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Henry Kaiser Movies

1995  
PG13  
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Mel Brooks does it again with this send-up of vampire films. That Leslie Nielson plays the great blood-sucking count gives viewers a good idea as to what they are in for. This Dracula takes himself very seriously despite the fact that he's a bit of a klutz with a tendency to slip in the bat guano that adorns his castle floor. Staying very close to Bram Stoker's original story, Brooks also pays sly homage to other major vampire film classics, including Nosferatu. Though silly but subtle gags abound in this outing, Brooks has taken great care to recreate the late 19th-century atmosphere in rich detail and harkens back to Hammer horror movies popular during the '50s and '60s. ~ Sandra Brennan, Rovi

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Starring:
Leslie NielsenPeter MacNicol, (more)
 
1993  
PG13  
Mel Brooks directed and co-wrote this satiric comedy which lampoons a number of cinematic treatments of the legend of Sherwood Forest, including Robin Hood: Prince of Thieves and The Adventures of Robin Hood. Robin Hood (Cary Elwes) comes home after fighting in the Crusades to learn that the noble King Richard (Patrick Stewart) is in exile and that the despotic King John (Richard Lewis) now rules England, with the help of the Sheriff of Rottingham (Roger Rees). Robin Hood assembles a band of fellow patriots to do battle with John and the Sheriff, including Asneeze (Isaac Hayes) and his son Ahchoo (Dave Chappelle), the blind watchman Blinkin (Mark Blankfield), Will Scarlet O'Hara (Matthew Porretta), and Rabbi Tuckman (Brooks). The Sheriff is eager to put Robin Hood out of business with the aid of criminal mastermind Don Giovanni (Dom DeLuise), but Robin soon has an ally in the royal palace when he falls for the lovely Maid Marian (Amy Yasbeck), whose minder Broomhilde (Megan Cavanagh) has uncooperatively outfitted Marian with a chastity belt. The cast also includes Tracy Ullman, Robert Ridgely, and Clive Revill. ~ Mark Deming, Rovi

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Starring:
Cary ElwesRichard Lewis, (more)
 
1991  
PG13  
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If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, Rovi

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Starring:
Mel BrooksLesley Ann Warren, (more)
 
1987  
PG  
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A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, Rovi

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Starring:
Mel BrooksJohn Candy, (more)
 
1983  
PG  
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, Rovi

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Starring:
Mel BrooksAnne Bancroft, (more)
 
1981  
R  
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Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, Rovi

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Starring:
Mel BrooksDom DeLuise, (more)
 
1977  
PG  
This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, Rovi

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Starring:
Mel BrooksMadeline Kahn, (more)