Jean-François Balmer Movies

Directors Michel Gondry, Bong Joon-ho, and Leos Carax each direct a segment of this triptych feature about life in 21st century Tokyo. The saga begins with Gondry's segment, entitled "Interior Design," about a young couple who moves in with an old friend while attempting to establish themselves in Tokyo. Hiroko (Ayako Fujitani) and Akira (Ryo Kase) have just arrived in the city. They're eager to launch their careers, but first they'll have to find a place to stay. Though Hiroko's old friend Akemi (Ayumi Ito) opens her doors to the ambitious young couple, her boyfriend isn't exactly thrilled by the new living arrangement. As Akira takes his first steps toward becoming a filmmaker, the neon jungle beckons to Hiroko. Before long, Hiroko begins to experience a startling metamorphosis that instills her with a newfound sense of peace and purpose.

The second chapter, Leos Carax's "Merde," follows the debased exploits of an unsightly subterranean creature (Denis Lavant) who emerges from the Tokyo sewers to taunt and torment the unsuspecting denizens of the city. Stealing cash, pilfering cigarettes, frightening old ladies, and even going so far as to salaciously lick schoolgirls, the gibberish-spewing troublemaker dubbed Merde sparks a media frenzy that sends all of Tokyo into a panic. The situation spirals as Merde discovers an arsenal of hand grenades in his underground lair, and begins throwing them in the streets at will, creating an environment of total urban terror. Later, Merde is apprehended and pompous French magistrate Maître Voland (Jean-François Balmer) arrives to defend the deviant in a Japanese court. The only person capable of speaking his client's unintelligible language, Voland stands at the center of a media circus that soon engulfs all of Japan. When Merde is convicted by the court and sentenced to death, justice takes a turn for the surreal.

The trilogy winds to a close with Bong Joon-ho's "Shaking Tokyo," in which a reclusive pizza addict who hasn't left his apartment in over a decade falls for a pretty delivery girl at the very same moment an earthquake hits Japan. A so-called hikikomori who never dares venture outside, the lonely shut-in (Teruyuki Kagawa) subsists almost solely on pizza delivery. When a beautiful delivery girl shows up at his door and promptly faints when the ground begins to shake, it's love at first sight. Later, the agoraphobic man discovers that the object of his affections has become a hikikomori herself, and boldly ventures out of his apartment in order to declare his love. The moment he sets eyes on her, the ground starts to rumble once again. ~ Jason Buchanan, All Movie Guide

With his Springtime in Paris, long-inactive French helmer Jacques Bral both resuscitates and pays homage to the classic European caper film, crafting a small, occasionally humorous crime thriller in the mold of Rififi and Bob le flambeur, that focuses almost entirely on the aftermath of a crime in lieu of the heist itself. The film opens with thief-turned-convict Georges (Eddy Mitchell) released from prison after a five year stint, and dragged immediately back into the underworld by several nefarious pals. He teams up with fellow thief Pierrot (Sagamore Stevenin) to lift a bejeweled necklace from a safe in a private residence. The operation progresses smoothly; the aftermath turns deadly. Several in-the-know parties make the foolish decision to open their traps, which inadvertently pulls the cops in; soon after, events begin to spiral rapidly out of control. From there, Bral packs in a series of unforeseeable twists, turns, and double-crosses to keep the viewer in a permanent state of suspense. Pascale Arbillot and Pierre Santini co-star; Bral authored the original script. ~ Nathan Southern, All Movie Guide

Master filmmaker Raúl Ruiz adds a black comedy to his far-reaching body of work with That Day, a playful meditation on money, death, and false spirituality. Livia (Elsa Zylberstein) and Pointpoirot (Bernard Girardeau) are, respectively, a spoiled society woman who suffers from delusional visions of heavenly apparitions and a crazed serial killer on the loose after a successful prison break. It isn't long before fate brings the two together, and after thwarting Pointpoirot's initial attempts to murder her, Livia soon warms to the charming sociopath. The duo makes short work of Livia's greedy family -- who were planning on killing her and collecting her fortune, anyway -- and as the death count rises, a romance develops between the two. ~ Michael Hastings, All Movie Guide

