Ralph Brown Movies

In mid- to late-'60s Britain, an unusual yet colorful subculture sprang up and thrived as a product of the upswing in British pop music, only to meet its doom within a few short years. Though the BBC functioned as the country's main source of news and music, its programmers offered very little airtime to rock & roll -- which left an overwhelming need unfulfilled. In response, small bands of "pirate" radio enthusiasts set up broadcasting towers on boats just outside of English boundary waters, and transmitted signals to an estimated 25 million listeners, 24 hours a day and seven days per week. Unsurprisingly, the DJs who took charge of these broadcasts could rival just about anyone in terms of flamboyance and outsized personalities. With Pirate Radio (released as The Boat That Rocked in the U.K.), writer-director Richard Curtis (Love Actually) travels back to the Swinging Sixties and takes a headfirst plunge into this colorful realm.

The story opens in 1966, aboard a rusty fishing trawler christened Radio Rock and equipped with pirate broadcasting equipment. Here, the slightly daft elitist Quentin (Bill Nighy) presides over a motley crew of joint-toking, sex-hungry disc jockeys including Dave (Nick Frost), a heavyset boob who nevertheless considers himself a hot property with women and loves to chase skirts; "The Count" (Philip Seymour Hoffman), an American DJ who aspires to be the first person to drop an F-bomb over the British airwaves; the gloom-laden Irishman Simon (Chris O'Dowd); bonked-out hipster Thick Kevin (Tom Brooke); womanizer Mark (Tom Wisdom); Angus (Rhys Darby), a New Zealander whom nobody likes; and the only female member of the group, lesbian cook Felicity (Katherine Parkinson). These misfits pull off quite a show -- enough of one that they attain the status of national idols for the youth culture -- but the super-conservative government minister Dormandy (Kenneth Branagh) detests the whole business and will do almost anything in his power to shut them down. ~ Nathan Southern, Rovi

A lavish country party that should have been the best night of their lives unexpectedly begets a shocking cycle of violence for a confident career woman and her handsome young love interest in this brutal and unforgiving thriller starring Gillian Anderson and Danny Dyer. Adam (Dyer) is just getting his career off of the ground, so when the beautiful, older, and much more professionally experienced Alice (Anderson) invites him to a party, he readily accepts. Upon arriving at the classy soirée the pair immediately discover that they share an exhilarating sense of sexual chemistry, eventually wandering off alone for some highly charged sex. Still reeling from their earth-shaking bout of lovemaking, Adam and Alice speed down a quiet country road and suddenly find themselves thrown into the middle of a vicious attack in which both are severely injured. But their physical scars don't run nearly as deep as their emotional scars, and before long Alice becomes overtaken by her drive for vengeance and determined to make her tormentors pay for their violent transgression. ~ Jason Buchanan, Rovi

In 2003, respected filmmaker and screenwriter Paul Schrader was hired to direct a prequel to the 1973 box-office smash The Exorcist. However, when Schrader turned in his film to executives at Morgan Creek Productions, the producers felt the film was not marketable, and they opted to remake the picture with director Renny Harlin, who brought a more visually aggressive approach to the story than Schrader's more contemplative vision. In 2004, Harlin's film, Exorcist: The Beginning, was released to middling critical and financial response, while the following year, Schrader's version went into limited release following film festival screenings. In Schrader's Exorcist: The Prequel, Father Lankester Merrin, the aging exorcist from the original story (played here by Stellan Skarsgård) is introduced in 1944, as he serves a flock in Holland during the Nazi occupation. After Nazi officers force Merrin to choose ten members of his congregation for immediate execution, Merrin is left an emotionally broken man, and he takes a leave of absence from his duties. Three years later, Merrin is taking part in an archeological project in East Africa, and he and his crew -- including priest Father Francis (Gabriel Mann), Major Granville (Julian Wadham), and Rachel Lesno (Clara Bellar) -- discover that a church from the fifth century has been buried in the desert. As Merrin and his associates discover that that a porthole to evil is located in the church, Cheche (Billy Crawford), a local boy Merrin has taken under his wing, begins showing signs of having fallen under the spell of Satanic forces. ~ Mark Deming, Rovi

Patrick Harkins makes his directorial debut with the satirical dark comedy The Final Curtain, written by screenwriter John Hodge (Trainspotting, Shallow Grave). Serious author Jonathan Stitch (Adrian Lester) accepts a job writing a biography of unscrupulous U.K. game show host J.J. Curtis (Peter O'Toole). Told in flashback, the story goes back to the '70s with the game show "The Big Prize." Curtis enters into intense competition with his television rival, the young newcomer Dave Turner (Aidan Gillen from Queer as Folk), who hosts a game show called "Current Account," where contestants give their loved ones electrical shocks. Also starring Julia Sawalha from Absolutely Fabulous as Dave's personal assistant, Karen. ~ Andrea LeVasseur, Rovi

