Martin Balsam Movies

The title tells all in this western. The trouble is that it is difficult to tell whether or not the film is a serious venture or a parody. There is certainly plenty of violence. ~ Sandra Brennan, All Movie Guide

Yes, Paul Newman is a blue-eyed Indian in Hombre, but this apparent ethnic error is carefully justified in the body of the story. Newman plays a white man who was raised by the Apaches, and ever since has straddled two worlds, feeling truly comfortable in neither. While riding a stagecoach, Newman is subject to the racial bias of banker Fredric March and his snooty wife Barbara Rush. In truth, March is an embezzler, and has no reason to feel superior to anyone. This fact comes out when the coach is held up by murderous bandit-chief Richard Boone. When the passengers fight back, Boone takes Rush as a hostage. Newman, who by rights should be supremely satisfied that his tormentors are themselves tormented, proves himself the bravest of the passengers, sacrificing his own life to save Rush and put an end to Boone's reign of terror. Hombre is based on a novel by suspense specialist Elmore Leonard. ~ Hal Erickson, All Movie Guide

With Peter Sellers as star, Neil Simon as screenwriter, and Vittorio DeSica as director, how could After the Fox miss? Miss it did, however--though the film, patchy and inconsistent though it might be, definitely has its moments. Sellers plays an Italian master thief who can't seem to stay out of jail. His latest scheme involves moving $3 million worth of stolen gold bullion from Cairo to Rome. To cover his tracks, Sellers pretends to be a "nouvelle vague" movie director, filming a crime picture. Britt Ekland, Mrs. Sellers at the time, plays his movie-struck sister. The film is effortlessly stolen by Victor Mature, who is unbearably funny as a vainglorious hasbeen Hollywood star. Director DeSica shows up in the film as "himself"-at least until all his camera equipment is stolen by Sellers and his partner-in-crime Akim Tamiroff. Never as hilarious as it should have been, After the Fox nonetheless manages a few isolated belly laughs. Outside of Mature's performance, our favorite bit in the film is the final gag: "Ze wrong man has escaped!" ~ Hal Erickson, All Movie Guide

Jason Robards Jr. superbly re-creates his Broadway role in this 1965 film version of Herb Gardner's play. Robards plays Murray Burns, head writer of TV's popular Chuckles the Chipmunk show. Fed up with the rat race, Murray quits his job and retreats to his cluttered Manhattan apartment, where he carries on a nonconformist, laissez-faire existence with his 12-year-old nephew Nick (Barry Gordon). Though they're as close as father and son, Robards has never gotten around to legally adopting Nick, which brings him to the attention of social workers Sandra (Barbara Harris) and Albert (William Daniels). While Albert is disgusted by Murray's irreverence, Sandra falls in love with the free-spirited writer. Teaming up with Nick, Sandra tries to convince Murray to get another job. Arnold Burns (Oscar-winner Martin Balsam), Murray's agent-brother, is amused by his sibling's independence, but can find no work for him. Desperate not to lose Nick to the authorities, Murray offers to go back to Chuckles the Chipmunk -- aka Leo (Gene Saks), a neurotic bug who bullies his staff and hates kids. Young Nick is disillusioned by Murray's willingness to conform, and he throws an uncharacteristic temper tantrum. But the boy comes around to Murray's sudden realization that compromise is sometimes necessary if it's for the sake of someone you love. While the central message of A Thousand Clowns may grate on some viewers, the film is saved by the exuberance of the cast. ~ Hal Erickson, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Youngblood Hawke (James Franciscus) is a Kentucky truck driver who comes to New York City to make it as a writer. He meets editor Jeanne Green (Suzanne Pleshette), who sees talent in Hawke's work. Jeanne falls for the handsome Kentuckian and helps him put together a book deal. His first book is only moderately successful, but his confidence is lifted when veteran actress Irene Perry (Mary Astor) wants to make his story into a Broadway play. Hawke soon discovers he is desired by many women, and the heartbroken Jeanne takes a job at another publishing company. His second book makes Hawke the toast of the town and the New York social elite. When Hawke has an affair with the married socialite Frieda Winter (Genevieve Page), her husband Paul (Kent Smith) discovers his wife's infidelity and sets out to ruin Hawke's career. His third book bombs, Frieda's son kills himself over his mother's affair, and Hawke's financial fortune takes a severe nosedive. He returns to Kentucky to work on his next book, but he contracts pneumonia before realizing that Jeanne is the woman he really loves. Good supporting performances from Werner Klemperer, Don Porter, Eva Gabor, and Edward Andrews along with the principle characters make this sentimental melodrama a success. ~ Dan Pavlides, All Movie Guide

This romantic adult comedy finds psychiatrist Jason Steel (Dean Martin) the leader of a women's group therapy session. Jill St. John, Elizabeth Frazier, Macha Meril, Yoko Tani and Diane Foster all seek the advice of the handsome doctor, while husbands Louis Nye, Jack Soo, Richard Conte, and Martin Balsam ignore them in their usual poker game every Wednesday night. Jason plays doctor with pretty fiance Melissa (Elizabeth Montgomery) and Carol Burnette is his scatter brained secretary who does a hilarious striptease when she and Melissa can't pay for their dinner at a local nightclub after being stuck with the bill. ~ Dan Pavlides, All Movie Guide

Filmed in 1962 but not released in the US until 1966 (with 20 of its 108 minutes removed), Conquered City is an all-star World War II drama financed in Italy and filmed in Greece. An Athens hotel, full of refugees and expatriates of all nationalities, is captured by Allied troops in the closing days of the War. British Major David Niven has been ordered to prevent a cache of weapons hidden in the hotel from falling into the hands of renegade troops. He cannot allow himself to trust anyone--not even the most innocent-looking (or attractive) of guests. Originally titled La Citta Prigioniera. Conquered City was released in English-speaking countries outside the U.S. as Captive City. ~ Hal Erickson, All Movie Guide

Dean Martin plays an easygoing Southern politician, long on charm but short on brains. Susan Hayward, a poor girl with rich ideas, marries Martin and endeavors to engineer him into the governor's chair. Though no saint herself, Hayward is determined to overcome the good-old-boy corruption infesting the state government. She emerges triumphant after a public showdown with crafty politico Wilfred Hyde-White. Based on a novel by Wirt Williams,Ada was produced by the same team that had guided Susan Hayward to an Oscar nomination for I'll Cry Tomorrow. ~ Hal Erickson, All Movie Guide

Hoping to capture narcotics boss Alexander Raeder (Joseph Ruskin) during a "business transaction" at a Chicago amusement pier, Elliot Ness (Robert Stack) is thwarted by another crook, Arnold Justin (Martin Balsam). Making this a particularly bitter pill to swallow is the fact that Justin used to be a cop himself before he sold his soul to the Underworld. But Ness manages to turn the tables on on the treacherous Justin by putting him in bad with the formidable Frank Nitti (Bruce Gordon). If the actress playing the landlady looks familiar, it's because she is Barbara Pepper, better known as rural pig fancier Doris Ziffel on the 1960s sitcom Green Acres. ~ Hal Erickson, All Movie Guide

Arrested during a barroom brawl in a small and unfriendly town, Paladin (Richard Boone) groggily awakens in his jail cell to find he has been accused of murder. It seems that one of the other incarcerated brawlers has been mysteriously killed in his cell--and as a stranger in town, Paladin has been "elected" to shoulder the blame. With the town's marshal (Martin Balsam) under pressure to mete out justice, Paladin places his fate in the hands of a mercurial young woman named Maggie (Joanne Linville)--who knows more than she should about the tragic incident. ~ Hal Erickson, All Movie Guide