Shirley Ballard Movies

Stuart Rosenberg's taut police thriller, based on the Martin Beck novel by Maj Sjowall and Per Wahlöö, concerns a serial killer who is targeting bus riders. When a bus full of innocent commuters are killed on a San Francisco street, Jake Martin (Walter Matthau) is assigned to track down the killer. Jake has a personal stake in the killings because his partner was one of the victims. Teamed up with new partner Leo Larsen (Bruce Dern), Jake investigates the back alleys of San Francisco to find the serial killer. The trail leads to a tour of the underbelly of the city's gay subculture. ~ Paul Brenner, All Movie Guide

The Cartwrights accompany freight-company troubleshooter Ted Trask (Robert Lansing) to the far from peaceful community of Cut Throat Junction. Trask has been hired to round up a gang of thieves, and has been given a full and free hand to accomplish his goal. But when he is abruptly fired in the middle of his assignment, the disgruntled Trask joins the thieves in their efforts to prevent vital supplies from reaching Virginia City. Written by Nat Tanchuck, "Cut Throat Junction" originally aired on March 18, 1961 as a last-minute replacement for the Bonanza episode "The Gift", which was moved to the following week. ~ Hal Erickson, All Movie Guide

On a boiling hot night in the middle of a steaming New York summer, Detective Mike Reardon is on his way to work when he is shot down execution style. His fellow officers at the 87th, led by detectives Steve Carelli (Robert Loggia) and Mike Maguire (Gerald S. O'Laughlin), can't come up with a motive. The investigation has barely started when Reardon's young partner Foster is ambushed and gunned down as well. Carelli and Maguire are the lead investigators on the double police homicide, tracing potential suspects and following up clues that all lead to blind alleys. Meanwhile, Miller, a reporter, does some investigating on his own and nearly gets a young detective killed by a street gang led by smart-mouthed punk Joe Sanchez (Jerry Orbach). Amid this chaos, Carelli tries to carry on a romance with a deaf-mute author named Teddy (Ellen Parker) and Maguire attempts not to neglect his wife too badly. Maguire is gunned down by the same shooter that killed the other two detectives, only he makes sure the killer leaves behind a few clues before he dies. Carelli can't make the pieces fit together -- the only thing that the three victims had in common was that they worked in the 87th Precinct and they were all cops. He begins wondering if the fact that they were all police officers was relevant to the killings, but not the motive. Looking for a story, Miller reports Carelli's private suppositions, suddenly putting Teddy in jeopardy. Not knowing that the shooter is a step ahead of him, the detective races to her home. Carelli breaks the case and discovers that only one of the murders had an actual motive, one much closer to home than anyone on the squad would ever have guessed. ~ Bruce Eder, All Movie Guide

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Back in the 1930s, '40s and '50s, artist George Petty was famous for his "Petty Girl" illustrations; lovingly detailed renderings of ripe young damsels wearing next to nothing, and sometimes not even that. In The Petty Girl, George Petty is portrayed by Robert Cummings, while Joan Caulfield co-stars as strait-laced college professor Victoria Braymore. The plot contrives to have Petty abandon his nubile creations in favor of avant-garde art, all because he's been told to do so by his new patroness (Audrey Long). Somewhere along the way, Petty and the prim Miss Braymore find themselves in a compromising situation at a Greenwich Village nightclub. Thus it is only a matter of time before Petty goes back to the sort of artwork he does best, and Miss Braymore loosens her inhibitions -- and everything else -- to serve as Petty's latest model. Incredibly, this amusing exercise in old-fashioned male chauvinism was based on a story by novelist Mary McCarthy. ~ Hal Erickson, All Movie Guide

Billy Wilder's future partner I.A.L. Diamond concocted the storyline for this Dennis Morgan/Jack Carson/Doris Day tunefest. Morgan and Carson, Warner Bros.' answer to Bing Crosby and Bob Hope, appear as themselves. Attempting to line up a director for their next picture, the boys find themselves unable to do so due to Carson's gigantic ego. Carson decides to direct their next vehicle himself; the next problem is locating a leading lady who'll be willing to put up with Carson. The boys discover Doris Day, a waitress in the Warner Bros. commissary. Carson and Morgan spend their entire shooting schedule vying over Day's affections; she gets fed up with this, and heads back to her home town in Wisconsin, there to marry her childhood sweetheart Jeffrey Bushdinkel--who is revealed in the final shot to be none other than Errol Flynn! Other guest stars popping in and out of It's a Great Feeling include Gary Cooper, Joan Crawford, Sidney Greenstreet, Danny Kaye, Patricia Neal, Eleanor Parker, Ronald Reagan, Edward G. Robinson and Jane Wyman. Also appearing as themselves are such Warner Bros. directors as David Butler (the real director of It's a Great Feeling), Michael Curtiz, King Vidor and Raoul Walsh. ~ Hal Erickson, All Movie Guide

Fred Astaire had announced his retirement before the cameras began to roll on Easter Parade, but he decided to accept the film's leading role when its original star Gene Kelly became incapacitated. The thinnish plot, which finds Astaire trying to turn chorus girl Judy Garland into a star in order to show up his former partner Ann Miller, is hardly what keeps the audience's eyes riveted to the screen. All that truly matters are the 17 musical numbers, all written by Irving Berlin (ten were standards, while seven were new to this film). Among the many highlights are Astaire's slow-motion version of "Steppin' Out," the Astaire/Garland duet "We're a Couple of Swells," the opening rendition of "Happy Easter," and the closing performance of the title number. So successful was Easter Parade that plans were immediately drawn to reteam Fred Astaire and Judy Garland in The Barkeleys of Broadway; this time, however, it was Garland who withdrew, to be replaced by Astaire's most famous vis-à-vis, Ginger Rogers. ~ Hal Erickson, All Movie Guide

Danny Kaye's The Kid From Brooklyn is a virtual scene-for-scene remake of Harold Lloyd's The Milky Way (1936), with music and Technicolor added to the proceedings. Kaye is cast as timid milkman Burleigh Sullivan, who through a fluke knocks out prizefighting champion Speed McFarlane (Steve Cochran). Sensing a swell publicity angle, McFarlane's manager Gabby Sloan (Walter Abel) promotes Burleigh as the next middleweight champ-and to insure this victory, Gabby fixes several pre-title bouts. Unaware that his fighting prowess is a sham, Burleigh develops a swelled head, which alienates him from everyone he cares about, including his sweetheart Polly Pringle (Virginia Mayo). The truth comes out during the climactic title fight, but a chastened Burleigh emerges victorious thanks to a series of incredible plot twists. The strong supporting cast includes Vera-Ellen as Burleigh's sister Susie, Eve Arden as Gabby's wisecracking girl friday Ann Westley, and, repeating his role from Milky Way, Lionel Stander as Speed's lamebrained trainer Spider Schultz. Danny Kaye does his best to play Burleigh Sullivan rather than Danny Kaye, though his efforts are undermined by the interpolated "specialty" number "Pavlova," which just plain doesn't belong in this picture. Like The Milky Way, The Kid From Brooklyn was adapted from the Broadway play by Lynn Root. ~ Hal Erickson, All Movie Guide