Victor Jory Movies
After a rough-and-tumble adolescence, Victor Jory attended high school in California, studying acting with Gilmor Brown at the Pasadena Playhouse. Jory's subsequent tenure at the University of California lasted all of one year before he was bitten by wanderlust; he joined the coast guard, where he distinguished himself as a champion in several contact sports. Sharp-featured, muscular, and possessed of a rich theatrical voice, Jory made his New York stage bow in 1929, and one year later co-starred in the original Broadway production of Berkeley Square. Inaugurating his film career with Renegades (1930), Jory spent the next five decades in roles ranging from romantic leads to black-hearted villains. Highlights in his screen career include a sinister but strangely beautiful performance as Oberon in A Midsummer Night's Dream (1935); the vicious Injun Joe in The Adventures of Tom Sawyer (1938); white-trash carpetbagger Jonas Wilkerson in Gone With the Wind (1939); Texas patriot William Travis in Man of Conquest (1939); the hissable, crippled patriarch in The Fugitive Kind (1960); the taciturn father of Helen Keller in The Miracle Worker (1962); and the ancient South American Indian chief in Papillon (1973). In 1940, Jory starred in the Columbia serial The Shadow (1940), essaying the dual role of the mind-clouding Shadow and his alter ego Lamont Cranston (with several disguise sequences along the way).The outspoken Jory was supremely confident of his talents, remarking on several occasions that he was "damn good" -- though he was tougher than any movie critic in assessing his lesser performances. He was also more than generous with young up-and-coming actors (except for self-involved "method" performers), and was a veritable fountain of Broadway and Hollywood anecdotes, some of which were actually true. An occasional theatrical director and playwright, Jory wrote the Broadway production Five Who Were Mad. On TV, Jory starred in the popular syndicated detective series Manhunt (1959-1960) and guested on dozens of other programs. Long married to actress Jean Innes, Victor Jory was the father of Jon Jory, who for many years was artistic director of the Actors Theatre of Louisville. ~ Hal Erickson, All Movie Guide
- 1940
Though not based on a Zane Grey story, The Cherokee Strip fits in thematically with producer Harry Sherman's Grey series. Richard Dix stars as Dave Morrell, the new marshal of Goliath, Oklahoma. Immediately upon arrival, Morrell finds himself at odds with banker Coy Barrett (Victor Jory), who is actually the leader of all local criminal activities. Cagily playing a game of cat and mouse, Morrell strongly and silently gathers evidence against Barrett, leading to an outsized climactic shootout-just in time, since the film was beginning to drag a bit. Critical comparisons to Dix's 1931 starrer Cimarron could not be avoided, but Cherokee Strip was more straightforward adventure fare than the earlier film. Florence Rice is the pretty but hardly necessary romantic interest. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Florence Rice, (more)
Previous filmed three times (most recently in 1930), the 1940 Paramount production Light of Western Stars was the latest in the studio's "Zane Grey" series. Victor Jory earns a rare top-billing slot as Gene Stewart, a hard-drinking Westerner who is reformed through the love of Boston debutante Majesty Hammond (Jo Ann Sayers). Along the way, he tries to help Majesty prevent the marriage of her headstrong brother Alfred (Russell Hayden) to the blowzy Flo Kingsley (Ruth Rogers). Noah Beery Jr. offers an unusual characterization as Stewart's Mexican (!) sidekick, while veteran Western hero Tom Tyler essays a meaty character role as a small-town sheriff. Also on hand in a teeny-tiny role is Alan Ladd, on the verge of bigger and better things. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Jory, Jo Ann Sayers, (more)
- 1940
The lady in question in this delightful whodunit is Joan Bradley (Jean Muir), a former secretary who is about to marry her employer's son, Bob Pennison (Warren Hull). Mrs. Pennison (Georgia Caine) graciously lends her future daughter-in-law a priceless necklace, but when Joan returns to her apartment, she is met by what at first appears to be the ghost of her late husband, Rennick (Roger Pryor). He is no ghost -- but very much alive, in fact. Rennick grabs the necklace, shoves poor Joan away, and he's promptly shot and killed by...well, that is indeed the question. Brought into the case by accident (literally), former jewel thief-turned-master sleuth Michael Lanyard (Warren William) must once again cross swords not only with a dangerous criminal but with the ubiquitous foe, Inspector Crane (Thurston Hall). The Lone Wolf Meets a Lady was the third entry in the Lone Wolf series. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Warren William, Jean Muir, (more)
- 1940
