Jô Odagiri Movies

A special kind of toy is suddenly introduced to the real world around her in this artful fantasy from Japanese filmmaker Hirokazu Kore-eda. Hideo (Itsuji Itao) is a middle-aged man who doesn't have many friends, but he wards off loneliness with his companion Nozomi (Bae Du-na), who joins him for dinner each evening and in bed afterwards. But Nozomi is actually an inflatable love doll that can't speak or move on her own -- or she can't until one morning when she discovers she's developed the heart, flesh and soul of a human being. Unfamiliar with the world outside Hideo's apartment, Nozomi tentatively learns to walk, dress herself and venture out into the neighborhood, where she mimics the speech and habits of others. Hideo is surprised when he discovers his "air doll" has come to life, but he soon adjusts to Nozomi's new form. But Nozomi begins learning about the pain and confusion that having a heart can bring when she gets a job at a video store and falls in love with one of her co-workers, Junichi (Arata). As she struggles with her feelings, she seeks out her creator -- Sonoda (Joe Odagiri), the designer who invented the model of doll she used to be. Kuki Ningyo (aka Air Doll) was an official selection at the 2009 Cannes Film Festival, where it was screened as part of the "Un Certain Regard" program. ~ Mark Deming, All Movie Guide

Familial loyalties are tested by in this crime thriller from Hong Kong filmmaker Yu Lik-wai. Yuda (Anthony Wong) is a Chinese expatriate living in Sao Paulo, Brazil with his adopted son Kirin (Joe Odagiri). Yuda is the head of a profitable but illegal business enterprise, selling cheap counterfeit versions of popular consumer products, and Kirin is one of his right-hand men. Yuda has used his contacts with the police and the local mafia to stay one step ahead of the law, but most of his alliances are fickle and Yuda's underground empire begins to falter when he's betrayed by a rival and ends up in jail. Kirin steps up to take control of Yuda's business and ruthlessly sets out to eliminate those who turned against them, but Yuda is unhappy with the violence and corruption that has come to dominate his life and won't support Kirin when he's back on the street. Dangkou (aka Plastic City) was an official selection at the 2008 Venice Film Festival. ~ Mark Deming, All Movie Guide

Acclaimed Japanese playwright and theater director Ryo Iwamatsu takes the helm for this family drama concerning a complacent father (Yoshio Harada) and son (Joe Odagiri) whose already volatile relationship threatens to erupt into a tempestuous firestorm as the son's wedding draws rapidly near. ~ Jason Buchanan, All Movie Guide

Adapted from the bestselling Japanese autobiography of the same title, the gentle coming-of-age drama Tokyo Tower - Mom and Me and Sometimes Dad concerns an adolescent boy, Boku - Masaya, torn between the inherited recklessness of his father Oton and the inherited responsibility, wisdom and emotional strength of his mother Okan. Following a period of intensely rebellious behavior, Boku learns that his mom has contracted cancer; suddenly, his mother comes to live with him in Tokyo the entire emotional landscape of his life is altered. ~ Nathan Southern, All Movie Guide

A murder investigation reveals a deep-rooted sibling rivalry in director Miwa Nishikawa's brooding family drama. On the one-year anniversary of his mother's death, Tokyo art and fashion photographer Takeru (Joe Odagiri) returns to his small hometown in order to pay his respects. But all is not well back home, and when Takeru's authoritative father questions his sincerity, the frustrated son strikes back with accusations of violent conduct. Though the situation is initially diffused by Takeru's older brother Moniru (Teruyuki Kagawa), who stayed behind to run the family business, tensions once again start to run high when Tekeru, Moniru, and pretty childhood friend Cheiko (Yoko Maki) decide to celebrate their reunion by taking a hike in the wilderness. Tragedy strikes, however, when Takeru wanders off to photograph the landscape while Minoru and Cheiko get into a heated argument on a suspension bridge. After rejecting Minoru's advances, Cheiko falls to her death. Takeru saw nothing, and though Minoru claims responsibility for Cheiko's death the authorities still launch a full investigation. With the evidence against Minoru mounting, it quickly becomes apparent that the older sibling is deeply resentful of the fact that he was forced to remain at home with his overbearing father as Takeru departed for Tokyo and began living the good life. Cheiko's rejection was simply the last straw for Minoru, who subsequently rejects his brother's help and places himself at the mercy of the powers that be. ~ Jason Buchanan, All Movie Guide

