Raul Julia Movies
Born to a prosperous Puerto Rican family, suave and handsome leading man Raul Julia acted in school plays and in college before coming to the U.S. in 1964. After studying drama with Wynn Handman, he made his New York stage debut in 1964 in a Spanish play. In 1966 he began a long association with Joseph Papp and the New York Shakespeare Festival. After debuting onscreen in The Organization (1971) with Sidney Poitier, he did another film the same year, then went until 1976 before getting another screen role; meanwhile he built his reputation on stage and TV, and frequently appeared on the children's educational show Sesame Street. For his portrayal of Macheath in The Threepenny Opera, Julia won a Tony award. His screen career did not take off until the early '80s, when Francis Ford Coppola enlisted him for the short-lived Zoetrope Studios stock company; he went on to appear in Coppola's One from the Heart (1982). The role for which Julia received the most acclaim was as a political prisoner in Kiss of the Spider Woman (1985). Although never making it into the realm of stardom, he sustained a busy screen career; he appeared in five films released in 1988 and four in 1990. He gained recognition from a younger generation for his portrayal of Gomez Addams in the popular comedy The Addams Family (1991) and its sequel. Julia died suddenly shortly after the filming of Streetfighter in 1994. ~ All Movie Guide- 1992
- R
The life and death of Isabel LaNegra (Miriam Colon), a woman who rose from poverty to become a famed Caribbean madam, is the subject of a South American reporter's investigation. ~ Jason Ankeny, All Movie Guide
The ghoulish cartoon family created by Charles Addams returns for a second big-screen outing darker and nastier than the first. When Morticia Addams (Anjelica Huston) gives birth to new baby boy Pubert, the other Addams children, Pugsley (Jimmy Workman) and Wednesday (Christina Ricci), devise any number of ways to kill off their new sibling. This leads Morticia and her husband, Gomez Raul Julia, to hire a nanny (Joan Cusack) to oversee all three children. But the nanny has an agenda of her own, packing the Addams children off to a horrid parody of summer camp and setting out to seduce Uncle Fester (Christopher Lloyd), all with the goal of getting her hands on the Addams family fortune. Of course, the Addams eventually triumph, with this blacker-than-most satire extolling the virtues of eccentricity and non-conformity above all. It was followed by 1999's direct-to-video Addams Family Reunion, with Darryl Hannah and Tim Curry replacing Huston and the late Julia. ~ Don Kaye, All Movie Guide
- Starring:
- Anjelica Huston, Raul Julia, (more)
- 1971
Richard Farina's late-1960s "alienation" novel Been Down So Long it Looks Like Up to Me was given a belated, and somewhat anachronistic, screen treatment in 1971. Though set in 1958, the original novel spoke most loudly to the post-Beat Generation hippies of the next decade. The film spoke to no one, except perhaps a few ageing hipsters who couldn't shake off the past. Barry Primus plays the central character, a sixties activist in the making on an uptight college campus. Amidst the jive-talk and the scrungy clothing, the film contains a few obligatory sex scenes, indicating perhaps that it was this element of beatnik life that most attracted the filmmakers. ~ Hal Erickson, All Movie Guide
- 1985
- R
Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide
- Starring:
- Susan Sarandon, Raul Julia, (more)
The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide
- 1995
- R
In this psychological drama, a woman tries to get on with her life after she is captured and tortured in a nameless South American country. It begins as US journalist Helen McNulty and her photographer/lover Jan travel to the country to find a rebel leader. Instead they are captured during a protest demonstration, separated, and tortured. She survives the ordeal and ends up back in Portland, Oregon, still grieving for Jan a year later. Though she has buried most of the terrifying experience and is determined to live a normal life, she finds herself forced to face the experience when she attends a symposium for survivors of political torture and decides to write a story on Anna Lenke, the keynote speaker and Holocaust survivor. Lenke runs a center for survivors and while there, Helen finds Anna treating her like a therapy patient, rather than a reporter. Conflict ensues. More conflict erupts when a mysterious, Latin professor, Tomas Ramirez arrives at the clinic. ~ Sandra Brennan, All Movie Guide
