Brenda Joyce Movies

The "mermaids" are really tribal pearl divers in this diverting Tarzan adventure. Their livelihood is threatened by an evil white trader (Fernando Wagner), who sets himself up as a "god." With the help of lovely diver Linda Christian (later Mrs. Tyrone Power), Tarzan defeats the wicked despot, but not before several underwater battles, not the least of which involves an octopus. If the jungle settings of Tarzan and the Mermaids don't look particularly African, that's because the film was shot at the Churubusco Studios in Mexico. Mermaids represents the final appearance of Johnny Weissmuller as Tarzan. ~ Hal Erickson, Rovi

Tarzan (Johnny Weissmuller) goes on one of his occasional pro-ecological kicks in Tarzan and the Huntress. This time, the Lord of the Jungle runs afoul of an animal-trapping exposition headed by titular huntress Tanya (Patricia Morison). Not wishing to see his jungle friends packed in crates and shipped off to zoos, Tarzan does everything he can to discourage Tanya from seeking out specimens in his territory. The plot then goes off on a different tangent, as Tanya's unscrupulous partner Weir (Barton MacLane) conspires with aspiring despot Prince Ozira (Ted Hecht) to knock off the Prince's benevolent uncle, King Faroud (Charles Trowbridge). Tarzan saves the day by summoning his elephant pals to trammel the villains, but not before his mate Jane (Brenda Joyce) and his adopted son Boy (Johnny Sheffield) are placed in the usual deadly peril. ~ Hal Erickson, Rovi

Gale Sondergaard more or less recreates her role as the homicidal "Spider Woman" that she first essayed in the 1943 Sherlock Holmes film of the same name. This time Ms. Sondergaard plays a wealthy rancher who advertises for a young woman to serve as her secretary/companion. Several girls have gone to her ranch to apply for the job; none have returned. When Brenda Joyce arrives to take the job, she uncovers Sondergaard's secret. The crafty villainess has been draining the blood of young women, using the blood to feed her huge carnivorous plants, cultivating a poison from those plants, then using the poison to kill the cattle on all neighboring ranches. All this so that she can bankrupt her rivals and claim their land, which she thinks is rightfully hers! The film is as loopy as it sounds, but Spider Woman Strikes Back was one of Gale Sondergaard's most popular films; when asked years later what she thought of it, she replied airily "It didn't kill me." Spider Woman Strikes Back costars another Universal horror-film icon, the tragically deformed Rondo Hatton. ~ Hal Erickson, Rovi

With the profits of the Abbott & Costello films in decline, Universal decided to experiment with the comedians' standard formula. In both Little Giant and The Time of Their Lives, Bud Abbott and Lou Costello play separate characters, rather than the usual smart guy/dumb guy comedy team. In Giant, Costello is cast as farm boy Benny Miller, a would-be salesman who goes to work for the Hercules Vacuum Cleaner company. Almost immediately running afoul of crooked general manager Morrison (Bud Abbott), bumbling Benny is about to be fired when he is convinced by a bunch of practical jokers that he has the power to read minds. His newfound self-confidence enables Benny to become Hercules' top salesman, which delights branch manager Tom Chandler (also Bud Abbott), Morrison's cousin and principal rival. About to receive a salesmanship award, Benny falls into a trap laid by Morrison and his wife (Jacqueline de Wit), who conspire to discredit Chandler by exposing Benny as a fraud. Thoroughly disillusioned, Benny returns home, only to discover that not only is he still Hercules' fair-haired boy, but that he's also replaced Morrison as general manager. Written by Richard Collins and Paul Jarrico, Little Giant is hardly typical Abbott and Costello fare, though the film contains several characteristic comedy setpieces, including an interpolation of Abbott & Costello's classic "Seven Goes Into Twenty-Eight Thirteen Times" routine. Perennial Marx Brothers foil Margaret Dumont shows up in one of the better slapstick scenes. ~ Hal Erickson, Rovi

Tarzan (Johnny Weissmuller) must once more contend with outsiders who invade his jungle domain to hunt for gold. Guarding the valuable ore is a tribe of hostile Amazons, led by Maria Ouspenskaya. The Amazons regard every man as their enemy, and very nearly kill Tarzan before he can rescue them from the villains. Also in the cast are Brenda Joyce as a blonde Jane, Johnny Sheffield as Boy, Barton MacLaine as the principal heavy, and "cult" horror star Aquanetta as an Amazon maiden. Tarzan and the Amazons was Johnny Weissmuller's ninth appearance as the Lord of the Apes. ~ Hal Erickson, Rovi