Can a man find true love with a woman who could easily do a lot better? Octave (Patrick Chesnais) would seem to fit most people's working definition of a loser -- even though he's over 50, he doesn't have a steady job, still lives with his mother (Micheline Presle), and spends most of his time with his friends Achille (Bernard Crombey) and Hector (Jean-Francois Balmer), with whom he plays in a none too impressive jazz combo. But Octave has self-confidence and charm to spare, and he decides to put them to work when he meets Esther (Alexandra Vandernoot). Octave is immediately smitten with Esther, though she's hardly taken with him at first, probably owing to the fact that he'd just run is car into hers. Esther is a successful artist about two decades Octave's junior, and she has a stylish flat and a handsome boyfriend (Samuel Labarthe), hardly needing someone like Octave in her life. But Octave isn't about to give up, and his willingness to do almost anything to get Esther's attention -- including jumping into the Seine -- eventually makes her warm to her curious new suitor. Charmant Garcon was the first feature directed by noted actor Patrick Chesnais, who also starred as Octave. ~ Mark Deming, All Movie Guide

This historical drama is based on a true story from 17th century France. Madame de Maintenon (Isabelle Huppert) rises from humble beginnings to become a courtesan to the royal court and eventually marries King Louis XIV (Jean-Pierre Kalfon). With the king's indulgence, Maintenon opens a special school for girls, seeking to educate young ladies of distinguished parentage but limited financial means. With the coaching of Maintenon and her staff, the girls learn to speak French with a linguist's precision, in addition to studying philosophy and history. However, when two of Maintenon's charges, Anne (Morgane More) and Lucie (Nina Meurisse), recite material in class that Madame deems inappropriate, it begins a war of wills between the headmistress and her students. The girls begin demanding increasingly greater freedom of both mind and body, as Maintenon turns from espousing beauty and liberty to demanding strict self-denial and enforcing an increasingly narrow set of regulations. Velvet Underground co-founder John Cale composed the film's original score. ~ Mark Deming, All Movie Guide

An ambitious project of Chile-born, Paris-based Raul Ruiz, this psychological drama brings to the screen the famous classic of Marcel Proust with fidelity to its interior monologues and streams of consciousness. Proust (Marcelo Mazzarella), on his deathbed in his small apartment on Rue Hamelin, is looking through old photos and remembering his life, as real characters intermingle with fictional ones from his novels. The period is 1914-18, when WWI is raging. Hidden in Paris, thanks to his asthma, Marcel Proust wanders into the night. He finds an aging courtesan in Café de la Paix, which is deserted by the curfew. Charlus, the seducer of young boys, is at the Palais des Felicites where he meets his lovers. Gilberte returns alone to Tansonville to evade the confiscation of her chateau by the Germans after the death of her husband at the front. Famous violinist Morel is hiding in a decrepit hotel. The demoralizing effects of war affect all the characters, hastening their decadence or transforming them into caricatures. In the whirlpool of the grotesque specter of war, Marcel finds refuge in his childhood memories to escape the atrocities around him. Death and decadence, the evanescence of human existence, and the relations between space and time are some of the main themes explored in this film, which reflects the works of Marcel Proust in every detail. Raul Ruiz has on his side a very good screenwriter, Gilles Taurand, and an impressive cast: Catherine Deneuve and John Malkovich, who have collaborated with Ruiz before, Emanuelle Béart, Vincent Pérez, Pascal Greggory, and the Italian man of theatre, Marcello Mazzarella. Shown in competition at the 1999 Cannes Film Festival. ~ Gönül Dönmez-Colin, All Movie Guide

