Victor Jory Movies
After a rough-and-tumble adolescence, Victor Jory attended high school in California, studying acting with Gilmor Brown at the Pasadena Playhouse. Jory's subsequent tenure at the University of California lasted all of one year before he was bitten by wanderlust; he joined the coast guard, where he distinguished himself as a champion in several contact sports. Sharp-featured, muscular, and possessed of a rich theatrical voice, Jory made his New York stage bow in 1929, and one year later co-starred in the original Broadway production of Berkeley Square. Inaugurating his film career with Renegades (1930), Jory spent the next five decades in roles ranging from romantic leads to black-hearted villains. Highlights in his screen career include a sinister but strangely beautiful performance as Oberon in A Midsummer Night's Dream (1935); the vicious Injun Joe in The Adventures of Tom Sawyer (1938); white-trash carpetbagger Jonas Wilkerson in Gone With the Wind (1939); Texas patriot William Travis in Man of Conquest (1939); the hissable, crippled patriarch in The Fugitive Kind (1960); the taciturn father of Helen Keller in The Miracle Worker (1962); and the ancient South American Indian chief in Papillon (1973). In 1940, Jory starred in the Columbia serial The Shadow (1940), essaying the dual role of the mind-clouding Shadow and his alter ego Lamont Cranston (with several disguise sequences along the way).The outspoken Jory was supremely confident of his talents, remarking on several occasions that he was "damn good" -- though he was tougher than any movie critic in assessing his lesser performances. He was also more than generous with young up-and-coming actors (except for self-involved "method" performers), and was a veritable fountain of Broadway and Hollywood anecdotes, some of which were actually true. An occasional theatrical director and playwright, Jory wrote the Broadway production Five Who Were Mad. On TV, Jory starred in the popular syndicated detective series Manhunt (1959-1960) and guested on dozens of other programs. Long married to actress Jean Innes, Victor Jory was the father of Jon Jory, who for many years was artistic director of the Actors Theatre of Louisville. ~ Hal Erickson, All Movie Guide
- 1937
Based on the 1935 Broadway play by George S. Kaufman and Katharine Dayton, First Lady is not, as might be assumed, the story of the first woman president. The central character, played by Kay Francis, is the granddaughter of a president (though clearly inspired by Teddy Roosevelt's daughter Alice). Ms. Francis is married to Secretary of State Preston S. Foster, whom she hopes to propel into the White House. Her principal rival is the wife (Veree Teasdale) of a mildly corrupt supreme court justice (Walter Connolly). The rival is planning to divorce her husband and promote her own, younger presidential aspirant (Victor Jory). Kay retaliates by mounting a mock campaign for the befuddled justice--which snowballs into the real thing. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Anita Louise, (more)
After making his first appearance as the title character in Paramount's "Bulldog Drummond" series, John Lodge was rushed to England to star in the quota quickie Bulldog Drummond at Bay. Though lacking the polish of Hollywood's Drummond pictures, this one is closer to the original concept of series creator H. C. Neile (aka "Sapper") than any other film. The plot is motivated by the nefarious activities of a gang of munitions smugglers, disguised as a pacifist organization. The leader of the gang is Gregoroff (Victor Jory), justifiably nicknamed "The Mystery Man of Europe." Gregoroff masterminds the kidnapping of the inventor of a revolutionary new robot airplane. Adopting strong-arm tactics that border on the fascistic, soldier-of-fortune Bulldog Drummond (Lodge) tackles the villains, while Scotland Yard remains in the background, presumably twiddling its collective thumbs. ~ Hal Erickson, All Movie Guide
- Starring:
- John Lodge, Dorothy Mackaill, (more)
- 1936
Hell-Ship Morgan (George Bancroft) is the brawny skipper of a small fishing schooner. Supplying fish for a San Francisco cannery, Morgan works hard and relaxes even harder, boasting not one but several girls in every port. Our hero's roving days come to an end when he marries Mary (Ann Sothern), who agrees to a honeymoon on Morgan's schooner. Once on the high seas, Mary can't help but fall in love with Morgan's first mate Jim (Victor Jory), but before Morgan can take retaliatory action, the tiny vessel is hit by a hurricane. In trying to save his crew from drowning, Morgan is crippled for life. Realizing now that he will never be a "complete" husband to Mary, he obligingly removes himself from the scene in a startlingly abrupt and permanent manner. A mainstay of early television, Hell-Ship Morgan is one of a handful of Columbia programmers currently available on the public-domain videocassette market. ~ Hal Erickson, All Movie Guide
