Katy Jurado Movies
A leading lady of Mexican cinema, Katy Jurado also found fame in Hollywood in the 1950s as a sultry supporting actress in such films as High Noon (1952) and Broken Lance (1954). Rather than abandoning her native country, however, Jurado remained a star of Mexican film as well as an esteemed character actress north and south of the border until she retired from movies in 1998.Born into a wealthy family, Jurado spent her early childhood in luxury until the family's lands were confiscated during the revolution. Nevertheless, her domineering grandmother continued to adhere to "aristocratic ideals," including staunch disapproval of Jurado's desire to become an actress after director Emilio Fernandez discovered her at age 16. Marrying actor/writer Victor Velazquez to escape her family's control, Jurado made her movie debut in No Maturas (1943). The talented sloe-eyed beauty quickly made her mark in the Mexican movie industry, winning three Ariels (Mexico's equivalent of the Oscar), including one for Luis Buñuel's El Bruto (1952). A divorced mother of two by her twenties, Jurado worked as a radio reporter, bullfight critic, and movie columnist between acting jobs to support her family. Spotted by Budd Boetticher and John Wayne at a bullfight, Jurado was subsequently cast in her first American film while on a trip to Hollywood, Boetticher's matador drama The Bullfighter and the Lady (1951). Though her English was still limited, and she learned her lines phonetically, Jurado garnered great critical acclaim for her second Hollywood picture, High Noon (1952). As upstanding marshal Gary Cooper's fiery ex-girlfriend, Jurado unforgettably locked horns onscreen with Cooper's prim bride Grace Kelly, and won a Golden Globe award.
Refusing to be pigeonholed by signing a Hollywood studio contract, Jurado went home to Mexico between American roles, and continued to star in such Mexican fare as melodrama Nosotros Los Pobres (1957) during the 1950s. Nevertheless, she was still a frequent presence in Hollywood movies, particularly in Westerns. Jurado earned a supporting actress Oscar nomination for her performance as cattle baron Spencer Tracy's Indian wife in Broken Lance (1954) -- and lived up to her sexy image when she noted on the red carpet that her underwear was the same color as her crimson Oscar gown. She also appeared in Man From Del Rio (1956), Marlon Brando's One-Eyed Jacks (1960), courtroom drama The Trial (1955), and Burt Lancaster's circus extravaganza Trapeze (1955). Jurado's life became Hollywood tabloid fodder when her relationship with her Badlanders (1958) co-star Ernest Borgnine blossomed into a brief, rocky marriage. Married in 1959, Jurado had separated and reconciled with Borgnine amid accusations of spousal abuse by 1961; after wrangling over alimony, the divorce became final in 1964. Having moved to the U.S. to be with Borgnine, Jurado acted less often during the 1960s, including roles in the glossy Barabbas (1961), the Spanish film Un Hombre Solo (1964), the TV Western series Death Valley Days (1964), and the Elvis Presley flick Stay Away, Joe (1968). After attempting suicide in 1968, Jurado moved back home to Mexico for good.
