Calvin Jung Movies

A former juvenile delinquent is determined his little brother will not follow the same path in life in this independent drama. Suggzy Sugimoto spent the earliest part of his childhood at California's Manzanar internment camp during World War II, and while the war eventual ended, Sugary found no easy path to slip back into conventional society. As a teenager, Suggzy fell in with an Asian youth gang after his parents were killed as he and his younger brother Marco looked on. Sugary spends twenty-five years in prison after shooting the men who took his parents lives; upon his release, Suggzy discovers Marco has taken up the same life of crime he left behind in prison, only with less cause and greater danger. Can Suggzy save Marco from the streets before he winds up dead or in jail? Also known as Savage Boys, Buddha Heads was the first feature for director Brian Maeda, and features Calvin Jung and Eddie Mui. ~ Mark Deming, All Movie Guide

The tenth season of Murder, She Wrote begins as Jessica Fletcher (Angela Lansbury) travels to Hong Kong, where she attends a banquet honoring a high-profile American businessman. With Jessica in attendance, a murder is a foregone conclusion--and sure enough, the businessman is poisoned to death. Coul this be tied in with the dead man's efforts to merge with the head of a controversial Chinese manufacturing firm? The answer may be within a hundred-year-old egg that Jessica holds in her well-manicured hand. ~ Hal Erickson, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

This, the third issue in the American Ninja series, stars karate expert David Bradley who goes to Japan for ninja training so he'll be able to avenge his father's murder. Once trained, he enters in an international karate contest held by some no-goods who'd like to get their hands on the world's toughest fella so they can try out a new artificial disease they've created. (They figure the best way to test the disease is upon the toughest guy they can find.) Most action occurs on a Caribbean island. ~ All Movie Guide

Paul Verhoeven's American breakthrough film, Robocop, is an exceedingly violent blend of black comedy, science fiction, and crime thriller. Set in Detroit sometime in the near future, the film is about a policeman (Peter Weller) killed in the line of duty whom the department decides to resurrect as a half-human, half-robot supercop. The RoboCop is indestructible, and within a matter of weeks he has removed crime from the streets of Detroit. However, his human side is tortured by his past, and he wants revenge on the thugs who killed him. The film was later followed by two feature-length sequels and a live-action television series, neither of which were as successful as the original film. ~ Stephen Thomas Erlewine, All Movie Guide

A peaceful Midwestern city attempts to recover after it is destroyed by a nuclear missile strike in this powerful and deeply disturbing testament to the folly of pro-military hawks who believed that annihilation was a justifiable means of attaining power and control. The Day After originally aired on network television. At the end of the broadcast, many stations offered teams of counselors staffing 800 telephone numbers to help distraught viewers calm down. ~ Sandra Brennan, All Movie Guide

The Challenge is a classy effort directed by John Frankenheimer. Scott Glenn stars as an American boxer who finds himself in the middle of a Japanese blood feud. Toshiro Mifune and Atsuo Nakamura plays the last surviving brothers of an ancient samurai family, embroiled in a battle of the possession of the family swords. Once involved in this contretemps, Glenn must also contend with the minions of the Yakuza, a Japanese Mafia-style organization. Sword of the Ninja was co-written by John Sayles, better known as the writer/director of such films as Brother From Another Planet and Eight Men Out. ~ Hal Erickson, All Movie Guide

Pueblo is a 2-hour videotaped special, originally telecast March 29, 1973 on ABC Theatre. Hal Holbrook stars as commander Lloyd M. Bucher, who in January of 1968 was forced to surrender the USS Pueblo to North Korea. The drama is staged in an impressionistic manner, with dramatized transcripts from Bucher's subsequent Naval Review Board testimony flashing back to isolated moments of terror and torment during the Pueblo crew's 11-month sojourn in a North Korean prison camp. Despite network restrictions of the era, Pueblo is refreshingly frank, right down to the first-ever TV display of a familiar obscene gesture (which the American prisoners explain away to their captors as a "salute"!) Written by Stanley R. Greenberg, Pueblo was later adapted to a stage play, starring Shepperd Strudwick as Bucher. ~ Hal Erickson, All Movie Guide