahoney Sisters --Queenie (Anita Page) and Hank (Bessie Love)-- who come to New York to try to make it big on Broadway. Hank's song-and-dance man boyfriend Eddie (Charles King) has promised the gals a part in the new Broadway revue in which he is soon to appear. When Hank and Queenie come to see him, Hank is pleasantly surprised at the way Queenie has filled out. Soon enough, Eddie is making advances to Queenie. Queenie is attracted to Eddie too, but she doesn't want to steal her sister's boyfriend. So she Queenie takes up with a lecherous playboy, leaving it to Hank to put all the confused love relationships in perspective. ~ Paul Brenner, All Movie Guide
- Starring:
- Anita Page, Bessie Love, (more)
- 1929
The first official release from RKO Productions (previous films from this company had been produced by RKO antecedent FBO Pictures), Street Girl afforded Betty Compson to exhibit her considerable skills as a violinist. Compson is cast as Frederika "Freddy" Joyzelle, manager and principal attraction of The Four Seasons, a Jazz Quartet. In love with Mike Fall (John Harron), the group's pianist, Freddy briefly and foolishly falls in love with Prince Nicholaus (Ivan Lebedeff), who hails from the girl's home country of Aragon. But by film's end, Freddy and Mike have patched things up and tied the knot. A box-office hit, Street Girl was remade by RKO Radio as That Girl From Paris (1937) and Four Jacks and a Jill (1944). ~ Hal Erickson, All Movie Guide
- Starring:
- John Harron, Ned Sparks, (more)
- 1929
In this comedy, a Yiddish fellow cannot keep from kibitzing into other people's lives. Trouble ensues when he is mistakenly given a huge fortune in stocks that he can spend any way he pleases. At the same time, his daughter has fallen in love with an impoverished, but good hearted boy. When the kibitzer suggests he bet all his money on a dog of a racehorse, the lad does it. Against all odds, the horse wins, and suddenly the young man is quite wealthy. One day the stock bottoms out and the advice giver finds himself financially ruined. Fortunately, his brother comes to the rescue when he is asked in English whether or not he wants to sell the other's stock. The only English he knew was "Yes, sure, certainly." ~ Sandra Brennan, All Movie Guide
- Starring:
- Harry Green, Mary Brian, (more)
- 1930
In this backstage musical, an aspiring actor comes to Hollywood to get his big break. Trouble ensues when he is mistaken for a famous opera star and given red-carpet treatment wherever he goes. He even stays at the singer's mansion until he gets his break. Unfortunately, he soon loses his girlfriend after the singer's wife, who has not yet seen him, appears. The whole mess is cleared up when the real singer appears, and the young actor learns that he is the singer's nephew. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joseph Wagstaff, Lola Lane, (more)
- 1930
In this crime melodrama, a bootlegger orders the death of his rival. Meanwhile the bootlegger's wife dallies with his best friend. Following the hit, the gangster is arrested. Believing that his best pal ratted on him, he busts out of jail and goes looking for revenge. It is then he discovers that the real stoolie is his own wife who was trying to keep him from being rubbed out by a rival gang. Upon learning the truth, the repentant bootlegger decides to sacrifice himself to the coppers so his son can be raised by his upright best friend. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Revier, Jack Holt, (more)
- 1930
The Cohens and Kellys in Africa is the fourth in the seemingly endless movie series based on characters created in the 1925 stage play Two Blocks Away. Back again are George Sidney and Charlie Murray as Cohen and Kelly, those two eternally bickering business partners and reluctant in-laws. This time, the Hebraic-Hibernian duo are in the piano-manufacturing business. When a shortage in ivory threatens to close down their operation, our heroes pack up their families and head to Africa in hopes of locating the legendary Elephant's Graveyard. To the surprise of no one, Cohen and Kelly find themselves mixed up with a sheik's harem and a cannibal tribe, with time left over for a miniature-golf game (reprising gags previously seen in The Cohens and Kellys in Scotland). The level of humor can be gauged by the scene in which a swarthy tribal chieftain (Eddie Kane) turns out to be a lower-east-side Jewish merchant in disguise. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sidney, Charlie Murray, (more)
- 1930
Framed represented the return of Evelyn Brent to her old home studio of FBO, which by 1930 had been rechristened RKO Radio. Brent plays Rose Manning, a sexy nightclub hostess who hopes to avenge the murder of her father. Holding the local police chief responsible (the chief is played by William Holden -- but not that William Holden), Rose sets about to seduce and compromise the chief's patrolman son Jimmy McArthur (Regis Toomey), only to fall in love with the boy. To save Jimmy from being put "on the spot," Rose double-crosses her crooked cohort, bootlegger Chuck Gaines (Ralf Harolde). Both contemporary critics and later film historians noted that Framed borrowed freely from such earlier "slice of life" crime mellers as Broadway (which also starred Evelyn Brent) and The Racket. ~ Hal Erickson, All Movie Guide