- Starring:
- George Bancroft, Ann Sothern, (more)
- 1936
Josef Von Sternberg, past directorial master of movie exotica, came down to earth with The King Steps Out, a major studio musical. Set in 19th century Vienna, the plot concerns a sprightly young lady (opera star Grace Moore) who wishes to rescue her sister from marrying their cousin, the "wicked" Emperor Franz Josef (Franchot Tone). Disguised as a dressmaker, the girl instantly falls in love with the young monarch herself, and sings her way into his heart. The film is a compendium of every mittel-European operetta ever made, right down to the supporting appearance of Hermann Bing as an innkeeper named Pretzelberger. The King Steps Out was adapted from the Fritz Kreisler stage musical Cissy. ~ Hal Erickson, All Movie Guide
- Starring:
- Grace Moore, Franchot Tone, (more)
- 1936
Rex Stout's overweight, under-exercised detective Nero Wolfe was first brought to the screen in 1936 in the portly person of Edward Arnold. As brusque and short-tempered as ever, Wolfe tackles the case of a college professor who met his doom while playing golf, a tragedy followed by the seemingly unrelated death of a young mechanic. Dispatched to do Wolfe's leg work is his acerbic aide Archie Goodwin (Lionel Stander), who manages to discover that both deaths were tied in with a new weapon which silently shoots poisoned needles. Rex Stout wasn't too pleased with the expurgated screen treatment of his fictional sleuth, whose fondness for imported beers was changed by the censors to a predilection for hot chocolate! Well directed by Broadway vet Herbert Biberman, Meet Nero Wolfe was followed in 1937 by The League of Frightened Men, with Walter Connolly as Wolfe. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Lionel Stander, (more)
- 1935
After her success in Lady for a Day, elderly character actress May Robson was starred in a number of features. She's wonderfully irascible in this depression-era drama as widow Mary Hastings, who has been running the family steel business since the death of her husband forty years before. Her children, Willard (Raymond Walburn) and Henrietta (Josephine Whittell), have been disappointments to her, and the grandchildren she raised after the death of their father, are even more spoiled and selfish. Nobody seems capable of taking over the concern, but she retires anyway, leaving it in the hands of the board of directors. Then Black Tuesday comes, the stock market crashes, and one by one, all the mills are shut down. The workers are on the verge of seeing their families starve. Mrs. Hastings, determined to help them out, calls all her relatives from Europe and begs them to release some of the 40 million dollar trust fund to keep the local mill going. But the greedy family members refuse. On her own Mrs. Hastings scrapes together enough of her own funds to keep the mill open. Meanwhile, Willard -- unaware of his mother's actions -- closes the mill and calls on the cops to squelch any unrest. Granddaughter Jean (Fay Wray), however, comes to her senses when she helps hide labor leader Jim Devlin (Victor Jory) from the police. After spending the night with Jory in his hideaway, she returns and convinces her brother to override their uncle and aunt and help the mill. The workers, furious over Willard's lies, are ready to storm the plant, and the cops are prepared to shoot them. Jean risks her life by heading for the mill, but it is her brother, who has gone after her, who is killed by police gun fire. While the rest of the family returns to Europe, Jean stays behind with her grandmother. Although Devlin has pointed out to Jean that their romance is impossible, he leaves a small window of hope open for the future. This feature, released by Columbia, was incredibly progressive for its day. ~ Janiss Garza, All Movie Guide
- Starring:
- May Robson, Fay Wray, (more)
- 1935
The construction site of a big tunnel provides the backdrop for this drama. When the project is delayed, the chief engineer is sent to the mountainous site to ensure things go as planned. He is accompanied by a reporter and her photographer. Together they stop the troublemakers before blood is spilled and coax the rest of the crew back to work. ~ Sandra Brennan, All Movie Guide
- Starring:
- Victor Jory, Sally O'Neil, (more)