A shutterbug is haunted by psychic visions of the killer who is murdering all of her friends in this hit thriller. Intense and driven, successful photographer Laura Mars (Faye Dunaway) has made a name for herself by juxtaposing sex and violence in her glamorous photos. But at the height of her success -- and just as a media backlash is brewing -- she begins to experience daydreams from the point of view of a serial killer as he relentlessly stalks and murders her associates. Her unbalanced ex-husband (Raul Julia) seems like an obvious suspect, especially when his new girlfriend is murdered and he goes on the lam. But Laura is shocked by the prospect that the killer could be somebody out to discredit her work, which she views as an artistic commentary on the degradation of the modern world. Under the protection of police detective John Neville (Tommy Lee Jones), Laura is unable to save even one of her friends from a violent end. Soon, she finds herself inside the mind of the killer as he marches down a familiar hallway: the one outside her own door. Co-written by Halloween director John Carpenter, Eyes of Laura Mars also features character actors Brad Dourif and René Auberjonois. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Faye Dunaway, Tommy Lee Jones, (more)
- 1987
Though set in Cuba, the made-for-cable Florida Straits was lensed in South Carolina. The film is set twenty years after the Bay of Pigs invasion. Raul Julia, Fred Ward and Daniel Jenkins sneak back into Castroland to search for a fortune in gold that had been buried during the abortive 1961 military action. Their mission is complicated by a woman from Julia's past. Scripted by Roderick Taylor, Florida Straits was first telecast on October 26, 1986. ~ Hal Erickson, All Movie Guide
Legendary low-budget mogul Roger Corman made a somewhat inauspicious return to the director's chair for the first time in nearly twenty years (unless one counts his uncredited participation in "pickup" shoots for several New World Pictures productions) for this quaint sci-fi/horror outing, based on the popular novel by Brian Aldiss. Opening in the year 2031, the story begins with scientist Joseph Buchanan (John Hurt) working on a top-secret military project that creates a rift in time in space, hurtling him and his ultra-high-tech hotrod backwards through time to the early 19th century. Buchanan manages to adapt quite well to his new surroundings, particularly after making the acquaintance of fellow scientist Baron Frankenstein (Raul Julia). Curiously, the Baron is presented here as an authentic historical figure, and his monster-making efforts the basis for the famed book by Mary Shelley (Bridget Fonda), which was a work of fiction. After ruminating about his situation with Mary and her future husband Percy Shelley (late INXS frontman Michael Hutchence) at the villa of mad poet Lord Byron (Jason Patric), Buchanan is approached by the Baron to help construct a mate for his intelligent but homicidal creature (Nick Brimble). Unfortunately, things do not go according to plan, leading to an ironic denouement that finds Buchanan pondering the apocalyptic results of his life's work. The film boasts solid production values and some beautiful location photography (most of the film was shot in Italy); however, the classy look and high-profile casting can't disguise the overall feel of an early New World outing, albeit with a much larger budget. The script, adapted by Corman and writer F.X. Feeney, eliminates many of the novel's intellectual twists and turns; much of the remaining dialogue comes off as merely pretentious. ~ Cavett Binion, All Movie Guide
- Starring:
- John Hurt, Raul Julia, (more)
A cynical gambler reluctantly comes to the aid of a mysterious beauty in this interpolation of Casablanca and the real-life Cuban revolution. Big-stakes American gambler Jack Weil (Robert Redford) is comfortable in the anything-goes Havana of 1958. But with Fidel Castro out in the wilderness broadcasting revolutionary messages, it seems the good times may be on the way out. On a boat back to the island nation from the U.S. mainland, Weil agrees to help beautiful Bobby Duran (Lena Olin) smuggle in some contraband by trading vehicles with her on their way through the checkpoint. He's amused to discover not jewelry, but radio transmitters squirreled away in her car. Eventually, he learns that she's the European wife of monied Cuban communist Arturo Duran (Raul Julia), who believes his class and status will protect him from the ruling party. When that assumption turns out to be false, Jack finds himself sucked in by the plight of the suddenly widowed Bobby, who remains committed to her dangerous ideals. Risking his cushy lifestyle to protect Bobby from the coming tumult -- and from herself -- Jack must grapple with the dictates of his newfound conscience. With a supporting cast that includes Alan Arkin and Tomas Milian, Havana reunited director Sydney Pollack with Redford and David Rayfiel, star and co-screenwriter of The Way We Were. Rayfiel has also worked on a number of Pollack pictures, stretching from 1969's Castle Keep to 1995's remake of Sabrina. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Robert Redford, Lena Olin, (more)
