Ralph Brown Movies

Dark Obsession is a slow, English-made, psychological thriller dealing with erotic obsession, guilt and betrayal. Sir Hugo Buckton (Gabriel Byrne), an aristocrat strapped for money, is married to beautiful, sensual and successful Virginia (Amanda Donohoe). His alcoholism and his envy of her lead to his obsessive jealousy and belief in her lack of fidelity. During one drunken evening while out driving with friends, Hugo hits and kills a pedestrian who resembles Virginia. When Hugo begins to receive vague blackmail letters, he suspects one of his friends, and the group begins to plot a murder. Dark Obsession has all the ingredients of a first-rate thriller but fails despite its excellent cast to generate any excitement. The pace of the film is languid, the motivations of the characters are unclear, and after the accidental death, nothing much really happens. Dark Obsession, originally released as Diamond Skulls, despite the best efforts of its cast, is a thriller that fails to thrill. ~ Linda Rasmussen, All Movie Guide

A BBC production, Christabel was one of several British TV iniseries seen during the 1988-89 season of the PBS anthology series Masterpiece Theatre. Dennis Potter adapted the teleplay from Christabel Bielenberg's autobiography The Past is Myself. Elizabeth Hurley plays Christabel, a British woman married to a German lawyer. Part One of this four-part drama begins with the wedding in 1934; the couple settles in Berlin and raises a family. Four years later, the husband (Stephen Dillon), concerned over the day-to-day outrages committed by the Nazis, plans to move out of Germany, while Christabel, utterly disinterested in politics, wavers in her commitment to her husband's plans. In part two, Christabel, living in Europe at the outbreak of the war, worries about her parents in England, while her husband joins a pro-British organization and is eventually arrested for treason. Christabel was adapted for television by Dennis Potter, better known for his surrealistic British TV serials Pennies From Heaven and The Singing Detective. ~ Hal Erickson, All Movie Guide

On August 8, 1963, the Royal Mail train, on its nighttime run from London to Glasgow, was robbed by 15 men who got away with 2.6 million pounds (today the equivalent of $35 million). Buster tells the story of one of the junior robbers, Buster Edwards (played by pop singer Phil Collins), in a crime that came to be known as the Great Train Robbery. The film details the planning of the famous heist, but its main concern is Buster's relationship with his family and his devotion to his wife June (Julie Walters). The Edwards are like a British Kramden family, trying to make ends meet from day-to-day in their rental apartment, but instead of a bus driver, Buster is a two-bit thief who has the fine luck of hardly ever getting caught. After the Royal mail train robbery, the heat intensifies, since the Conservative Government, already smarting from the Profumo scandal, latches onto the train robbery as a means to deflect attention from the scandal by bringing the train robbers quickly to justice. Buster and June go into hiding and have a series of close calls before finally escaping to Mexico. Finally in paradise, the Edwards find their money quickly being eaten up and discover that they cannot adapt to the Mexico milieu. June, for her part, is homesick, and Buster, always ready to keep her happy, makes the grand gesture -- to return to England and turn himself in to the police. ~ Paul Brenner, All Movie Guide

In this offbeat crime film, Willie Parker (Terence Stamp) an English mobster turned informant, has been given a new identity and has been living in a small, isolated village in Spain for 10 years. Unfortunately for Parker, the men he has betrayed have ascertained his whereabouts and send Braddock (John Hurt), a professional hitman, and his apprentice Myron (Tim Roth) to bring Parker to Paris where his ex-associates await. After kidnapping Parker, nothing goes as planned. Now they are followed by a Spanish policeman (Fernando Rey) who seems to anticipate each of their moves, and they are burdened by Maggie (Laura del Sol), the mistress of a fellow mobster they were forced to kill. What should have been a routine hit becomes a psychological battle between all the participants as Parker, in a fight for time and for his life, plays one against the other. Set against the bleak Spanish landscape and featuring evocative and memorable theme music, the film builds to a surprising conclusion where the true nature of all the characters is revealed. Terence Stamp develops the character of Parker in a subtle but surprisingly comic performance and Laura del Sol shines as a woman who will do what is necessary to survive. Tim Roth, in his film debut, plays a brutal, but oddly endearing thug. But it is John Hurt, in a sensitive and nuanced performance, who brings a perceptive intelligence and depth to his role which adds a philosophical and psychological dimension to the film. Hurt plays his difficult role without a misstep and with a rare economy of action. Thoughtful and frequently amusing, The Hit, superbly written by Peter Prince, is both a compelling and suspenseful crime drama and also a deep and profound meditation on life, death and courage. ~ Linda Rasmussen, All Movie Guide

Produced for cable TV by The Disney Channel, The Black Arrow is based on the classic Robert Louis Stevenson adventure tale. Stephen Chase plays the title character, a dogooding swashbuckler who tries to avenge his father's murder during the War of the Roses. Though Chase carries the bulk of the action, top billing is bestowed upon the film's villains, Oliver Reed (as Sir Daniel Brackley) and Fernando Rey (as the Earl of Warwick). The Stevenson original was previously adapted for the screen in 1948, with Louis Hayward in the lead. Black Arrow made its TV debut on January 6, 1985. ~ Hal Erickson, All Movie Guide