Max Reinhardt's legendary Hollywood Bowl production of Shakespeare's A Midsummer Night's Dream was transferred to the screen by Warner Bros. in 1935. Like most of Shakespeare's comedies, the story contains several seemingly unrelated plotlines, all tied together by a single unifying event, in this instance the impending wedding of Theseus and Hippolyta. One story thread concerns the mistaken-identity romances of four young Athenians; another involves a group of "rude mechanicals" who plan to stage a production of "Pyramus and Thisbe" in honor of the wedding; and third plot strand is motivated by the mischievous misbehavior of invisible fairies Oberon, Titania, and Puck. While one of the members of Reinhardt's original stage cast, Olivia De Havilland (Hermia) was retained for the film version, the remainder of the roles went to Warners' ever-reliable stock company. Some of the casting is inspired: James Cagney is brilliant as vainglorious amateur thespian Bottom, while Joe E. Brown is ideal as the reluctant female impersonator Flute. As the four lovers, De Havilland and Jean Muir far outshine the smirking and simpering Dick Powell and Ross Alexander. In the dominion of the fairies, Mickey Rooney is a bit too precious as Puck, but Anita Louise is a lovely Titania and Victor Jory a suitably menacing Oberon (his opening line "Ill met by moonlight, proud Titania!" still sends shivers down our spines). Cagney and Brown's fellow "mechanicals" are an odd mixture of the sublime (Frank McHugh) and the just plain silly (Hugh Herbert). While the performances and direction (by Reinhardt and William Dieterle) are uneven, the art direction and special effects (especially the nocturnal dance of the fairies) are breathtakingly beautiful. Mendelssohn's "Midsummer Night's Dream" incidental music is masterfully orchestrated by Erich Wolfgang Korngold, while the cinematography by Hal Mohr earned the first write-in Academy Award in Hollywood history (Mohr had not been nominated due to hostilities arising from a recent industry strike). Considered a brave failure at the time of its first release, on a purely visual level A Midsummer Night's Dream is one of the more satisfying Shakespearean cinemadaptations of Hollywood's golden age. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Ian Hunter, (more)
- 1935
Walter Connolly, Columbia's answer to Edward Arnold, is his usual bombastic self in White Lies. Connolly is cast as powerful publisher John Mitchell, whose pursuit of sensational headlines at the expense of all else takes a personal toll when his daughter Joan (Fay Wray) is implicated in a murder. Police officer Terry Condon (Victor Jory), in love with Joan, is nonetheless duty-bound to arrest her and treat her like any other murder suspect. Likewise, Mitchell is ruthless in his treatment of Joan in the press, despite his inner emotional turmoil. Fortunately, Condon, working "outside the law," is able to crack the murder case and pave the way for a tearful reconciliation between father and daughter. A bit too plot-heavy for 63 minutes, White Lies nonetheless moves at a fast and logical clip. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Connolly, Fay Wray, (more)
- 1935
Grand Hotel meets Twentieth Century in this Mascot feature. Evelyn Venable stars as Patricia Wells, a tempestuous stage actress who impulsively elopes on opening night of her newest play. Wells and her new fiancée Fred Arnold (Ralph Forbes) book adjoining compartments on the Streamline Express, while her conniving producer Jimmy Hart (Victor Jory) tags along, disguised as a waiter. This is but one of several interconnecting subplots (including a menage a trois and the impending birth of twins), but it's the most entertaining of the batch. Also on board are Sidney Blackmer, Esther Ralston, and a host of other familiar faces. ~ Hal Erickson, All Movie Guide
- Starring:
- Evelyn Venable, Victor Jory, (more)
- 1935
Escape from Devil's Island delivers exactly was the title promises...almost. Victor Jory and Norman Foster play two desperate Devil's Island inmates, bitter enemies who pool their resources and work out an escape plan. They bribe those who can be bribed, befriend those willing to be befriended, and strong arm potential "stoolies" into silence. At last, Jory and Foster make good their breakout, but their mutual hatred bubbles to the surface and ruins their clean getaway. In typical Hollywood fashion, the essentially all-male Escape From Devil's Island manages to squeeze in a female romantic interest in the form of Florence Rice. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Jory, Florence Rice, (more)
- 1935
In one of his few movie leading roles, Victor Jory plays an unmarried small-town creamery owner. Jory falls in love with Jean Arthur, daughter of the town's favorite citizen (Charley Grapewin). Jean's former boy friend disconsolately leaves town, leaving behind an unbalanced church budget which the girl must pay out of her own pocket. She phones her ex-sweetheart and complains about "the mess" he's left her in--whereupon a snoopy neighbor, listening in on the town's party line, spreads the rumor than Jean is "in the family way." The angry Jory fires all his workers in retaliation for the malicious gossip, and is nearly run out of town before the citizens realize that they themselves are responsible for all the trouble. Party Wire is a surprisingly frank assessment of small-town mentality--surprising in that the target audience for this sort of "B" film in 1935 was the rural and middle-class moviegoer. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Arthur, Victor Jory, (more)