James Earl Jones gave one of his finest performances in the title role of Joseph Papp's acclaimed New York Shakespeare Festival production of the Bard's tragedy, putting a new spin on this classic story of one family's vainglorious battle over the affections and favor of an aging monarch. Jones and the production's original cast re-created their roles for this 1974 television special; the supporting cast includes Raul Julia, Rosiland Cash, Paul Sorvino, René Auberjonois, and Lee Chamberlin. ~ Mark Deming, All Movie Guide
Political prisoner Valentin Arregui (Raul Julia) and homosexual pederast Luis Molina (William Hurt) share a Brazilian prison cell in this fantastical drama from the book by Manuel Puig. Sensitive and flamboyant, Molina helps pass the time by recounting memories from one of his favorite films, a wartime romantic thriller that just may also be a Nazi propaganda film. He weaves the characters into an ongoing narrative meant to spur Valentin's imagination and distract him from the brutal realities of political imprisonment and separation from the woman he loves. Hard around the edges, and willing to die for his political principles, Valentin nonetheless allows Molina to penetrate some of his defensive shell. An odd friendship forms between the two vastly different prisoners, the dreamer and the activist. As the narrative unfolds, it becomes clear that Valentin is being poisoned by his captors, to compel him to reveal names and secrets, and that Molina may have other agendas that belie his honesty and openness with Valentin. The intense character study builds toward a surprising conclusion. Kiss of the Spider Woman received Oscar nominations for best picture, best director and best adapted screenplay, and Hurt took home the best actor trophy for his portrayal of the soulful and conflicted Molina. The film was later adapted into a Broadway musical. ~ Derek Armstrong, All Movie Guide
- Starring:
- William Hurt, Raul Julia, (more)
- 1987
La Gran Fiesta is set in 1942, when relations between the Continental United States and Puerto Rico were delicate at best. Casino de Puerto Rico, a lavish San Juan nightspot, is about to be turned over to a recreational center for US troops. To celebrate their last night as a "civilian" nighterie, the staff members of the Casino stage one final all-stops-out Grand Ball. Everyone is invited, even those "undesirables" who would normally be shut out of the black-tie establishment. The names of the film's stars will probably be unfamiliar to a non-Latino audience; most filmgoers, however, will quickly recognize Raul Julia and E.G. Marshall in their brief guest appearances. Though many American films and TV programs had previously been lensed in Puerto Rico, La Gran Fiesta was the first feature-length film to be produced by the Puerto Rican film industry itself. ~ Hal Erickson, All Movie Guide
- Starring:
- Daniel Lugo, Miguel Angel Suarez, (more)
- 1992
- R
Released directly on to video in the U.S., but exhibited on the festival circuit and in Europe, Plague is an adaptation of Albert Camus' novel and reteams filmmaker Luis Puenzo with actors Robert Duvall and William Hurt to tell the story of a South American city that must be cut off from the world following an outbreak of the bubonic plague. The key characters include a French tele-journalist, her cameraman and a fearless doctor. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Hurt, Sandrine Bonnaire, (more)
- 1989
- PG13
This film adaptation of Kurt Weill and Bertolt Brecht's musical play The Threepenny Opera portrays the engagement of a gangster (Raul Julia) to an innocent girl (Rachel Robertson) in Victorian-era London. The girl's family attempts to thwart the marriage by catching the thief in the act. ~ John Bush, All Movie Guide
- Starring:
- Raul Julia, Richard Harris, (more)
