Charles Jordan Movies

In this modern parable of middle-American values, a nine-year-old boy leaves behind the family farm for a few very instructive days in New York. A disagreement with his father sends Brill (Richard Bray) hitching to New York City to seek his fortune. After arriving in Manhattan, he falls in with a young gang of shoe-shine boys and paper carriers who are "managed" by Rick (Jaime Charlamagne), a teenage punk who "protects" them in exchange for half their earnings. With the help of his new friend Paco (Roberto Marsach), a Puerto Rican boy about his own age, Brill gets a job selling papers. The next day Brill wins most of Rick's money in a crap game and he takes Paco out for a night on the town. When Rick's gang beats up Brill for winning the money, Suzy (Lee Grant), a prostitute, takes him home to care for him. The next morning, Suzy buys Brill new clothes and takes him on a tour of the city. He sees Suzy picked up by the police and decides to return home, purchasing a bicycle for the trip. Rick's gang spots him and gives chase, but Paco intercepts them, allowing Brill to escape. On the highway home, a truck wrecks the bike, and Brill stays the night at an elderly African-American couple's house. Upon returning home the next day, he presents his father with the remainder of his "fortune."

Pie in the Sky was Allen Baron's second attempt at directing and screenwriting. His 1961 Blast of Silence received good reviews, but never gained popularity in the United States. Pie in the Sky is a better film, painting a realistic yet heartwarming picture of a young boy's adventures. Richard Bray gives a commendable performance as the wayward youth, despite his non-professional status as an actor. The film was criticized for choppy narration in 1964, giving a "too European" feel, although modern audiences would likely be more accepting. Donald Malkame's cinematography is one of the film's strongest points. It is clear, crisp, and shot entirely on location -- including 42nd Avenue through hidden camera, and the exciting bicycle chase through upper Manhattan. ~ Lucinda Ramsey, All Movie Guide

Edge of the City is a modern morality play, acted out in the railyards of New York. AWOL soldier John Cassavetes takes a job as a railroad worker, where he is taunted and bullied by supervisor Jack Warden, a union functionary appointed by the Mob. Cassavetes befriends his African-American co-worker Sydney Poitier, whose very presence enrages the bigoted Warden. Poitier dies in an "accident" arranged by Warden; Cassavetes knows the truth, but is frightened into silence by the corrupt union. Inspired by Poitier's widow to stand up for what is right, Cassavetes challenges Warden in a climactic one-on-one battle. Edge of the City was produced by David Susskind, who'd previously staged Robert Alan Aurthur's screenplay for television under its original title, A Man is Ten Feet Tall. ~ Hal Erickson, All Movie Guide

Edmond O'Brien plays a telephone repairman whose electronic savvy earns him a job with a bookmaking concern. O'Brien's bookie boss Barry Kelly wants to get instant results from the nation's racetracks, and to this end O'Brien illicitly plugs into several communication centers. The wealthier O'Brien becomes, the more scruples he sheds. Eventually he runs afoul of the Big Boss of an Eastern bookie syndicate (Otto Kruger) and vainly attempts to escape with his life in a slam-bang final at Boulder Dam. 711 Ocean Drive was made to cash in on a then-current national newspaper expose of bookmaking operations. ~ Hal Erickson, All Movie Guide

Director Douglas Sirk's love of cinematic esoterica was kept in check in the musical comedy Slightly French. Dorothy Lamour stars as Mary O'Leary, a carnival entertainer who's discovered by enterprising director John Gayle (Don Ameche). The plot dictates that Gayle must pass off Mary as an elegant Parisian actress/singer. This slender plotline enables the film to toss off a number of satirical quips about show biz, and to display Lamour in a variety of exotic costumes. The best musical numbers occur during an extended film-within-a-film sequence. Slightly French is buoyed by its expert supporting cast, including Janis Carter, Willard Parker and Adele Jergens. ~ Hal Erickson, All Movie Guide

Film historian Leonard Maltin has labelled this final entry in Monogram's "Charlie Chan" series as "embarrassing," but it's not quite as bad as its reputation would indicate. True, star Roland Winters steadfastly refuses to take his characterization of Charlie Chan seriously, but that's part of the fun. Much of the action takes place on an airliner, where someone has drugged the passengers and crew and killed a courier who was carrying a quarter of a million dollars. The suspect list is a dream-come-true for movie buffs, populated with such reliable supporting players as Iris Adrian, Eleana Verdugo, Tim Ryan, Milburn Stone, Lyle Talbot, Paul Maxey and John Eldredge. Noel Neill, everyone's favorite Lois Lane, is also on hand as a stewardess. And of course, Charlie Chan is aided and abetted by Number One Son Lee Chan (Keye Luke) and pop-eyed chauffeur Birmingham Brown (Mantan Moreland). Though out of favor with dyed-in-the-wool Charlie Chan fans, Sky Dragon opened to good business and better-than-average reviews. ~ Hal Erickson, All Movie Guide

