Dana Kaminski Movies

When a TV producer strikes up a romance with an old flame, a star in his new TV series, their relationship is threatened by mysteries she won't explain to him. ~ Tana Hobart, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

In this human-scale drama/comedy, a pair of Beverly Hills parents, Albert (Ryan O'Neal) and Lucy (Shelley Long) first come together as a couple interested in writing (she) and teaching (he), but Albert's life takes an upscale turn when he starts both writing and then directing in Hollywood. As he becomes successful, Lucy is forced to burrow into her own writing in self-defense, and after her book is well-received, she is compensated a little for Albert's lack of attention and philandering. After Hollywood and its well-known flaws are sketched out in the increasingly strained marriage, the story reaches its primary focus: Albert and Lucy's 9-year-old daughter Casey (Drew Barrymore) talks to a lawyer because she wants to sue her parents for divorce. She gets no hugs or affection, and precious little attention, and she would prefer to go live with the maid. Given the parents' celebrity, the case receives wide press -- and the family begins to reconsider where it is going and why. Although a bit long, especially in the first half which wanders off course a little, the story is engaging enough (especially for Hollywood buffs) to balance any weaknesses. ~ Eleanor Mannikka, All Movie Guide