Jack Noah (Richard Dreyfuss) is all actor: Self-possessed, obsessive, vulnerable, and an addict for praise, his soul burns with "the craft." Having just finished a grade-Z straight-to-cable crime thriller in the fictional South American country of Parador, he gets the ultimate acting challenge (though it's more like an offer he can't refuse) from Roberto Strausman (Raul Julia), the Paradorian dictator's chief advisor. The challenge: impersonate the country's dictator, whose just died. Strausman knows just how to manipulate Noah: He takes him to a meat locker, shows him the director's body (actually Dreyfuss' brother, Lorin), threatens to kill him, and he brings clips of Noah's best reviews. Thus enticed, and bearing a striking resemblance to the man, Noah accepts the job. Under the exacting direction of Strausman, he follows the script precisely. Noah immediately enjoys the job's perks, not least of which is the dictator's scorching mistress, Madonna (Sonia Braga), but of course cannot conceal his real identity to her. A close call with Parador's revolutionaries and Madonna's brimming social conscience push Noah to take command of the role. He starts pushing a kinder, gentler social agenda, and incurs Strausman's wrath. It begins to look like Noah will play the dictator's last act, but a chance meeting with a stunt man friend (Michael Greene) inspires a caper that will change all of the characters' fates. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Richard Dreyfuss, Raul Julia, (more)
- 1985
The story in this two-part TV biopic was probably "untold" mainly because it was untrue. According to the revisionist script by Stirling Silliphant, Italian dictator Benito Mussolini (overplayed by George C. Scott) may have been a fascist, a tyrant, a mass murderer and an intimate of Adolf Hitler, but he also had his warm and fuzzy side. This was manifested in his genuine love for his gorgeous mistress Clara Petacci (Virginia Madsen), whose devotion to Il Duce was equally strong, so much so that she willingly went to her death along with him when the Axis collapsed and the ex-dictator was summarily shot. Despite his extramarital shenanigans, Mussolini had plenty of affection left over for his long-suffering wife Rachel (Lee Grant) and his children. With a cast comprised largely of non-Italians (notably the aggressively Irish Gabriel Byrne as Mussolini's son Vittorio), this epic had more phony dialects than a Marx Bros. picture. Despite its distant relation to the facts and its flaccid treatment of one of history's darkest periods, Mussolini: The Untold Story (filmed not in Italy but in Yugoslavia) garnered respectable ratings when it was originally telecast by NBC on November 24 and 26, 1985--and also earned a brace of Emmy award nominations. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Lee Grant, (more)
Part One of this four-hour TV movie adaptation of Peter Evans' biography suggested that Greek shipping magnate Aristotle Onassis spent every waking hour commiserating in bed with lovers of all sexes. Part Two of Onassis: The Richest Man in the World hunkers down to the Main Event: The showdown between Onassis' longtime lover Maria Callas (Jane Seymour, who screamed and tantrummed her way to an Emmy) and his future spouse Jackie Kennedy. We then move onward (but not upward) to the tragic death of Onassis' daughter; our tepid journey through the cesspools of the Rich and Famous ends with the public bickering over the tycoon's will after his own 1975 demise. As ill-suited as Raul Julia is for the starring role of Aristotle Onassis, Francesca Annis' portrayal of Jackie Kennedy is even worse. Onassis: The Richest Man in the World was originally foisted upon the TV viewing public on May 1 and 2, 1988. ~ Hal Erickson, All Movie Guide
After completing Apocalypse Now, Francis Ford Coppola initially planned for his next picture to be an intimate romantic musical shot on a low budget in Las Vegas. Three years later, One from the Heart had mushroomed into a big-budget spectacular, shot on strikingly stylized sets at his newly opened Zoetrope Studio and costing a then-massive $27 million. The story concerns Hank (Frederick Forrest) and Franny (Terri Garr), a working-class couple living on the outskirts of Las Vegas; after five years together, their relationship has fallen into a rut, and they both set off in search of new partners. Hank meets up with Leila (Nastassia Kinski), a beautiful high-wire artist, and Franny has a fling with Ray (Raul Julia), a dashing actor-waiter. But Hank and Franny still love each other, and their search for romance brings them back into each other's arms. Singer/songwriter Tom Waits received an Oscar nomination for his widely acclaimed song score, performed with country crooner Crystal Gayle. ~ Mark Deming, All Movie Guide