- Starring:
- Evelyn Brent, Regis Toomey, (more)
- 1930
The rise and fall of a popular entertainer provides the basis of this musical drama. Harry Raymond (played by nightclub superstar Harry Richman) begins his career with nothing but his ambition, his talent and the support of friends and loved ones. Eventually he hits the big time and becomes a star. Unfortunately with stardom comes arrogance and selfishness and he disdains his lowly but loyal lover and pals to hang out with the upper crust. His downfall comes from a bottle of tainted homemade gin. Harry nearly dies and ends up permanently blind. Fortunately, at least one of his old crowd is around to help him rebuild his life. ~ Sandra Brennan, All Movie Guide
- Starring:
- Harry Richman, Joan Bennett, (more)
- 1930
In this early talkie, a vicious crime lord (played by Lew Ayres in a rare villainous role) decides that he has had enough and much to the shock of his colleagues decides to give the business to his second in command (James Cagney in hi second film role) and retire to Florida after marrying his moll. Unfortunately, he has no idea that she and Cagney are lovers. Part of the reason the don wants to leave is to keep his young brother, who idolizes him, from learning the awful truth about his avocation. Soon after moving down to Florida, former rivals kidnap the brother and kill him, causing the reformed gangster to come back for deadly revenge. This was an innovative film and featured a lot of elements that would become standards in the gangster genre including tommy guns carried in violin cases, terrible shoot-outs, and lots of rum-running rivalry. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lew Ayres, Charles Judels, (more)
Edward G. Robinson and James Cagney were teamed for the only time in their careers in Smart Money. Robinson has the larger part as a small-town barber who fancies himself a big-time gambler. He travels to the Big City in the company of his younger brother Cagney, who wants to make sure that Robinson isn't fleeced by the high-rollers. Unfortunately Robinson has a weakness for beautiful blondes, most of whom take him for all his money or betray him in some other manner. The cops aren't keen on Robinson's gambling activities, but they can pin nothing on him until he accidentally kills Cagney in a fight. The incident results in a jail term for manslaughter, and a more sober-sided outlook on life for the formerly flamboyant Robinson. Watch closely in the first reel of Smart Money for an unbilled appearance by Boris Karloff as a dope pusher. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Evelyn Knapp, (more)
- 1931
A remake of Howard Hawks's 1928 effort A Girl in Every Port, Goldie is the sort of film for which the phrase "Male Chauvinist Pig" was invented. Finding a book of girl's addresses, a sailor named Spike (Warren Hymer) learns to his dismay that every one of the girls has been tattooed by her previous sweetheart. Vowing to beat up the man responsible for this, Spike finally tracks the perpetrator down; he turns out to be another sailor named Bill (Spencer Tracy), who winds up as Spike's closest friend. Later on, the boys find themselves in Calais, where Spike falls in love with carnival girl Goldie (Jean Harlow). Bill considers Goldie to be nothing more nor less than a gold-digger, but Spike refuses to believe him. Goldie shows her true colors when she "comes on" to Bill, whereupon the latter leaves behind another tattoo as a warning for the gullible Spike. Geez, ya just can't trust dem dames! ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Warren Hymer, (more)
- 1931
Any movie that teams Robert Armstrong with Jean Arthur is certainly worth at least one look. Armstrong plays Chester Binney, a small-town rube who hopes to impress local beauty Ethel Simmons (Arthur). Aware that Ethel is ga-ga about "men of the world," Chester invents a shady past for himself and poses as a citified roue. He is forced to prove the veracity of his fabricated past when movie queen Letta Lardo (Lola Lane) shows up in town for a location shoot. Our hero is rescued from making a total fool of himself when it turns out that his rival (Jason Robards Sr.) for Ethel's affections turns out to be an even bigger phoney-baloney than he is. Ex-Bad Boy is based on John Emerson and Anita Loos' stage play The Whole Town's Talking (which ironically served as the title for an unrelated 1935 film, likewise co-starring Jean Arthur). ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Armstrong, Jean Arthur, (more)