Although she worked occasionally in American films shot in Mexico, including co-starring with John Huston in The Bridge in the Jungle (1970) and a supporting role Sam Peckinpah's Western elegy Pat Garrett and Billy the Kid (1973), Jurado focused on Mexican movies, including El Elegido (1977) and Arturo Ripstein's La Seducción (1980), aging gracefully into a prominent character actress. After appearing alongside her former mentor Fernandez in Huston's somber drama Under the Volcano (1984), Jurado began to work behind the scenes in the Mexican industry, promoting her home state of Morelos to filmmakers. Even as she started garnering career laurels from the Santa Fe Western Festival in 1981 and the Mexican Film Promotion Trust in 1992, Jurado remained active, albeit infrequently, onscreen. After winning a special Ariel for lifetime achievement in 1997, Jurado made her last film, playing the leader of a religious cult in Ripstein's Buñuel-ian satire El Evangelico de Las Maravillas (1998). Still the pride of the Mexican film industry, Jurado passed away in 2002. She was survived by her daughter; her son was killed in a car accident in 1981. ~ Lucia Bozzola, Rovi
- 1961
This uneven but interesting drama by director and writer Renato Castellani tells the tale of a brigand and the people who become involved with him. Michele Rende (Adelmo di Fraia) is both a town legend and a hot-tempered young man who is thrown in prison after being accused of a murder he did not commit. Unwilling to submit to trial, Michele escapes and heads up into the hills, from which vantage point he helps poor farmers to carry out the illegal acquisition of unused farm lands. A local boy, Nino (Francesco Seminirao) has come to worship Michele like a real hero and later, Michele falls in love with Nino's sister. It is this last relationship that eventually leads to tragedy for all concerned. ~ Eleanor Mannikka, Rovi
- 1959
This drama, set in a Central American jungle, chronicles the love affair between a doctor and a sightless native woman. ~ Sandra Brennan, Rovi
- 1958
Peter Van Hook (Alan Ladd), alias The Dutchman, is nearing the end of a stretch in Yuma Territorial Prison for a gold robbery that he didn't commit. Released early with the unwitting -- and unwilling -- help of fellow inmate John McBain (Ernest Borgnine), he sets about getting even with the men and the mining company whose original owner got him into trouble, in a plan of double- and triple-crosses for which he needs the reluctant help of McBain. The latter wants nothing more than to go back to the life of a rancher -- and then he discovers something equally important in life, when he steps in to help a victimized Mexican woman (Katy Jurado). Suddenly, McBain is very interested in the Dutchman's scheme, and with the help of explosives expert Vincente (Nehemiah Persoff), they pull off what looks like an absolutely perfect robbery of a gold mine -- even the evidence that a crime was committed ends up being covered up. But Cyirl Lounsberry (Kent Smith), the financier who's supposed to fence the gold, has other ideas, and a crooked lawman (Adam Williams) to back him up. ~ Bruce Eder, Rovi
- Starring:
- Alan Ladd, Ernest Borgnine, (more)
- 1957
Dragoon Wells Massacre is a topnotch western from the Allied Artists factory. Barry Sullivan stars as wanted killer Link Ferris, who at the beginning of the film is arrested by marshal Bill Haney (Trevor Bardette). Dennis O'Keefe co-stars as Cavalry officer Matt Riordan, assigned to escort Ferris to prison through hostile Indian country. It comes to pass that hero and villain -- and their respective entourages -- are forced to rely upon each other to survive an Apache attack (led by western-flick veteran John War Eagle) at Dragoon Wells. Mona Freeman and Katy Jurado offer interesting performances within their stock heroine requirements, while Sebastian Cabot is sublimely cast as a shifty trader. ~ Hal Erickson, Rovi
- Starring:
- Barry Sullivan, Dennis O'Keefe, (more)
- 1957
