William Jordan Movies

A family struggles to keep their business afloat as they're dogged by personal crises in this drama from writer and director Kevin Jordan. Frank Giorgio (Danny Aiello) is the owner of Giorgio's Lobster Farm, a seafood shop in the Sheepshead Bay neighborhood of Brooklyn. The store has been in the Giorgio family for generations, and Frank, who takes enormous pride in Giorgio's, has had ambitions of expanding the business by adding on a restaurant. However, the bank has called in the loan Frank took out to build the dining room during a business downturn, and he goes through a series of both funny and desperate efforts to keep the wolf from the door. Meanwhile, Frank's grown children -- son Michael (Daniel Sauli) and daughter Lauren (Marisa Ryan) -- are torn between their desire to help their father, their mixed feelings about the man who put his business ahead of his family while they were growing up, and the knowledge that he's too proud to accept their assistance. As the familial tensions mount, Frank's marriage to Maureen (Jane Curtin) has begun to collapse, as her love for her husband is outweighed by her desire to move on. Produced in part by Martin Scorsese, Brooklyn Lobster was a personal project for Kevin Jordan, whose own father owned a lobster business which was suffering severe financial problems when he began the film. ~ Mark Deming, All Movie Guide

When a top secret naval mission leads to the torpedoing of the U.S.S. Indianapolis at the end of WWII, it began one of the most scandalous court-martials in the history of the military. For five days the surviving crew members were left in the shark-infested waters, with only half of them surviving to be rescued. Their well-respected Captain accepted the responsibility to keep the scandal to a minimum but his court-martial only served to show that justice is not always found in military proceedings but rather mere expediency. ~ Tana Hobart, All Movie Guide

It is doubtful that while acting in D. W. Griffith's Birth of a Nation back in 1914, Lillian Gish ever dreamed that seven decades later she'd be co-starring with a cute dog in something called Hambone and Hillie. It all begins at a busy airport, where octogenarian Hillie (Gish) is accidentally separated from her beloved bow-wow Hambone. In a twinkling, Hambone and Hillie find themselves on opposite coasts of the USA. The rest of the film charts the efforts of both mistress and mutt to find each other again. ~ Hal Erickson, All Movie Guide

King: The Martin Luther King Story originated as a three-part miniseries, first telecast February 12, 13 and 14, 1978. Paul Winfield is starred as Martin Luther King, with Cicely Tyson as Coretta Scott King. The film covers the years 1954 through 1968, taking Rev. King from his first peaceful protests against segregation in Montgomery to his murder in Memphis. Scenarist/director Daniel Mann came under fire in 1978 for his adaptation of King's life, and for once the critics were right. Despite Winfield's masterful and accurate portrayal of King, the rest of the 6-hour drama compromises the truth with the hokiest of fabrications. Just a few examples: Sheriff "Bull" Connor's men walk out on him en masse when he threatens to hose down black schoolchildren; Mayor Daley warns King against protesting in Chicago, saying "We have a reputation to protect; this is the home of Al Capone"; King has a friendly meeting with Malcolm X in 1966, a full year after Malcolm X was killed....and so it goes. Martin Luther King certainly deserved a superior mini-series. Perhaps some day he'll get one. ~ Hal Erickson, All Movie Guide

Police detective Dennis Becker (Joe Santos) is suspended after being framed on a heroin-possession charge. Since the drugs in question had been confiscated by the police, it would seem that somewhere in the Department is lurking a "dirty" cop determined to destroy Dennis. In his efforts to prove his friend's innocence, Jim (James Garner) matches wits with a third-rate nightclub comic (Jack Carter) who is acting as go-between for a notorious drug dealer. This is the first of two Rockford Files episodes in which James Garner is reunited with his former Maverick costar Jack Kelly, here cast as the villain of the piece. Also making guest appearances are future Hill Street Blues regular James B. Sikking as a zealous internal-affairs officer, and Bucklind Beery, son of series costar Noah Beery Jr., as a policeman. ~ Hal Erickson, All Movie Guide

Jim (James Garner) is hired by antiques dealer Thomas Caine (William Daniels) to bid on a rare sculpted bird at an auction. Unfortunately, our hero "gets the bird" in more ways than one when, after purchasing the statue on Caine's behalf, he is attacked by hooligans and the artifact is broken. At this point, Jim would just as soon wash his hands of the whole affair, but in order to avoid paying for the busted bird, he agrees to attend another auction where a duplicate bird is on display. Complicating matters is the existence of a third bird--and of a clever and somewhat lethal art thief who is dogging Jim's trail every inch of the way. ~ Hal Erickson, All Movie Guide