William Wellman's landmark gangster movie traces the rise and fall of prohibition-era mobster Tom Powers. We are first shown various episodes of Tom's childhood with the corrupting influences of the beer hall, pool parlor, and false friends like minor-league fence Putty Nose. As young adults, Tom (James Cagney) and his pal, Matt Doyle (Edward Woods), are hired by ruthless but innately decent bootlegger Paddy Ryan (Robert Emmett O'Connor). The boys quickly rise to the top of the heap, with all the accoutrements of success: custom-tailored tuxedoes, fancy cars, and gorgeous girls. All the while, Tom's loving (and somewhat addlepated) mother (Beryl Mercer) is kept in the dark, believing Tommy to be a good boy, a façade easily seen through by his older brother Mike (Donald Cook). Tommy's degeneration from brash kid to vicious lowlife is brought home in a famous scene in which he smashes a grapefruit in the face of his latest mistress (Mae Clarke). Some dated elements aside, The Public Enemy is as powerful as when it was first released, and it is far superior to the like-vintage Little Caesar. James Cagney is so dynamic in his first starring role that he practically bursts off the screen; he makes the audience pull for a character with no redeeming qualities. The film is blessed with a superior supporting cast: Joan Blondell is somewhat wasted as Matt's girl, Mamie; Jean Harlow is better served as Tom's main squeeze, Gwen (though some of her line readings are a bit awkward); and Murray Kinnell is slime personified as the deceitful Putty Nose, who "gets his" in unforgettable fashion. Despite a tacked-on opening disclaimer, most of the characters in The Public Enemy are based on actual people, a fact not lost on audiences of the period. Current prints are struck from the 1949 reissue, which was shortened from 92 to 83 minutes (among the deletions was the character of real-life hoodlum Bugs Moran). ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Edward Woods, (more)
- 1932
Western Limited is another of the "Grand Hotel on wheels" films so popular in the early 1930s. Stealing a valuable diamond at a Los Angeles society function, gentleman thief Edmund Burns boards a train bound for Chicago. A murder occurs during the journey, casting suspicion not only on Burns but on every other passenger. Once the gathered suspects get over the surprise that Burns is not a thief, but instead an insurance investigator assigned to protect the jewels, our hero can get down to the business of revealing the murderer's identity. Former silent-screen vamp Estelle Taylor, billed first, plays a more sympathetic role than usual. ~ Hal Erickson, All Movie Guide
- Starring:
- Estelle Taylor, Edmund Burns, (more)
- 1932
A newspaper journalist must choose between the two women he loves in this drama. On one hand, he is in love with a publisher's daughter. On the other, he also loves a stage star who came to Tinsel Town to seek her fortune but finds she can only get parts as an extra. The hard working reporter soon finds himself promoted to city editor after he provides a couple of gangland scoops. For a while, he stops seeing the actress in favor of the publisher's daughter. The jilted actress then becomes a gangster's moll. It is during a car chase in which the editor is chasing the crooks, that he must finally choose whether to continue chasing them or to follow the car containing the actress. Naturally, he chooses hers. Love ensues. Meanwhile, the publisher's daughter is left out in the cold. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marion Shilling, Rex Bell, (more)
The Mummy represented Boris Karloff's second horror starring role after his "overnight" success in Frankenstein. Brought back to life after nearly 3,700 years, Egyptian high priest Imhotep wreaks havoc upon the members of the British field exposition that disturbed his tomb (shades of the King Tut curse). While disguised as a contemporary Egyptologist, he falls in love with Zita Johann, whom he recognizes as the latest incarnation of a priestess who died nearly 40 centures earlier. Spiriting Zita away to the tomb, he relates the story of how he had dared to enter her ancestor's sacred burial crypt, hoping to restore her to life. Caught in the act, he was embalmed alive and his tongue was cut out for his act of sacrilege. Now that he has returned, he intends to slay Zita, so that they will be reunited for all time in the Hereafter. Despite its melodramatic trappings, The Mummy is essentially a love story, poetically related by ace cinematographer and first-time director Karl Freund. Jack Pierce's justly celebrated makeup skills offers us two Karloffs: the wizened Egyptologist and the flaking, rotting mummy, who though only seen for a few seconds remains in the memory long after the film's final image has faded. Best line: "It went for a little walk." The Mummy was followed by four stock footage-laden sequels, none of which approached the power and poignancy of the original. ~ Hal Erickson, All Movie Guide
- Starring:
- Boris Karloff, Zita Johann, (more)
- 1932