Japanese horror producer Taka Ichise -- the force behind Ringu and Ju-on: The Grudge -- and Kiyoshi Kurosawa, the director of Pulse, team up for the supernatural horror picture Retribution (aka Sakebi), starring Koji Yakusho, Riona Hazuki, Tsuyoshi Ihara, Manami Konishi, Ryo Kase, Hiroyuki Hirayama, and Jô Odagiri. Yakusho plays Yoshioka, a cop tormented by strange details surrounding the murder of a local woman (Riona Hazuki) in a red dress. Though ostensibly killed by being drowned in a shallow, tepid pool of muddy water, an autopsy reveals the woman's belly as full of seawater. Moreover, a button found at the murder scene matches one that is missing from a coat Yoshioka purchased, and fingerprints that cover the body match his own. Yoshioka thus immediately reasons that he must have killed the woman but blocked it out, despite the assurance of his colleagues that he probably just touched the body sans gloves. He is soon visited repeatedly by the apparition of the victim (red dress intact). As these visitations build in intensity and bizarreness, another drowning murder -- that of a surgeon's son -- occurs in exactly the same manner, and the evidence this time seems to point so conclusively to Yoshioka that he could be sent away at any moment. But the story is far from over. To say more would ruin the picture, but Kurosawa then springs an endless series of twists and double-crosses that force the audience to reevaluate everything that has come before. ~ Nathan Southern, All Movie Guide

A violent and outrageous revenge comedy with a thoughtful undercurrent, director Lee Sang-il's Scrap Heaven opens with three characters united by fate on the same city bus: toilet cleaner Tetsu (Jô Odagiri); police department administrative assistant Kasuya (Ryo Kase), who wants to work his way up into homicide; and pharmaceutical company employee Saki (Chiaki Kuriyama). The three strangers have ostensibly no connection to one another, save a shared presence on the bus one fateful night -- the night that a political secretary goes completely psychotic and decides to take the three passengers, at random, as hostages. He strong-arms the three into violent and sadistic mind games, including lethal versions of Rock, Paper, Scissors and Russian roulette. The perpetrator inflicts Kasuya with deep-seated psychological scars and shoots Tetsu, pushing the man to the brink of death. The gunman then turns the weapon on himself. Months later, Kasuya meets up with Tetsu once again, and saves him from a potentially lethal act of violence. The two men subsequently join forces and devise a wild plan to set up a revenge-for-hire business, designed to "right wrongs" for victimized persons. In the mean time, Saki is pouring all of her time and energy into the construction of a liquid bomb -- a project that threatens to invite further destruction. ~ Nathan Southern, All Movie Guide

Enraged by decades of treachery and mistrust, two magical samurai clans go to war despite the love that was meant to keep the peace in director Ten Shimoyama's feudal action entry. The year is 1614, and Japan has been unified under supreme shogun Tokugawa. Though the love shared between Gennosuke of Kohga and Oboro of Iga should have been enough to end the cycle of suffering and strife in the two warring villages, the spirit of vengeance has gained too much momentum and the people have become possessed by their own insatiable rage. Now, as a conspiracy set into motion by Tokugawa causes the violence to swell yet again, Gennosuke pushes for peace as Oboro chooses to fight. In a time when every ninja in the land has been bestowed with amazing superhuman powers, the ultimate war is about to get under way. ~ Jason Buchanan, All Movie Guide

Yoichi Sai directs Takeshi "Beat" Kitano in this adaptation of the popular Yang Seok-il novel concerning a violent, ruthless family patriarch whose obsession for money destroys all that surrounds him. In 1923, Kim Shun-pei left his home on a remote island south of Korea in order to seek out his fortune in Osaka, Japan. Upon arriving in Japan, Shun-pei faced relentless discrimination while forced to work hard labor under excruciating conditions. Despite the fact that the odds were stacked against him, however, Shun-pei eventually opened a Kamaboko (steamed fish cake) factory using nothing more than his remarkable personal strength and staunch determination. Shun-pei was a cunning and ruthless businessman, and his incredible tyranny extended to his personal life as well. Yet while Shun-pei's obsession with money was the very reason he eventually found success, it would also be his ultimate downfall. Later, as money and the constant quest for wealth overtook every aspect of his life, Shun-pei transforms himself into a vicious loan shark. ~ Jason Buchanan, All Movie Guide

Orphaned as a little girl, Azumi (Aya Ueto) is raised in the forest with a group of ten children by their master (Yoshio Harada), who trains them to be peerless assassins. Azumi and Nachi (Shun Oguri) are the strongest of the fighters. When the group comes of age, the master gives them one final test. He tells them to team up with the person to whom they feel closest. Then he tells them to kill that person, explaining that an assassin never gets to choose whom to kill. The teens reluctantly fight to the death. Then the survivors are brought out of the woods to begin their work, assassinating the corrupt warlords who are preventing peace in the land. The assassins, particularly Azumi, perform their missions with flair, but complications arise. One of the teens (Takatoshi Kaneko) is poisoned by a ninja's blade, one (Kenji Kohashi) falls in love with a circus performer (Aya Okamoto), and Azumi begins to question her desire to live the violent life of an assassin. Meanwhile, one warlord (Naoto Takenaka) cleverly escapes their blades, and together with his bodyguard Kenbei (Kazuki Kitamura) and a "monkey-faced" ninja, Saru (Minoru Matsumoto), they find Bijomaru (Jô Odagiri from Bright Future), a violent madman, release him from prison, and unleash him upon the young team of assassins. Azumi, based on the manga by Yu Koyama, is the first of cult director Ryuhei Kitamura's (Versus) films to be made within the Japanese studio system. It was shown at the 2004 New York Asian Film Festival, presented by Subway Cinema. ~ Josh Ralske, All Movie Guide