Paramount's "Zane Grey" series continued rolling into the 1940s with Knights of the Range. Taking a break from the studio's Hopalong Cassidy pictures, Russell Hayden stars as Renn Frayne, a college-educated youth who finds more than he bargained for when he heads westward. After a terrifying run-in with an outlaw gang run by a bloke named Gamecock (Morris Ankrum), Frayne aligns himself with heroine Holly Ripple (Jean Parker), whose father's cattle ranch is in danger of falling into the hands of the villains. Victor Jory manages to play on both sides of the fence as wily gambler Malcolm Lascallie. Knights of the Range was directed by Lesley Selander, who like star Hayden was an alumnus of the Hopalong Cassidy unit. ~ Hal Erickson, All Movie Guide
- Starring:
- Russell Hayden, Victor Jory, (more)
- 1940
Previously filmed in 1920 and 1931, James Oliver Curwood's River's End was given a third go-round by Warner Bros. in 1940. Dennis Morgan plays a dual role as falsely accused murderer John Keith and stalwart Canadian mountie Sgt. Conniston. When Conniston is accidently killed, Keith takes his place, and while in Redcoat guise manages to solve the murder for which he was accused. George Tobias dominates the proceedings as French-Canadian Andy Dijon, who spends most of his time trying to get into trouble to get out of an unwanted marriage. The heroine is Elizabeth Earl, of whom little was heard after River's End ran its course; the same could not be said of supporting player James Stephenson, who would skyrocket to stardom in 1940 by virtue of his performance in William Wyler's The Letter. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, George Tobias, (more)
- 1940
This "Little Tough Guys" series entry finds the kids gainfully employed building airplane engines. Hoping to get into the air themselves, the boys take jobs with a crooked crop-dusting concern. Carter (Victor Jory), the head of the company, refuses to buy new planes, despite the dangers faced by his pilots. When young Rap (Bobby Jordan) is killed in a subtandard plane, his pal Tommy (Billy Halop) swears revenge. The plot is resolved in a wild car chase which segues into an aerial dogfight between Tommy and the fleeing Carter. Much-needed comedy relief is provided by series regular Huntz Hall and by the inimitable Shemp Howard. ~ Hal Erickson, All Movie Guide
- Starring:
- Billy Halop, Huntz Hall, (more)
- 1940
Based upon the classic radio series and pulp magazine character, The Shadow is a 15-episode serial in which scientist Lamont Cranston (Victor Jory) dons the garb of The Shadow to track down the elusive -- and indeed, invisible -- villain known only as The Black Tiger. As the serial begins, The Black Tiger is waging a campaign of terror that includes destroying trains, planes, and factories. This is only the beginning, however, as world domination -- to be achieved through the use of a mysterious death ray -- is his ultimate goal. The Shadow infiltrates the ranks of the villain's gang, disguised as a crook and calling himself Lin Chang. This helps The Shadow gain important information, although practically every time he seems about to make real progress, the gangsters manage to derail his plans. Things are not made easier by the police, who do not know that The Shadow is on their side and suspect that he is actually The Black Tiger. Eventually, The Shadow discovers the identity of The Black Tiger and brings an end to his evil reign. ~ Craig Butler, All Movie Guide
In this 15-episode serial, Detective Spike Holland must solve the mystery of Garr Castle. He does so after he is hired to look into the disappearance of Valerie Howett's sister Elaine. Within the haunted walls of the castle he finds a maze of secret passages, tunnels, trapdoors, and the enigmatic masked man, the Green Archer. ~ Sandra Brennan, All Movie Guide
- 1940
The notoriously temperamental Miriam Hopkins is ideally cast as equally contentious theatrical prima donna Mrs. Leslie Carter in The Lady With Red Hair. As rapidly paced as any Warner Bros. gangster picture, the film charts Caroline Carter's rise to fame on Broadway through the auspices of impresario David Belasco (Claude Rains). The screenwriters take great pains to cast Carter in a sympathetic light, suggesting that she turned to the lucrative world of the theater to regain custody of her son (Johnnie Russell), won by her husband in their acrimonious 1889 divorce settlement. Though at first she meets with nothing but failure, our heroine perseveres, and by 1904 she is the idol of millions throughout the world. Along the way, she marries visionary producer Lou Payne (Richard Ainley), but by film's end she is reunited with her mentor Belasco. A young Cornel Wilde makes his screen debut as an aspiring actor in a boarding-house sequence. ~ Hal Erickson, All Movie Guide
- Starring:
- Miriam Hopkins, Claude Rains, (more)
- 1940
