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Jim Rose Movies

2003  
 
Add The Jim Rose Circus Show to Queue Add The Jim Rose Circus Show to top of Queue  
Freak culture returns to the public eye as ringmaster Jim Rose introduces a whole host of the most compellingly watchful human oddities since Lobster Boy and the Bearded Lady. Of course quite a bit has changed since those long-gone days of quick-witted carnival barkers and shady sideshow tents, and with such attractions as men who can withstand hundreds of needles piercing their skin, bile drinking, and weight-lifting of the most unnatural variety, this release is certain to have more squeamish viewers running for the door. ~ Jason Buchanan, Rovi

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2003  
 
In the spirit of such "celeb-reality" cable series as The Osbournes and The Anna Nicole Show, The Jim Rose Twisted Tour was built around the hijinks of the Jim Rose Circus, a real-life aggregation of punkish sideshow performers who had previously risen to fame as part of the 1992 Lollapalooza tour. The troupe was headed (naturally) by Jim Rose, whose act included lying on a bed of nails, smashing broken glass in his face, and swallowing razor blades. Rose's entourage consisted of Mr. Lifto, whose muscles and veins bulged grotesquely as he toted objects several times his size; Rupert the Illusionist, whose specialty was balancing lawn mowers on his chin; Bebe the Circus Queen, whose idea of a good time was to swallow scorpions; Rubber Boy, whose contortions bordered on the obscene; and Cappy, an obese yo-yo champ -- and, perhaps deliberately, the troupe's least popular performer (with both his co-worker's and the fans). The series followed the Circus as it traveled from San Francisco to New Orleans, regaling and sometimes nauseating spectators all along the way. Debuting March 30, 2003, The Jim Rose Twisted Tour was arguably the most atypical weekly program ever to emerge from the normally traditionalist Travel Channel cable service. ~ Hal Erickson, Rovi

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2002  
 
Add D.I.Y. or Die: How to Survive as an Independent Artist to Queue Add D.I.Y. or Die: How to Survive as an Independent Artist to top of Queue  
In the minds of many people, the obvious goal of a person working within creative media -- music, filmmaking, performance, writing, or visual art -- is to align yourself with a major commercial entity who will bring your work to the public through the marketplace. But for a growing number of artists, though working outside the framework of the major entertainment corporations may present greater challenges, it also provides far greater freedom, as well as presenting fascinating opportunities and permitting a total creative control you can't always get working for a Fortune 500 firm. Michael W. Dean's documentary D.I.Y. or Die: How to Survive as an Independent Artist is a fast-paced and idiosyncratic look at artists who have embraced the "D.I.Y." ("Do It Yourself") philosophy, ranging from musicians Mike Watt, Ian McKaye, and J.G. Thirlwell, filmmaker and photographer Richard Kern, cartoonist Keith Knight, author and performance artist Lydia Lunch, and transgressive circus artist Jim Rose to a number of little known sculptors, painters, and dancers who stubbornly hold on to their independence as a key to pure and honest expression. For its release on home video, director Michael W. Dean took the unusual tack of demanding that D.I.Y. or Die: How to Survive as an Independent Artist be duplicated without any copy-protection codes, so that viewers can freely duplicate and pass his film (and its message) along to others, as long as they don't charge for the privilege. ~ Mark Deming, Rovi

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1995  
 
"Humbug" takes place in Gibsontown, FL, a retirement community for circus sideshow freaks. The mysterious death of a performer known as the Alligator Man brings Mulder and Scully to town. The suspects herein range from a pair of Siamese twins to a sinister escape artist named Dr. Blockhead (Jim Rose). A riddle wrapped in a mystery wrapped in an enigma (in fact, one of the actors is billed as The Enigma), "Humbug" was written by Darin Morgan. It first aired March 31, 1995. ~ Hal Erickson, Rovi

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