The classic Burt Reynolds football-behind-bars flick The Longest Yard crosses the pond and gets an appropriate British accent in the process in this rough-and-tumble mixture of sports and action-comedy. Danny Mehan (Vinnie Jones) was one of the biggest stars in British football (what Americans call soccer), until he was caught rigging a game during a championship tournament. In the wake of this scandal, Danny's career takes a nosedive and his life spins out of control, until he finally ends up in prison for three years on an assault and battery conviction. Danny discovers there are a number of football fans behind bars who still hate him for fixing the game, but Danny has one powerful fan in this prison. The warden (David Hemmings) is a devoted football supporter with a taste for gambling; he's been trying to assemble a semi-pro team comprised of the prison's guards, but Danny is just smart enough to know this would seal his fate with his fellow prisoners. Instead, he offers to put together a team of inmates, who can play practice games against the guards. A new inmate, Sykes (John Forgeham), gets wind of Danny's idea and arranges an exhibition match between Danny's new team and the guards, though Sykes' motivation is more than just good fun. A powerful bookie, Sykes lost a fortune on the game Danny threw, and expects betting to be heavy for this game. If Danny and his men win, Sykes could make back the fortune he lost, but if the guards come out ahead, Danny's goose is cooked. Can Danny turn a gang of losers, misfits, and violent psychopaths -- including muscle-bound lunatic Monk (Jason Statham), creepy but loyal Billy the Limpit (Danny Dyer), tough guy Massive (Vas Blackwood), pyromaniac Nitro (Robbie Gee), and enthusiastic but out-of-shape Raj (Omid Djalili) -- into a proper team with a fighting chance of winning? Mean Machine was produced by Matthew Vaughn, who was also behind Guy Ritchie's tough-but-stylish crime comedies Lock, Stock and Two Smoking Barrels and Snatch. Star Vinnie Jones, by the way, enjoyed a career as a professional footballer in Great Britain before turning to acting. ~ Mark Deming, Rovi

In 1977, George Lucas released Star Wars, the ultimate sci-fi popcorn flick-turned-pop-culture myth machine. It quickly became the biggest money-making film of all time and changed the shape of the film industry. After two successful sequels (1980's The Empire Strikes Back and 1983's Return of the Jedi) that extended the story of the first film, Lucas took some time off to produce movies for others, with mixed success. In 1999, Lucas returned to the Star Wars saga with a new approach -- instead of picking up where Return of the Jedi left off, Star Wars: Episode I -- The Phantom Menace would be the first of a trilogy of stories to trace what happened in the intergalactic saga before the first film began. Here, Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson); Anakin Skywalker (Jake Lloyd), who will later father Luke Skywalker and become known as Darth Vader, is just a nine-year-old boy. When the Trade Federation cuts off all routes to the planet Naboo, Qui-Gon and Obi-Wan are assigned to settle the matter, but when they arrive on Naboo they are brought to Amidala (Natalie Portman), the Naboo queen, by a friendly but opportunistic Gungan named Jar Jar. Qui-Gon and Obi-Wan plan to escort Amidala to a meeting of Republic leaders in Coruscant, but trouble with their spacecraft strands them on the planet Tatooine, where Qui-Gon meets Anakin, the slave of a scrap dealer. Qui-Gon is soon convinced that the boy could be the leader the Jedis have been searching for, and he begins bargaining for his freedom and teaching the boy the lessons of the Force. The supporting cast includes Pernilla August as Anakin's mother, Terence Stamp as Chancellor Valorum, and Samuel L. Jackson as Jedi master Mace Windu. Jackson told a reporter before The Phantom Menace's release that the best part about doing the film was that he got to say "May the Force be with you" onscreen. ~ Mark Deming, Rovi

Sallie Aprahamian directs this made-for-television British miniseries. A suspenseful espionage thriller, Extremely Dangerous stars Sean Bean of The Lord of the Rings: The Fellowship of the Ring as Neil Byrne, a man who finds himself caught up in a mysterious web of conspiracy. Accused of murdering his family, it isn't until the end that the audience knows for sure if Byrne is a spy, a gangster, or an innocent patsy. Produced in 1999, the film also stars Juliet Aubrey, Anthony Booth, and Ralph Brown. ~ Matthew Tobey, Rovi