One of several filmed presentations seen on the otherwise "live" TV anthology Playhouse 90, "Four Women in Black" is a western story based on fact. Ralph Meeker plays outlaw Carbine Webb, who while fleeing a posse takes refuge in a covered wagon in the middle of the desert. But Carbine is not alone: The wagon also shelters four Roman Catholic nuns, who'd been heading to Tucson when they were besieged by horse thieves. Hoping that there is still some essential goodness in Webb, the nuns prevail upon him to guide them to safety. He does so, assuming that once he's played good samaritan, the sisters will leave him alone--but he's very, very wrong. Helen Hayes heads the cast as Sister Theresa, with Katy Jurado, Janice Rule and Narda Onyx as the other three nuns. Originally telecast in 1957, Four Women in Black was rebroadcast by Playhouse 90 on August 22, 1961. ~ Hal Erickson, Rovi
- Starring:
- Helen Hayes, Ralph Meeker, (more)
- 1956
The dramatic weight of Man From Del Rio rests securely on the broad shoulders of star Anthony Quinn. Cast as an indigent Mexican gunslinger, Quinn is asked by an old pal to clean up an outlaw-ridden western town. Knowing that his reputation is exaggerated, Quinn relies on braggadocio and bluff to keep the villains at bay. But when he is appointed town sheriff, it is "put up or shut up" time. Katy Jurado, who'd become "typed" as a western actress since High Noon, costars as Quinn's would-be lover. Man From Del Rio offers little that hasn't been seen before, but Anthony Quinn keeps things moving at a fast and exciting clip. ~ Hal Erickson, Rovi
- Starring:
- Anthony Quinn, Katy Jurado, (more)
- 1956
Former circus aerialist Burt Lancaster was the logical choice to star in the Technicolor drama Trapeze. Lancaster plays a crippled acrobat, disabled after attempting to perform a dangerous triple mid-air somersault. Tony Curtis co-stars as an aspiring aerialist who coerces Lancaster into teaching him the tricks of the trade. The friendship between Lancaster and Curtis is threatened by the arrival of beautiful, ambitious circus tumbler Gina Lollobridgida (it's a toss-up as to which of the three stars looks best in spangled tights). Surprisingly, Lancaster's former circus partner Nick Cravat is nowhere to be found in the film; we are, however, treated to the harmonica virtuosity of Johnny Puleo. Trapeze is highlighted by its truly breathtaking stunt sequences, performed by the cream of the European big-top circuit. ~ Hal Erickson, Rovi
- Starring:
- Burt Lancaster, Tony Curtis, (more)
- 1955
The CinemaScope process gets a rugged workout in Henry Hathaway's The Racers. Kirk Douglas stars as an Italian bus driver who dreams of entering the Grand Prix as a world-famous race car driver. Being Kirk Douglas, he achieves his goal, racing in all the major events around the globe. Dedicated to the philosophy of "winning is the only thing", Douglas alienates his fellow racers and everyone else with whom he comes in contact. Only when he is on the verge of losing his sweetheart Bella Darvi does our hero put his priorities in order. Adapted from a novel by Hans Ruesch, The Racers was remade in a 60-minute version as Men Against Speed, an entry in the weekly TV anthology The 20th Century-Fox Hour. ~ Hal Erickson, Rovi
- Starring:
- Kirk Douglas, Bella Darvi, (more)
- 1955
Adapted by Don M. Mankiewicz from his own novel, Trial is a surprisingly timely story of how justice can sometimes be compromised by "special interests". It all begins when Mexican youth Angelo Chavez (Rafael Campos) is placed on trial for the murder of a white teenaged girl. Battling the lynch-mob mentality in and out of the courtroom is relatively inexperienced defense attorney David Blake (Glenn Ford). Believing that anything done on behalf of his client is for the common good, Blake approves the organization of an "Angelo Chavez Society" to pay the boy's court costs and ostensibly see that justice is done in the face of small-town prejudice. Soon, however, Blake discovers that both he and his client are being used as dupes by a Communist lawyer, who hopes that Chavez will be found guilty and executed, thereby creating a martyr for the Red cause. Much was made in 1955 of the fact that the presiding judge is a black man, played by Juano Hernandez. A bit creaky at times, Trial nonetheless still packs a wallop when shown today. ~ Hal Erickson, Rovi
- Starring:
- Glenn Ford, Dorothy McGuire, (more)