- 1934
In this crime drama, Flicker Hayes (James Cagney) is a safecracker who has just been released following a stretch in prison; after his last job, his partners Dan Curley (Bradley Page) and Red Deering (Ralf Harolde) set him up, and now Hayes is determined to get revenge. Fooling them into believing that there's no hard feelings, Hayes sets up another robbery with Curley and Deering, but after it goes off without a hitch, Hayes turns the tables on his so-called friends and squeals on them to the cops, keeping all the money for himself. Hayes makes tracks for San Francisco, unaware that Curley has escaped from the police and is hot on his trail. Once he settles in San Francisco, Hayes meets Rose Lawrence (Joan Blondell), a former streetwalker who has reformed and settled down with fisherman Nick Gardella (Victor Jory). Even though she's married, Hayes falls head over heels for Rose, and she finds that she's quite attracted to him as well. Rose is torn between Hayes and Gardella, but Hayes' decision about the relationship is made for him when Curley and his goons arrive in San Francisco, and Hayes has to flee for his own safety. He Was Her Man was the last of seven pictures James Cagney and Joan Blondell would make together. ~ Mark Deming, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
- 1934
In this tepid melodrama, an aspiring writer and her boyfriend, a professional agitator head off to the Big Apple in search of good fortune. Unfortunately, the agitator soon finds himself in trouble with the cops. Meanwhile the writer attempts to become a Greenwich Village Bohemian type. She and her new friends are all starving for their art until a kindly gent offers them financial assistant. They refuse on principle. Tragedy pays a call when the writer learns that her boyfriend has been untrue. For a time she thinks seriously about ending it all. Fortunately, she reconsiders and success comes her way. ~ Sandra Brennan, All Movie Guide
- Starring:
- Rosemary Ames, Victor Jory, (more)
- 1934
What a shame that the 1934 Fox crime meller Murder in Trinidad is currently unavailable for viewing. In one of his best performances, Nigel Bruce is cast as Bertram Lynch, a slovenly, sweat-stained detective with a mind like a steel trap. Lumbering his way through a tropical outpost, Lynch searches for a clever gang of diamond smugglers, who rely upon the local crocodiles and quicksand to keep the authorities at bay. Along the way, he is helped by socialite Gregory Bronson (Douglas Walton), who is compelled to spend most of his time rescuing heroine Joan Cassell (Heather Angel) from one peril or another. Complicating matters are three murders, each apparently committed by the same knife-wielding assailant. Murder in Trinidad was remade as Mr. Moto in Danger Island in 1938, and as The Caribbean Mystery in 1945. ~ Hal Erickson, All Movie Guide
- Starring:
- Nigel Bruce, Heather Angel, (more)
- 1934
No boring historical pageant this, Warner Bros.' Madame DuBarry is a fast-paced, often hilarious romantic romp. Her Mexican accent held in check, the ravishingly beautiful Dolores Del Rio plays 18th-century French courtesan DuBarry like a 20th-century golddigger on the make. Brought to Versailles as the companion of courtier D'Aigullon (Victor Jory), former street waif DuBarry charms her way into the heart -- and boudoir -- of gouty King Louis XV (Reginald Owen). Many of the famous incidents in her character's life are given showcase treatment: When DuBarry's enemies steal her gown, she appears at her presentation at Versailles in a flimsy nightgown; and when she wants to take a sleighride in the middle of summer, King Louis "nationalizes" all the sugar in Paris as a substitute for snow. Upon Louis' death, the petulant new Queen Marie Antoinette (Anita Louise) banishes DuBarry from court, which our heroine takes in her usual stride, insouciantly chanting the roundelay "The King of France" as she walks out of the palace, with her head held high (and still -- at this point anyway -- firmly planted on her shoulders). ~ Hal Erickson, All Movie Guide
- Starring:
- Dolores Del Rio, Reginald Owen, (more)
- 1934
In this drama, a nice young woman is saving all her money so she can leave her South Seas island home, move to San Francisco and open a tea room. Meanwhile, a hardworking young man has come the island to begin running his uncle's profitable plantation, a piece of property coveted by the island bad-guy who promptly tries to kill the nephew. Fortunately, the good-hearted girl helps restore the wounded nephew's health; naturally they fall in love. No sooner is he mended when the villain makes another murder attempt, but this time he first kidnaps the girl. When the hero catches up a violent brawl erupts. Just when things look terribly bleak, the girl grabs a gun and shoots the bad-guy. A happy ending ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Rosemary Ames, Victor Jory, (more)