No relation to the 1929 Fox talkie of the same name, Republic's The Girl From Havana offers blonde-bombshell Claire Carleton (normally relegated to supporting roles) as the title character. The film charts the exploits of two oil-drilling buddies, Woody Davis (Dennis O'Keefe) and Tex Moore (Victor Jory) as they ply their trade in sunny Cuba. Woody and Tex come to blows over the affections of the gorgeous Havana (Claire Carleton), but eventually set aside their differences when the plot takes a melodramatic turn. The climax finds Woody posing as a gun-runner in order to expose a Nazi spy ring operating in the Carribean. Steffi Duna, wife of star Dennis O'Keefe, shows up to warble the "authentic" Cubano number "Querido, Take Me Tonight." ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis O'Keefe, Victor Jory, (more)
- 1939
Kay Francis was anxious to complete her Warner Bros. contract when she agreed to appear in this lower-berth drama. Francis plays a financially strapped aviatrix who enters an air race to pay for her brother's operation. Friendly mechanic William Gargan offers to lend Francis his plane, but Gargan's ex-wife Sheila Bromley is also competing in the race. Finally securing an aircraft of her own, Francis goes off into the Wild Blue and wins the prize. The otherwise pedestrian Women in the Wind is given a lift by the sensitive direction of John Farrow, on loan from RKO. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, William Gargan, (more)
- 1939
This gangster film is based upon fact as it tells the tale of a determined reporter who has decided to make sure a certain notorious gangster gets his just desserts. It takes a long time, but eventually the reporter succeeds and the gangster is sent up river. Unfortunately, once there, he becomes the leader of the prisoners and, though incarcerated, is soon up to his old tricks of trying to corrupt local politicians and the warden. The obsessed journalist is infuriated and so gets himself sent to prison to stop the gangster once and for all. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Garfield, Rosemary Lane, (more)
- 1939
Man of Conquest was the first "super production" from Republic Pictures, a studio not known for its lavish budgets. This time, however, no expense was spared in recreating the career of Texas empire-builder Sam Houston. Richard Dix portrayed Houston, heading a gigantic cast of character players impersonating such historical figures as Jim Bowie, Andrew Jackson, Davy Crockett and General Santa Ana (who is depicted as a Hitler-like oppressor!). The film's two major highlights are the Battle of San Jacinto and the siege of the Alamo, both featuring the remarkable stuntwork of Yakima Canutt. Though often juggling facts to make a better story, Man of Conquest is an impressive achievement for so small a studio as Republic. Stock footage from the production would show up for years in the studio's more economical westerns and serials. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Gail Patrick, (more)
- 1939
In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Raft, Claire Trevor, (more)
The sole survivor of an Indian attack, orphan girl Susannah Sheldon (Shirley Temple) becomes the mascot of the Canadian Mountie outpost headed by Superintendent Standing (Moroni Olsen). Mountie Angus "Monty" Montague (Randolph Scott) and his sweetheart (and Standing's daughter), Vicky (Margaret Lockwood), appoint themselves as Susannah's unofficial parents, doing their best to help the girl overcome her terrible ordeal. Eventually, it is "little miss fix-it"Susannah who brings peace between the Mounties and the Blackfeet, but not before Monty is nearly burned at the stake by the renegade Indian responsible for fomenting all the trouble. This is the film in which Shirley Temple not only teaches Randolph Scott how to tap dance, but also shares a peace pipe with a Blackfoot youngster (and gets good and nauseated in the process). Based on a novel by Muriel Denison, Susannah of the Mounties was originally released in sepiatone. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Randolph Scott, (more)
Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Vivien Leigh, (more)
Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide
- Starring:
- James Cagney, George Raft, (more)
- 1939
Filmed on-location at the Naval Air Training Stations in San Diego, CA, and Pensacola, FL, this black-and-white Warner Bros. drama was dedicated to the U.S. Naval Aviation Service and probably served as propaganda when it was released in 1939, right before the U.S. involvement in WWII. Submarine officer Jerry Harrington (John Payne) goes to Pensacola to train as a flying cadet, just like his father and his brother, longtime airman Cass Harrington (George Brent). Jerry ends up falling for his brother's girlfriend, Irene Dale (Olivia deHavilland), which only increases the competition between the two brothers. After Cass gets injured, Jerry becomes a pilot in San Diego and Irene must choose which man she wants. Also starring Frank McHugh.