A century after the Normans conquer England, evil Prince John (Ralph Brown) seizes control of the realm in the absence of the rightful ruler, his brother Richard the Lion-Hearted (Rory Edwards), who has been crusading in the Holy Land. John means to replace Richard as king. John, a Norman, governs with cruelty and force of arms, and the Saxon natives despise him. Siding with John are fearsome warrior priests known as Templars. All seems lost for the Saxons. Then the Saxon hero Ivanhoe returns from the Crusades in disguise. Not far behind is Richard. Meanwhile, Ivanhoe's father, Cedric (James Cosmo), a Saxon lord who has disowned his son in the mistaken belief that he has betrayed Richard, betroths his beautiful ward, Rowena (Victoria Smurfit), Ivanhoe's beloved, to Saxon lord Athelstane (Chris Walker). If right is to prevail, the Saxons must unseat John, and Ivanhoe must restore his good name and win Rowena. John decides to sponsor a tournament between his Templar champions and Saxon knights. On the first day of the tournament, the disguised Ivanhoe heartens the Saxons by defeating the best of the Templars in a jousting match. On the second day, during sword-to-sword combat, he turns apparent defeat into victory with the help of a mysterious Black Knight (Rory Edwards). Ivanhoe suffers a wound, however, and Rebecca (Susan Lynch), a Jew, nurses him back to health. Ivanhoe had saved the life of her father, Isaac. The Templars capture Ivanhoe and other Saxons, as well as Rebecca and her father, and hold them in a castle. Then, Saxon men-at-arms led by Robin Hood (Aden Gillett) and the Black Knight storm the castle and free the prisoners. However, a Templar knight rides off with Rebecca, and his superior condemns her as a witch and sentences her to be burned at the stake. The film builds to its climax as Ivanhoe rides to save Rebecca, and viewers wonder about the ultimate fate of John, the identity of the Black Knight, and the future course of English history. ~ Mike Cummings, Rovi

In this Vietnam-set war drama, a cadre of soldiers embark upon a dangerous, doomed mission to a supposedly haunted mountain. ~ Sandra Brennan, Rovi

Everyone's favorite headbangers from Aurora, Illinois, are back in this sequel to the 1992 hit comedy Wayne's World. The success of their TV show allows Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey) to finally move out of their parents' homes, but now they have to figure out what to do with their lives. Wayne's girlfriend, up-and-coming rock star Cassandra (Tia Carrere), is enjoying a career boost thanks to her new manager Bobby Cohn (Christopher Walken), but Garth thinks that Bobby is more interested in her body than her place on the charts. Meanwhile, Wayne is visited in a dream by the late Jim Morrison (Michael A. Nickles), who convinces him to promote a massive rock festival, "Waynestock," featuring Aerosmith as headliners. Garth, on the other hand, is finally relieved of his pesky virginity by femme fatale Honey Hornee (Kim Basinger), though it turns out that Honey has a hidden agenda. Drew Barrymore, Harry Shearer, and Charlton Heston play cameo roles in Wayne's World 2, and Jay Leno, Rip Taylor, and Todd Rundgren appear as themselves. ~ Mark Deming, Rovi

In this successful psychological thriller, a reluctant agent of the Irish Republican Army discovers that some people just aren't who you expect them to be. Fergus (Stephen Rea) is an IRA "volunteer" who, despite personal misgivings, takes part in the kidnapping of a black British soldier, Jody (Forest Whitaker), stationed in Northern Ireland. The IRA hopes to use Jody as a bargaining chip to win the release of IRA operatives behind bars, but, while guarding Jody, Fergus becomes fast friends with his prisoner. Jody makes Fergus promise him that if he dies, Fegus will look in on his girlfriend, Dil (Jaye Davidson), and see if she's all right. Jody escapes, and Fergus doesn't have the heart to shoot him; as fate would have it, Jody runs from the woods into a street only to be run over by a British police vehicle, which then flushes out the IRA compound. Fergus escapes to London, where he's wanted by the law for Jody's kidnapping and also by his former girlfriend, IRA operative Jude (Miranda Richardson), who thinks he knows too much to fall into the hands of the British authorities. Good to his word, Fergus tracks down Dil, and soon the two outcasts find themselves entering into a love affair, although Fergus discovers that Dil is not the sort of woman he thought she was. Writer/director Neil Jordan won an Academy Award for his screenplay; the title song, which was a U.K. hit for Dave Berry in 1965, was re-recorded for the film by one-time Culture Club vocalist Boy George with backing by the Pet Shop Boys. ~ Mark Deming, Rovi