Alan Hruska Movies

A man seeking to escape the past realizes that he'll first have to confront the present after receiving a desperate call from a friend on his deathbed. Harry Sweeny (Jamey Sheridan) is an aged but handsome divorcée with a grown son and a small business. He lives a comfortable life in a small town, where his main source of entertainment is stopping by the local diner to flirt with pretty waitress Muriel (Karen Young). But Harry's life hasn't always been this easy, and after getting a call from Tom Kelly (Steve Buscemi) he starts to remember why. Tom isn't long for this earth, and before he goes he seeks forgiveness from David Kagan, a fellow crewman that he and Harry knew from their Navy days. Unable to say no to an old friend, Harry sets out on a reluctant search for David, visiting old friends and drudging up painful memories in the process. Why does Tom feel like he needs David's forgiveness to pass on, and whose redemption is Harry searching for anyway? ~ Jason Buchanan, Rovi

A documentary adaptation of the popular regional theatrical monologue -- in which such heavyweights as Paul Newman, Nathan Lane, and Joe Mantegna essayed the lead on various occasions -- Trumbo recounts the life and times of legendary Hollywood scribe-turned-HUAC scapegoat Dalton Trumbo. As with its source production, the film takes as its base material highly personal, detailed, and emotive letters written by Dalton Trumbo to his son, Christopher; the latter, in turn, molded the missives into a screenplay for this production. Here, however, in lieu of one actor portraying Dalton, a number of celebrities take turns narrating from the script, including Lane, Paul Giamatti, Brian Dennehy, Donald Sutherland, and others. As a visual accompaniment, the film intercuts home-movie footage from the Trumbos' lives; incisive interview material with Trumbo, his family, friends, and collaborators; and haunting glimpses of the HUAC trial hearings with the Hollywood Ten, led by Senator Joseph McCarthy; as well as extracts from The Sandpiper, Johnny Got His Gun, Spartacus, and other productions authored by Trumbo. Peter Askin, who helmed the stage play, directs. ~ Nathan Southern, Rovi

Nola (Emmy Rossum) is a Kansas teen who runs away to New York City to escape an abusive stepfather. Once she gets to the big town, she sets about looking for a job and for her father, whom she's never met. She attacks both tasks with fierce determination, but has little success, until she stumbles upon a greasy spoon near Union Square where the eccentric owner, Gus (Sam Coppola), immediately takes a liking to her. Soon, she's waitressing at the diner and crashing in a room upstairs with the handsome fry cook, Ben (James Badge Dale), who also goes to law school when he feels like it. Nola spends her spare time using the phone book in an effort to track down the man she knows only as "Hutch." Things look up for Nola when she meets the sassy owner of the diner, Margaret (Mary McDonnell), who also runs a very classy escort service. Margaret sees something in Nola, and hires the girl as her assistant. As Nola's relationship with Ben gets more intimate, she tells him about her dream of being a successful songwriter. But things take an ugly turn when one of Margaret's escorts, a transsexual named Wendy (Michael Cavadias) offends a rich and powerful client, Niles (Thom Christopher). Niles is determined to have his revenge, and tries to use his media contacts to have an exposé written about Margaret's business. But the reporter assigned to the story, Leo (Steven Bauer), turns out to be an old friend of Margaret's. Nola, the feature debut of writer/director Alan Hruska, a former trial lawyer, had its world premiere at the 2003 Tribeca Film Festival. ~ Josh Ralske, Rovi