In this Western with curiously Shakespearean undertones, Matt Devereaux (Spencer Tracy) is a ranch owner who has tried to raise his sons to carry on the fierce, hard-working spirit that helped make him a success. However, as a consequence, he never learned to show them affection and treats his boys little better than the hired help. Joe (Robert Wagner), is Matt's son by Native American wife Señora (Katy Jurado). Because of Joe's mixed ethnicity, he is treated prejudicially by his three half-brothers, Ben (Richard Widmark), Mike (Hugh O'Brian), and Danny (Earl Holliman) -- all Caucasian sons of Matt's first wife. Joe loves his father and would do nearly anything for him, but his siblings resent Matt's emotional distance. When Matt discovers a nearby copper mine is polluting a stream where he waters his cattle, he becomes furious and leads a raid on the mine that causes the law to visit the ranch; the police have a warrant to arrest whoever was responsible for the attack. To spare his father the agony and humiliation of a stay behind bars, Joe claims responsibility and spends several years in prison. When he's released, he discovers that Ben and his other brothers rebelled against their father with such extremity that the old man suffered a fatal stroke. While Señora tries to persuade Joe not to seek revenge, Ben is more than willing to fight his brother for taking his father's side. Screenwriter Philip Yordan won an Academy Award for his work on Broken Lance, while Katy Jurado received a Best Supporting Actress nomination for her performance as Señora. ~ Mark Deming, Rovi
- Starring:
- Spencer Tracy, Robert Wagner, (more)
Adapted from a novel by W.R. Burnett (which hadn't yet been published when the film was released), Arrowhead is a tough, uncompromising western dealing with the delicate issue of White-Indian relations. Charlton Heston is at his most truculent as Indian agent Ed Bannon, who though raised by Apaches has a very low opinion of the tribe's trustworthiness. Bannon's warnings about Indian treachery would seem to be borne out by a series of bloody raids upon the cavalry, but the officers in charge refuse to believe him. It turns out that the man behind the Apache attacks is Toriano (Jack Palance), the chief's college-educated son, who has rejected the ways of the White Man and intends to reclaim his birthright. The film boils down to a mano y mano battle between Bannon and Toriano, personal enemies from way back. Hardly politically correct, Arrowhead is worth seeing if only for the multitextured performance by Jack Palance. ~ Hal Erickson, Rovi
- Starring:
- Charlton Heston, Jack Palance, (more)
- 1953
Republic "regulars" Rod Cameron, Arleen Whelan and Forrest Tucker star in the A-minus western San Antone. During the Civil War, Texan Carl Miller (Rod Cameron) adopts a neutral stance regarding the conflict. Miller is branded a coward by Brian Culver (Forrest Tucker), a Confederate blowhard whose bravado masks his own cowardice. The animosity between the two men reaches the boiling point after the war, when Culver kills Miller's father. Soon afterwards, Culver finds himself the prisoner of Mexican rebel leader Chino Figueroa (Rudolpho Acosta). Miller heads to Mexico to rescue Culver -- not out of altruism, but so that he can kill Culver himself. Reversing the usual typecasting procedure, leading-lady Arleen Whelan is the villainess, while second lead Katy Jurado, cast as Figueroa's sister, plays a sympathetic role. San Antone was adapted by Steve Fisher (I Wake Up Screaming) from a novel by Curt Carroll. ~ Hal Erickson, Rovi
- Starring:
- Rod Cameron, Arleen Whelan, (more)
This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, Rovi
- Starring:
- Gary Cooper, Grace Kelly, (more)
A Bunuel melodrama about a man conned into harassing tenants that his boss wants evicted. Other complications along the line are his seduction by the boss's mistress and his falling in love with a girl whose father he has accidentally murdered. ~ Tana Hobart, Rovi
- Starring:
- Pedro Armendáriz, Katy Jurado, (more)
- 1950
Director Budd Boetticher's love of bullfighting comes to the fore in this film drama, directed and co-written by Boetticher (and produced by John Wayne). Robert Stack plays the cocky American Chuck Regan, who travels to Mexico and falls in love with the sultry Anita de la Vega (Joy Page). In order to impress her with his prowess, he convinces the famed matador Manolo Estrada (Gilbert Roland) to mentor him in the art of bullfighting. But Chuck's carelessness causes the tragic death of Manolo, resulting in Chuck's being shunned by both the villagers and Anita. In order to regain Anita's love and the villagers' respect, Chuck re-enters the arena, taking on a bull in Manolo's honor. ~ Paul Brenner, Rovi
- Starring:
- Robert Stack, Joy Page, (more)
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