In this suspense story (released as part of Universal's "Inner Sanctum" series, named for the popular radio series of the day), Jeff Carter is a scientist who is working on a medicine which would cure the flu. Carter's duplicitous boss Roger Graham (J. Carrol Naish) sends him on a business trip to South America, and uses his absence to steal Carter's uncompleted formula, as well as the affections of his wife Mary (Brenda Joyce). When Carter returns home and discovers what Graham has done, he plots a grisly revenge. Strange Confession was a remake of the 1934 Claude Rains vehicle The Man Who Reclaimed His Head. ~ Mark Deming, Rovi

In this comedy, a PR man saves a struggling radio station from ruin. Songs include: "Slap Polka", "Walk A Little Faster", "Moonlight Fiesta", and "Where The Prairie Meets The Sky". ~ Sandra Brennan, Rovi

The Milton Berle starrer Whispering Ghosts was clearly inspired by the Red Skelton comedy-mystery Whistling in the Dark (itself inspired by Bob Hope's The Ghost Breakers). Uncle Miltie is cast as H. H. Van Buren, a radio sleuth who delights in solving real-life mysteries ahead of the official constabulary. At the behest of his sponsor, Van Buren tackles an unsolved case from ten years earlier: the death of an old sea captain. To this end, he visits the ship where the dirty deed took place, accompanied by his nervous valet Euclid (Willie Best, who played much the same role in Ghost Breakers). At first convinced that the ship is haunted, our hero deduces that the "ghosts" are actually a gang of crooks, in search of the treasure left behind by the murdered skipper. The arrival of Elizabeth Woods (Brenda Joyce), the lawful heir to the missing treasure, convinces Van Buren to stick around for a while to solve the decade-old murder and locate the captain's legacy. Why is it that none of Milton Berle's vehicles for 20th Century-Fox--Whispering Ghosts, Over My Dead Body, Margin for Error--have shown up on TV since the 1970s? Now there's a mystery worth solving! ~ Hal Erickson, Rovi

Stolen way back in 1880, a sack of United States mail is discovered in an old attic in 1942. The letters are finally delivered, profoundly affecting the lives of the recipients. The most affected is young farmer Dan Carter (Richard Travis), who falls heir to huge sum of money intended for his father. Romance also blossoms for Carter in the form of stamp collector Julie Martin (Brenda Joyce), who has likewise benefited from the rediscovered mail. An interesting premise inadequately worked out, The Postman Didn't Ring might possibly have been the main inspiration for the much later (and far better) made-for-TV movie The Letters(1973). ~ Hal Erickson, Rovi

Jane Darwell is the whole show in the 61-minute 20th Century-Fox programmer Private Nurse. The formidable Ms. Darwell is first scene at a birthday party, thrown in her honor by her favorite charge, little Ann Todd. The daughter of ex-gangster Sheldon Leonard, Todd has been raised to believe that her mother is dead and that her father has always been a paragon of virtue. Upon learning the truth, Todd is told the whole story by nurse Darwell. Essentially an extended flashback, Private Nurse served as an acceptable lower-berth entry at the double-feature houses. ~ Hal Erickson, Rovi

Communism-the American variety-is given a hilarious going-over in 20th Century-Fox's Public Deb No. 1. Spoiled society girl Penny Cooper (Brenda Joyce) impulsively lends her voice to a Communist rally, which earns her a public spanking by 100% All-American waiter Alan Blake (George Murphy). Impressed by Blake's boldness, Penny's ulcerated father, soup tycoon Millburn Cooper (Charlie Ruggles), hires the young man as a vice-president, hoping in this way to keep his daughter in line. Murphy manages to win Joyce from her socialite boyfriend Bruce Fairchild (who else but Ralph Bellamy?), but she refuses to abandon her Communist ideology until she is disillusioned by Russia's invasion of Finland. The heroine's rejection of the Red cause is symbolized by an (implicit) act of defecation performed by a passing dog on a crumpled Communist pamphlet. When originally released, the film was titled Elsa Maxwell's Public Deb No. 1, in recognition of the presence in the cast of famed New York social arbiter and partygiver Elsa Maxwell, who in the film's silliest scene shows up at a costume party dressed as Benjamin Franklin! ~ Hal Erickson, Rovi