~ Andrea LeVasseur, All Movie Guide
- Starring:
- George Brent, Olivia de Havilland, (more)
- 1939
Call a Messenger is the second entry in Universal's "Dead End Kids/Little Tough Guys" series. In this one, the Little Tough Guys (Hally Chester, Harris Berger, David Gorcey) cede most of the screen time to Dead Enders Billy Halop (as Jimmy Hogan) and Huntz Hall (as Pig). When he and his pals are caught robbing their local branch of the Postal Union, Jimmy valiantly takes the blame for his friends' action. Given a choice between going to reform school and taking an honest job as a messenger boy, Jimmy opts for the latter-and before long, all of his buddies are wearing messenger uniforms. With the help of his Postal Union confreres, Jimmy manages to thwart the criminal activities of his ex-con brother Ed (Victor Jory) and Ed's gangster partner Chuck Walsh (Larry "Buster" Crabbe). Billy Benedict makes his first appearance as a Dead End Kid/East Side Kid/Bowery Boy in Call a Messenger, while comedy relief is provided by veteran funster El Brendel. ~ Hal Erickson, All Movie Guide
- Starring:
- Billy Halop, Huntz Hall, (more)
- 1939
As Australian river rights are battled for, the love of a girl is also at stake. ~ All Movie Guide
This landmark western -- which, along with Stagecoach, has often been credited with revitalizing what had become a stagnant genre -- stars Errol Flynn as Wade Hatton, a cattle man who arrives in the frontier community of Dodge City, which is overrun by footloose cowboys and outlaws. When Hatton helps Dodge City lawmen capture a gang of cattle rustlers led by Jeff Surrett (Bruce Cabot), he's asked to help guide a wagon train into town with his friends Rusty Hart (Alan Hale, Sr.) and Tex Baird (Guinn Williams). En route, an impulsive young cowpoke named Lee Irving (William Lundigan) needlessly fires off his pistol, sparking a cattle stampede that leads to his death. When Hatton and his men arrive in Dodge, they discover Surrett is once again at large, and his gang has taken over the city. Appointed the city's new sheriff, Hatton is determined to clean up the town and put the outlaws out of business. In his rare moments off duty, Hatton tries to win the affections of Abbie Irving (Olivia de Havilland), but she believes that Hatton is responsible for the death of her brother Lee; Hatton's habit of flirting with dance hall girl Ruby Gilman (Ann Sheridan) does nothing to improve her opinion of him. A solid box office hit, Dodge City was the first of a series of westerns for swashbuckling star Flynn; his next oater, Virginia City, followed in 1940. ~ Mark Deming, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1938
The 1938 version of Adventures of Tom Sawyer appears to be producer David O. Selznick's dry run for Gone with the Wind, what with its similarities in period, costumes, color scheme and production design (both films shared the services of the great Hollywood art director William Cameron Menzies). Selected from hundreds of applicants (a precursor to Selznick's upcoming search for Wind's Scarlet O'Hara), Tommy Kelly is visually perfect as Mark Twain's Tom Sawyer though his acting varies from scene to scene. Better cast is Jackie Moran as the laconic, pipe-smoking Huck Finn (Moran would show up in Wind as Dr. Meade's son). Never forcing its pace, the film manages to include most of Twain's classic sequences, including the fence-whitewashing episode, Tom's rescue of Becky Thatcher (Anne Gillis) from the wrath of their schoolmaster (Olin Howlin), Tom and Huck's "death and resurrection" after the boys briefly skipped town for an idyll on a remote island, the murder trial of town drunk Muff Potter (Walter Brennan) and ultimately unmasking of the vicious Injun Joe (Victor Jory) as the real killer, and of course the chilling climax in the cave, wherein Tom protects Becky from the fugitive Injun Joe. Originally released at 93 minutes, Adventures of Tom Sawyer was trimmed to 77 minutes for a 1959 reissue; it has since been restored to its full length on videotape. In 1960, Tom Sawyer was syndicated to television by Selznick, with accompanying commentary by the film's now-grown-up "Becky Thatcher", Anne Gillis. ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Kelly, Jackie Moran, (more)
- 1937
In this Australian western, a rancher's daughter goes out on a long-distance lark unaware that her father is facing financial dire straits. A new foreman finally contacts the girl so she will come home. The young woman finally comes home, but encounters constant disagreements with foreman. In addition to their personal squabbles, they must also cope with a nearby rancher who has decided to dam the river to force them to abandon their land. Fortunately, the clever foreman stops the plot, restores water to ranch, and wins the young woman's heart. ~ Sandra Brennan, All Movie Guide
- Starring:
- Victor Jory, Margaret Dare, (more)
- 1937
The popular Ivor Novello musical play Glamorous Night was given a conservative film treatment in 1937--minus much of the Novello score that had made it famous. Opera singer Mary Ellis plays an opera singer (why not?) who falls in with a band of roguish but likeable gypsies. Mary manages to convince her Bohemian cohorts to rescue the King from the machinations of his ambitious prime minister. As "cast insurance" to make certain that Glamorous Night would get American bookings, Hollywood character actors Otto Kruger and Victor Jory are given leading roles. The US distributors also sliced the film down from 81 to 65 minutes, through the simple expedient of removing several songs. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Ellis, Otto Kruger, (more)