Based on the stage comedy by Moss Hart and George S. Kaufman, Once in a Lifetime is a satire of Hollywood's early-talkie era. A down-and-out vaudeville trio (Jack Oakie, Aline MacMahon, and Russell Hopton) takes advantage of the confusion attending the talkie revolution by heading to Hollywood and posing as voice experts. George (Oakie), the team's dimwitted straight man, falls in love with a pretty young miss (Sidney Fox) who has come to Hollywood to become an actress -- and won't let her utter lack of talent get in the way. Fast-talking themselves into jobs at the Glogauer Studios, the phony vocal specialists eventually wear out their welcome and are on the verge of being fired. But George, who has been listening to the complaints of a disillusioned screenwriter, suddenly spouts those complaints word for word to Mr. Glogauer (Gregory Ratoff) -- and is lauded as a genius for being the first man to stand up to the despotic studio head. George is made a producer, and immediately sets about filming an expensive movie vehicle for his girlfriend. Unfortunately, George had found the script for his film in a wastebasket, and winds up shooting the wrong picture. He and his vaudeville chums are fired, but when his picture (an incomprehensible farrago shot in darkness because George forgot to turn on the klieg lights) is previewed, it is hailed as a daringly original masterpiece. George is made the supervising producer of Glogauer Studios, and all ends happily for himself and his friends. An interesting precursor to the Singin' in the Rain school of Hollywood kidding itself, Once in a Lifetime has tarnished a bit over the years but is still well worth seeing. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Oakie, Aline MacMahon, (more)
- 1932
Upon her release from prison, Joyce Greeley (Edwina Booth) is promptly and mysteriously murdered. Fledgling crime reporter John Martin (Regis Toomey) wants to find out why and also wants to discern the role of Joyce's lawyer Judson (Earl Foxe) in this whole sordid mess. Martin befriends the dead woman's sister Ellen (Betty Bronson) then extracts an important piece of evidence from deaf-mute Dummy Black (Mischa Auer in his pre-comedy days). Things come to a head when the villain is trapped in his own web of deceit -- and by his own accomplice. Former boxing great Jim Jeffries and silent comedy star Snub Pollard appear as themselves in a nightclub sequence. This Midnight Patrol is sometimes confused with the 1933 Laurel and Hardy two-reeler of the same title. ~ Hal Erickson, All Movie Guide
- Starring:
- Regis Toomey, Betty Bronson, (more)
- 1932
This imitation-Lubitsch romantic comedy stars William Powell as an elegant jewel thief plying his trade in Vienna. Powell's latest victim is bored baroness Kay Francis, who is much taken by the gentleman crook's handsomeness and poise. Since Francis is casting about for a new lover and newer thrills, Powell meets her qualifications, criminal or no. But the lady's husband (Henry Kolker) is not so easily charmed, and he sets about to bring Powell to justice. Jewel Robbery was based on a play by Ladislas Fodor, previously filmed in an Austrian version. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Kay Francis, (more)
- 1932
A semi-remake of the 1920 silent film of the same name, County Fair stars William Collier Jr. as Jimmy Dolan, an ex-jockey. Falling in love with racetrack waitress Alice Ainsworth (Marion Shilling), Jimmy decides to enter an upcoming championship race for the sake of Alice's impoverished-aristocrat father (Hobart Bosworth). Villain Diamond Barnett (Ralph Ince) hopes to sabotage our hero's chances to win the race, but when has that strategy ever worked in the movies? A great deal of screen time is given over to the comedy relief of black actor Snowflake (aka Fred Toones), which by today's standards is hardly politically correct. Curiously, County Fair bears a striking resemblance to Sporting Chance, another racetrack drama of 1932 which also starred William Collier Jr. ~ Hal Erickson, All Movie Guide
- Starring:
- Hobart Bosworth, Marion Shilling, (more)
- 1932
James Cagney was originally pegged to play brash Broadway columnist Jimmy Russell in this pleasant if somewhat lightweight newspaper yarn, but when director William Wellman called "action," Douglas Fairbanks Jr. had replaced him. In love with pretty actress Mary Wodehouse (Frances Dee), Jimmy can only watch as gangster Eddie Shaw (Lyle Talbot) takes on the girl's mounting debt. Sending Jimmy on a wild goose chase to Atlantic City, Shaw then attempts to lure Mary to his penthouse but is instead confronted with the girl's gun-toting Aunt Hattie (Cecil Cunningham). Jimmy manages to escape Shaw's goons and arrives at Shaw's apartment just in time to watch Aunt Hattie hide the murder weapon. There is an attempt at a coverup, and the eventual ruling of the court reads suicide. The ambitious Mary, meanwhile, marries theatrical entrepreneur Max Boncour (André Luguet) and Jimmy vows to stay away from the "love racket" for good. Or at least until gal-pal Sally (Ann Dvorak) can convince him otherwise. Although George Raft is listed in most credits for Love is a Racket, he is not in the surviving print. The drama was retitled Such Things Happen for release in Great Britain, where the word "racket" meant something entirely different. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Douglas Fairbanks, Jr., Ann Dvorak, (more)