In this crime drama an enterprising cop simultaneously takes on two murder cases, each located on opposite ends of the town. ~ Sandra Brennan, All Movie Guide

While the Watergate scandal filled the headlines, Alan J. Pakula's 1974 thriller took its inspiration from the conspiracy theories surrounding the Kennedy assassination. Journalist Joe Frady (Warren Beatty) misses witnessing the assassination of a senator at Seattle's Space Needle, but his newswoman former girlfriend Lee Carter (Paula Prentiss) was there. Even after a government commission concludes that it was a freak lone assassin, Lee tells Joe that she fears for her life since other witnesses keep dying. After she too turns up dead, Joe investigates, travelling to the small town where another witness has mysteriously expired. Stumbling on a corporate identity for the killers, Joe decides to dig deeper by infiltrating the Parallax Corporation as one of their hired assassins. As Joe becomes increasingly isolated in his assumed identity, he discovers what Parallax is all about -- but Parallax knows all about Joe too. Made between Klute (1971) and All the President's Men (1976), The Parallax View was the second film in Pakula's "paranoia" trilogy; it proved too dark even for a 1974 audience that embraced such other challenging films of that year as The Godfather, Part II and Chinatown, making The Parallax View the sole flop of Pakula's trilogy. ~ Lucia Bozzola, All Movie Guide

Venerable character actor Paul Fix guests in this episode as Wade Tillman, a self-styled septugenarian Robin Hood. Outraged at the isurmountable medical bills facing himself and his fellow nursing-home residents, Tillman resorts to robbery and extortion to buck the system. Within its usual "cops and robbers" framework, this episode makes a strong case for the rights and dignity of senior citizens in an increasingly youth-oriented society. Featured in the cast are such familiar Hollywood "seniors" as John Qualen, Ruth McDevitt, and 89-year-old Burt Mustin. ~ Hal Erickson, All Movie Guide

A charismatic long-haired vampire finds himself becoming a guru for a gang of Southern California flower children in this hippie-dippy horror movie. ~ Sandra Brennan, All Movie Guide

Phyllis Thaxter guest-stars as widowed newspaper publisher Ruth Manning, yet another old friend of Ben Cartwright. Ben comes to Ruth's assistance when her newspaper is targeted for extinction by ruthless town boss Judge Seth Tabor (Simon Oakland). Featured in the cast are William Jordan as Leek, Hamilton Camp as Dobbs, Philip Kennealy as Sheriff Knox, Ken Mayer as North, Connie Sawyer as Mrs. Lewis, James Jeter as Cotton, Arthur Peterson as Dr. Adams, and Ed McCready as Purdy. Written by John Hawkins and Frank Chase, "The Clarion" first aired on February 9, 1969. ~ Hal Erickson, All Movie Guide

In this complex British mystery, an undercover narcotics agent go to the Mediterranean to foil the plans of two smugglers. Upon arrival, one of the partners is beaten and killed by a man and his mistress. The disguised agent begins working to gain the trust of the remaining smuggler, but one day arrives to find him stabbed to death. Naturally, he is accused of the crime by the local detective. The agent's home organization then sends out another agent to help him. Together they learn that the mistress was the perpetrator of all the crimes. ~ Sandra Brennan, All Movie Guide

A landmark independent film, Nothing but a Man is the first dramatic story featuring a largely black cast created for an integrated audience (the work of black filmmakers such as Oscar Micheaux was intended for audiences who patronized black-only theaters). White filmmakers Michael Roemer and Robert M. Young traveled through the South in 1962 in search of ideas for a fiction feature set during the growing turbulence of the civil rights era. Their story, based in Alabama but shot in southern New Jersey, is only tangentially related to the movement toward equality. Duff, an itinerant black railroad laborer (Ivan Dixon), romances and marries Josie, a small-town preacher's daughter (Abbey Lincoln). Duff insists on being treated with respect, but his stance is personal rather than political. After he settles down in the town with Josie, he comes up against white bosses who want to make sure he knows his place and black men such as Josie's father who don't want to rock the boat for fear of losing what little advantage they have. Duff's relationship with his own father (Julius Harris), a broken-down drunk living in Birmingham, teaches him valuable lessons about dignity and self-worth. The film was lauded at both the New York and Venice festivals but received limited release in theaters specializing in foreign and independent film. However, word of mouth in the black community (where Nothing but a Man was for years a staple on the 16 mm rental market, in the days before VCRs) and continued attention by film historians have ensured the status of Nothing but a Man as a pioneering and enduring work. ~ Tom Wiener, All Movie Guide