- 1933
The 1933 State Fair was the first of three film versions of the Phillip Stong bestseller. Some consider it the best of the three because of its stricter adherence to the source material and the presence of star Will Rogers. Rogers plays Abel Frake, patriarch of a family whose individual members are affected by the upcoming Iowa State Fair in various fascinating ways. Abel hopes to enter his prize hog Blue Boy and win the blue ribbon. His wife Melissa (Louise Dresser) wants to enter her mincemeat in a food competition, his son Wayne (Norman Foster) wants to get even with a carnival sharpster who'd outsmarted him during the last state fair, and daughter Margery (Janet Gaynor) just wants to get out of the house for a little fun. The parents win their prizes (though it looks for a while that Blue Boy will succumb to a serious illness) the children have brief romances (one happy, one cautionary), and everyone goes home a little wiser for the experience. Footnote: Fox studios offered to butcher Blue Boy and sell his meat to Will Rogers, but Rogers declined, noting that he wouldn't feel right eating his costar. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Janet Gaynor, (more)
- 1933
Mascot Films, the feisty precursor to Republic Pictures, was responsible for 1933's The Big Payoff. In a rare top-billed role, chameleon-like character-actor Lucien Littlefield plays an innocent man who has been railroaded to the electric chair. Coming to the rescue is Victor Jory, a disgraced police officer who redeems himself by locating the guilty party. More than one reviewer caught on that The Big Payoff resembled a western in modern garb. And small wonder, since the film was based on a short story by Peter B. Kyne. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucien Littlefield, Ralph Ince, (more)
- 1933
Sally Eilers plays Sandra, a secretary who falls for her boss in this passable marital drama from Fox. The attraction is mutual and when Carter Cavendish (Ralph Bellamy) learns that his wife, Betty (Helen Vinson), is having an affair, he divorces her and marries Sandra. But Betty wants sole custody of their young daughter, Patsy (Karol Kay), a potentially wealthy child prodigy, and does what she can to embarrass her former husband. Sandra, however, calls her bluff and the greedy Betty is eventually forced to relinquish custody of the child. Second Hand Wife was based on a serialized novel by Kathleen Norris. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Sally Eilers, Ralph Bellamy, (more)
- 1933
While U.S. sailor Jimmy Harrigan (James Dunn) is on leave in San Pedro, he unexpectedly falls in love with the beautiful Sally Brent (Sally Eilers. Though Sally (Eilers) promises to be faithful after Jimmy (Dunn) ships out to San Francisco, Jimmy becomes jealous. Furious at the news that Sally has entered a marathon dance contest sponsored by the lecherous Baron Portola (Victor Jory) , Jimmy and several of his Navy buddies go to the ballroom on the night of the dance marathon in an attempt to change Sally's mind and win her back. Directed by Raoul Walsh, this movie also features actors Sammy Cohen and Frank Moran. ~ Tracie Cooper, All Movie Guide
- Starring:
- James Dunn, Sally Eilers, (more)
- 1933
The French Foreign Legion is the setting for this episodic adventure yarn. Victor Jory plays a Legion doctor falsely accused of murdering his commander over the love of Loretta Young. Jory escapes prosecution by heading for parts unknown, but when a deadly illness strikes his old fort, he returns to aid his comrades. He is arrested, but clears himself of the murder charge and ends up with Young. Devil's in Love is distinguished by the surprise appearance of Bela Lugosi, who shows up unbilled as a relentless prosecuting attorney in the courtroom scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Jory, Loretta Young, (more)
- 1933
The 1933 Fox production Smoky was the first of three film adaptations of the classic Will James novel. James himself served as off-screen narrator for this story of bronco buster Clint's (Victor Jory) undying devotion to his horse, and vice versa. Separated early on from Clint, Smoky is sold to a notions dealer, undergoing the humiliation of hauling a junk wagon until he grows too old for this sort of work. Slated for the glue factory, Smoky is rescued in the nick of time by Clint, who has never given up hope of someday reclaiming his beloved steed. Though not as effectively cast as Fred MacMurray in the first of the remakes, Victor Jory is quite convincing in his offbeat (for him) role. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Jory, Irene Bentley, (more)
- 1933
A two sided romantic triangle features Warner Baxter and Victor Jory in love with Elissa Landi and Landi and Jory's wife Miriam Jordan in love with Jory. The love of Baxter wins Landi in the end in this romantic comedy. ~ All Movie Guide
- Starring:
- Warner Baxter, Elissa Landi, (more)
