Jean-Pierre Martins Movies

This tense psychological drama from France concerns Antoine Lahoud (Roschdy Zem), a forty-year-old attorney who believes himself destined for more ambitious pursuits than the meaningless, petty criminal cases he finds himself pursuing. Circumstances change when Antoine receives an offer from the venerable attorney Henry Marsac (Jean-Philippe Ecoffey) to help him defend wicked, evil criminal clients; Antoine agrees but soon learns that the assignments come with messy strings attached. ~ Nathan Southern, Rovi

To the French, Michel "Coluche" Colucci (1944-86) was not merely a household name but a veritable institution. A stocky, goofy comic who often turned up in big screen farces such as L'Aile Ou la Cuisse (1976) and Inspecteur la Bavure (1980) , Colucci gained notoriety for his emotionally rocky and stormy personal life that witnessed him battling alcoholism and extreme drug addiction - making him something of a French equivalent to John Belushi or Chris Farley. Unlike Belushi or Farley, however, Coluche made the unusual decision (for one of his background) to briefly enter mainstream politics. In a bid for the French presidential nomination in 1981, he delighted many and shocked others by reeling in an impressive 15% of the French popular vote - reason enough to believe that this actor, with solid humanitarian values and a commitment to civil rights, might have actually stood a solid chance had he campaigned more aggressively and remained in the running for a longer period. Antoine de Caunes's biopic Coluche, l'Histoire d'un mec hones in exclusively on this intriguing period of the comic's life and career, with François-Xavier Demaison playing the famous actor. The tale begins with his impulsive and drug-fueled decision to run on the ticket, coaxing bums, drunks and social outcasts to band together and lay waste to mainstream politicians. When Coluche pulls in around 10% of the vote, he draws the ire of politicos François Mitterand and Valerie Giscard d'Estaing, who promptly send out an advisor to dissuade the funnyman from running. Director de Caunes spends the majority of the film cross-cutting between recreations of Coluche's popular stage acts, and a not uncritical look at the star's attempts to push himself to his very limits and beyond -- with a mainstream political run that began as a joke but quickly took on very real and frightening proportions. ~ Nathan Southern, Rovi

Writer/director Olivier Dahan (Crimson Rivers II) helmed La Vie en Rose, the screen biopic of tragic French songstress Edith Piaf. Marion Cotillard portrays Piaf, the superstar once raised as a young girl by her grandmother in a Normandy bordello, then discovered on a French street corner -- as a complete unknown -- by cabaret proprietor Louis Leplée (Gérard Depardieu). The film segues breezily between various episodes from Piaf's life -- such as her lover, French boxer Marcel Cerdan's (Jean-Pierre Martins) championship bout in mid-'40s New York; her period in Hollywood during the '50s; Piaf's abandonment as a young girl by her contortionist father (and earlier by her mother, a street singer); her brushes with the law as an adult; and her 1951 car accident and subsequent morphine addiction that caused her to age well beyond her years and left her barely mobile; and, through it all, her ability (like Billie Holiday) to funnel personal tragedy and emotional struggles into her vocalizations -- dazzling audiences in the process. ~ Nathan Southern, Rovi