- Starring:
- Frederic Forrest, Teri Garr, (more)
- 1983
In this futuristic adventure, a man gets too enmeshed in virtual reality and ends up with his personality melded to the on-screen persona of Humphrey Bogart. ~ Sandra Brennan, All Movie Guide
Rusty Sabich (Harrison Ford) is a bland, oppressed man who burns with a quiet, corrosive intensity that can flare uncontrollably. A Philadelphia prosecutor, Sabich's fire seems to have one outlet: his job. He loves prosecuting people. Otherwise, his life is dead-ended. He has a loveless marriage to a neurotic woman (Bonnie Bedelia) and an overbearing boss (Brian Dennehy) in a labyrinthine law enforcement world of corruption and twisted relationships. Then Carolyn Polhemus (Greta Scacchi) comes into his life. Lovely and seductive, Polhemus easily entices him to break his marital vows, but she schemes to get him to try for his boss' job. When he refuses, she leaves him. When she turns up dead, the victim of an apparent rape-murder, clues begin to point to Sabich. His blood type almost perfectly matches that in the semen found in the victim, carpet fibers at the crime scene match those found in his house, and most damning, his fingerprints are found on a beer glass in Polhemus' apartment. His protestations of innocence ignored, Sabich is put on trial for the murder and hires his biggest adversary (Raul Julia) to defend him. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Harrison Ford, Brian Dennehy, (more)
- 1984
In this episode of the Reading Rainbow series, Raul Julia is the guest narrator of Mystery on the Docks, a story by Thacher Hurd about the dramatic rescue of an opera singer kidnapped by a group of rodent thugs. Host LeVar Burton heads for the waterfront to try to solve a mystery. Tugboats and giant cranes are part of the scenery at the docks, and Burton provides a close-up look at both. The enthusiastic board of child book reviewers scrutinizes The Wreck of the Zephyr by Chris Van Allsburg, Nate the Great by Marjorie Weinman Sharmat, and Big City Port by Betsy Maestro and Ellen Del Vecchio. ~ Alice Day, All Movie Guide
- Starring:
- LeVar Burton
- 1989
- PG13
In El Salvador in the late '70s, the wealthy few rule the impoverished many. To maintain the status quo against peasant insurgents and labor organizations, the military regime brutalizes the populace, in particular, rebels who espouse Marxism. Assassinations, executions, and disappearances become commonplace. When the Vatican elevates conservative Oscar Arnulfo Romero (Raul Julia) to archbishop, the military rulers believe he will quiet the masses and the activist priests who support them. "Blessed are the peacemakers," he will preach. At first, that is precisely what he does. But when soldiers thwart voters, shoot indiscriminately into crowds, torture dissidents, and kill a dedicated priest and friend of Romero, the archbishop condemns the regime in radio messages, rebukes quisling bishops, and leads a peasant march into a church occupied by soldiers. He also insults and defies the El Salvadoran president (Harold Cannon), an iron-fisted general, who, ironically, has the same last name as the archbishop Romero, but is not related. The country by this time is in the throes of civil war. In 1980, when military death squads continue their reign of terror even though the government institutes so-called reforms, Romero continues to speak out, gaining international attention. The film then builds to its climax, a scene recreating the events of Monday, March 25, 1980, when Romero is saying mass for his recently deceased mother. Attendees include four men who have no intention of reciting mea culpas or receiving the Holy Eucharist. ~ Mike Cummings, All Movie Guide
- Starring:
- Raul Julia, Richard Jordan, (more)
- 1969
- R
Cesare (Alex Cord) is the foreign car dealer who caters to the jet set. A previous favor by a mobster who saved his life has him indebted to the mafia to repay the kindness. With a stiletto, he kills three enemies of the organization, but is hung out to dry when the gang refuse to acknowledge his actions or even admit they know him. As the police close in on the auto dealer, he is caught between the law and the mob with no protection from either side. Britt Eklund and Barbara McNair are the main female leads. Roy Scheider has a small part in this violent and erotic crime drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Alex Cord, Britt Ekland, (more)