For some reason, whenever Universal used the word "Gal" in a film's title, Yvonne de Carlo usually headed the cast. In Gal Who Took the West, de Carlo plays Lillian Marlowe, an New York songstress who heads Thataway. She becomes the romantic bone of contention between the feuding O'Hara cousins, Grant (John Russell) and Lee (Scott Brady). The hostilities boil over into an all-out range war, and federal troops are summoned. Can Lillian succeed where other, better-armed negotiators have failed. The lighthearted nature of Gal Who Took the West is underlined by staging the film in flashback, as related by a pair of toothless old codgers (Clem Bevans and Houseley Stevenson). ~ Hal Erickson, All Movie Guide

Viewers who know Gale Storm only through her chaotic comic performances on TV's My Little Margie and Oh Susanna will be surprised by her subdued dramatic performance in Abandoned. Storm plays Paula Consodine, who comes to Los Angeles in search of her missing sister. Newspaperman Mark Sitko (Dennis O'Keefe), investigating on Paula's behalf, discovers that the sister is dead, a supposed suicide. The whole thing seems a bit fishy to Sitko, and indeed it is: the girl's death was engineered by a black-market adoption racket, headed by one DeCola (Will Kuluva). Paula bravely offers to act as bait to draw the criminals out, a formidable task given the presence of such secondary villains as Raymond Burr and Mike Mazurki. ~ Hal Erickson, All Movie Guide

A blend of melodrama and film noir, The Reckless Moment stars Joan Bennett as Lucia Harper, a suburban housewife whose husband is away on business. Her daughter, Bea (Geraldine Brooks), an aspiring artist, has fallen for Ted Darby (Shepperd Strudwick), a shady older man from Los Angeles who claims to be an ex-art dealer. One night, after a secret rendezvous in the Harpers' boathouse that turns into an argument, Bea accidentally kills Darby. When Lucia discovers his body in the morning, she panics and dumps it in the lagoon instead of contacting the police, who would surely charge her daughter with murder. Her problems only increase when a suave Irish gangster named Donnelly (James Mason) shows up with a package of love letters from Bea to Darby, and blackmail on his mind. With her husband out of town, Lucia has no choice but to give in to his demands, and brings him along on a desperate quest to raise the money that takes them from bank to loan office to pawn shop. Along the way, Donnelly seems to develop sympathy -- even affection -- for her. When his boss shows up to pressure him into finishing the job, Donnelly's surprising decision sets up the film's startling climax. The Reckless Moment was remade in 2001 by Scott McGehee and David Seigel as The Deep End. ~ Tom Vick, All Movie Guide

In Dead Reckoning, Rip Murdock (Humphrey Bogart) recites the film's plotline to a priest in the confessional. Murdock and Johnny Drake (William Prince) are Congressional Medal of Honor recipients, en route to Washington by train. Drake hops off and disappears, leading Murdock on a hectic manhunt. Upon meeting Drake's former girlfriend Coral Chandler (Lizabeth Scott), Murdock is thrown into a maelstrom of intrigue involving a crooked gambler (Morris Carnovsky) and a complex blackmailing scheme. The upshot of this is that Murdock finds himself the prime suspect in a murder. ~ Hal Erickson, All Movie Guide

The last of the Richard "The Jaw" Dix films. Dix, the trucking company owner, is pitted against time to discover who murdered a police officer rival of his. He must do so to clear his own name, as the murder was pinned on him. ~ All Movie Guide

The country in this low-budget Eddie Dean Western from PRC isn't so much wild as it is familiar. Dean is assigned to bring in escaped convict Rif Caxton (I. Stanford Jolley), whose trademark is a polka dot hatband. The bandit is holed up in Silver Springs, where he frames Sheriff Bill Devery (Steve Clark) in a stage robbery and murder -- basically to teach the aged lawman a lesson -- and then shoots him down in cold blood. Eddie, meanwhile, passes off sidekick Soapy Jones (Roscoe Ates) as Caxton -- with the expected results. The real Caxton aligns himself with a nasty gambling establishment owner (Douglas Fowley) and his lackey, the new sheriff (Lee Robert). None of these gentlemen, however, is any match for Eddie, who can count to six and knows when the opposition's gun is empty. In between making Silver Springs a safer place for heroine Martha Devery (Peggy Wynne), Dean performs his own and Hal Blair's "Wild Country" as well as Peter Gates' "Saddle With a Golden Horn" and "Ain't No Gal Got a Brand on Me," the latter with the Sunshine Boys. ~ Hans J. Wollstein, All Movie Guide

In this musical, an orphan is under the false impression that her newly found relatives are filthy rich. Lacking the heart to tell her the truth, the relatives move into an abandoned mansion to entertain her and her fiance. Songs include: "That's Good Enough for Me", "A Man Is a Brother to a Mule", "Judy and Dick", and "Cheer for the Team". ~ Sandra Brennan, All Movie Guide

This Universal B-musical casts Desi Arnaz as himself: a Cuban bandleader making it big in the United States. Shawnee (Joan Fulton) schemes to draw Arnaz from his homeland and transform the Havana musician into a star in New York City by having him perform on a successful radio show. Adding urgency to her efforts is the show's sponsor, who threatens to pull out if Arnaz doesn't play. Her efforts prove ineffective until she gets support from Arnaz's beloved niece, who persuades him that the gig is worth taking. Songs include "El Cumbanchero" and "Rhumba Matumba". ~ Nicole Gagne, All Movie Guide