An ice-cold, ruthless business woman, desperate to have a baby, makes a deal with a small manufacturer, desperate to save his business from being take over by the woman's larger company. This French comedy, filled with open discussions of the reproductive process, chronicles the result of their bargain. In order to keep his family toymaking business in France, Eric Fleury agrees to marry the 36-year-old, tough executive Sandrine Rey. Unfortunately, he believes that conjugal rights are part of the bargain. Sandrine has other plans. ~ Sandra Brennan, All Movie Guide

This European thriller, set in Sri Lanka, attempts to expound upon the philosophical implications of life, death, and memory. JB, an academic famed for his studies of oriental culture and alcoholic who has never recovered from his wife's suicide, returns to Sri Lanka to translate a book written on glass. It is supposed to contain Buddha's discourse upon memory. While he is there, an attractive nurse, Julia asks him to assist a young boy who wants to locate his father who is now living in a Tamil-occupied area. The Tamil terrorists will kill any trespassers. Compounding JB's conflict in deciding to go is that his former home where he lived with his wife is in that area. Unbeknownst to him, the boy is really a Tamil spy. ~ Sandra Brennan, All Movie Guide

This artistic French film is director Charles Matton's account of the time he spent as a 9-year old living with German soldiers who overtook his home during WW II. The story begins with the camera, from above, panning a set on a sound stage and moving downward into an artist studio where Matton explains the coming scene. He points to the painting of a lawn, and the painting becomes real. Within the large, charming house of the scene, young Charles lives with his religious older sister, his psychic mother and their two female servants. One day in June, 1940, Charles' father Pierre bursts in after walking 200 miles from Paris to announce that the Germans have arrived. Pierre hates war, so when a group of soldiers demand housing, he acquiesces, unaware that the Germans would remain in their home for the next two years! Charles befriends Karl, one of the soldiers who speaks French and who hates killing. As their friendship grows, Karl gives Charles a scale model of a zeppelin and a notebook about the stars. From his Jewish tutor, Charles learns about light and shadow, and life is peaceful until Germans come and throw out Charles's Jewish neighbors and burn their home. ~ Sandra Brennan, All Movie Guide

After trying a job as a stripper in a Barcelona carnival, Eva (Aure Attika) is ready for something new, so she heads over to France and becomes the roommate of a gay American artist (Phillip Bartlett) and works as the housewife for two wealthy older homosexuals (Claude Chabrol and Jean-François Balmer. After she gets settled, she takes a job at a government office for a while but then decides to have a child, which her obliging roommate makes with her the old fashioned way. He then returns to his usual preference, while Eva explores becoming an artist herself. From time to time in this easygoing comedy, Eva's similarly independent and quirky mother (Bernadette Lafont) shows up. ~ Clarke Fountain, All Movie Guide

In this impressionistic drama, an artist (Anne Letourneau) comes back to her hometown of Montreal. However, her emotional state has become unstable, and as she observes the world through the windows of her home, she finds herself increasingly unable to distinguish fantasy from reality. La Fenetre also features Jean-François Balmer and Albert Millaire. ~ Mark Deming, All Movie Guide

With its release timed to coincide with celebrations of the 200th anniversary of the French Revolution (1789-94), this film is actually two films released under one general title. The first, subtitled The Light Years, covers the period from the first stirrings of the revolution (e.g., the convocation of the Estates General (the pre-revolutionary parliament) by King Louis the Sixteenth, through to the moment when the King throws himself on the mercy of the National Assembly (the post-revolutionary legislature) in 1792. The second film, The Terrible Years, covers the time from the King's execution through the years of "the terror," during which anyone might be executed by the newly invented guillotine, concluding with the execution of the firebrand Robespierre and the end of the terror in 1794). Every scene in this huge international production (with an international cast) was filmed once each in English and French, although certain actor's roles were dubbed in later. Some of the better known performers appearing include Claudia Cardinale, Peter Ustinov, Klaus Maria Brandauer, Jane Seymour, and Jean-Francois Balmer. ~ Clarke Fountain, All Movie Guide