Henry Jones Movies

The splashy, star-studded This is the Army is based on the Irving Berlin Broadway musical of the same name, which in turn was a reworking of Berlin's WW1 "barracks musical" Yip Yip Yaphank. In both instances, the cast was largely comprised of genuine servicemen, many of them either recently returned from fighting or on the verge of heading off to war. The Hollywood-imposed storyline concerns Jerry Jones (George Murphy), a member of the original 1918 Yip Yip Yaphank cast. His showbiz career curtailed by a leg injury, Jerry becomes a producer during the postwar era. When the US enters WW2, Jerry gathers together several other cast members from the 1918 Berlin musical to help him stage a new all-serviceman show, titled (what else?) This is the Army. The show-within-a-show framework is able to accommodate a romantic subplot, involving Jerry's son Johnny (Ronald Reagan, later a political comrade-in-arms of George Murphy) and Eileen Dibble (Joan Leslie), the daughter of Yip Yip Yaphank alumnus Eddie Dibble (Charles Butterworth). Some of the best moments in This is the Army are from the Broadway production itself, though the lengthy Alfred Lunt-Lynn Fontanne imitation and incessant "gay" jokes may have been too smart for the room in 1943. Guest stars include boxer Joe Louis, Kate Smith (singing "God Bless America", naturally) and Irving Berlin himself, who steals the show with his plaintive rendition of "Oh, How I Hate to Get Up in the Morning". All profits for the stage and film version of This is the Army went to the Army Emergency Relief Fund, which also controlled the rights to the film. Long withheld from TV distribution, the film finally hit the small screen when it lapsed into Public Domain in the mid-1970s. ~ Hal Erickson, All Movie Guide

Taxi stars Dan Dailey as Ed Nielson, a been-there-done-that Manhattan cabbie. Nagged by his mother (Blanche Yurka) to find himself a wife, Ed must also contend with a blood-sucking loan company, demanding huge payments for his cab. His life is further complicated when he falls in love with one of his fares: Mary, a young Irish immigrant (Constance Smith), freshly arrived in New York in search of her husband. The girl discovers that her hubby is a louse, but she's forced to stay with him lest she face deportation. Despite his own problems -- not to mention the huge cab fare that Mary's running up while searching for her husband -- Ed vows to rescue his new love from an ungovernable fate. Though running only 77 minutes, Taxi boasts no fewer than six screenwriting credits. ~ Hal Erickson, All Movie Guide

Middle-aged professor Clarence Rankin (Robert Emhardt) is spending his day off filling a hole in his basement with cement. His friends Wally Long (Henry Jones) and Bud Horton (Philip Coolidge) drop by, see the hole, and assume that Clarence has murdered his cheating wife Irene (Cara Williams) and is preparing to bury her body. Out of loyalty, and feeling that Clarence is justified in his actions, Wally and Bud offer to help him cover up his "crime." Thing of it is, Clarence never even suspected that Irene was unfaithful...up until now. ~ Hal Erickson, All Movie Guide

Can evil be inherited? That's the question posed by Maxwell Anderson in his stage play The Bad Seed. This 1956 film adaptation stars many actors from the Broadway version, including Nancy Kelly, Patty McCormack, Henry Jones and Eileen Heckart. Young McCormack plays Rhoda, a too-good-to-be-true grade schooler who occasionally exhibits a vicious streak whenever things don't turn out her way. During a picnic, one of Rhoda's schoolmates is drowned; the victim is a boy who'd won a penmanship medal that Rhoda had coveted. Nancy Kelly, the girl's mother, slowly comes to the horrible conclusion that Rhoda was responsible for the boy's death--a suspicion fueled by the discovery that Kelly, who was adopted as an infant, is the daughter of a convicted murderess. Meanwhile, a moronic handyman (Henry Jones) accidentally tumbles to Rhoda's secret, whereupon he is "accidentally" burned to death. Realizing that Rhoda must be stopped before she can kill again, and reasoning that the authorities would never believe the truth, Kelly tries to put the girl to sleep permanently with barbituates, then shoots herself. The play's ironic ending--the mother dies, while the unsuspected Rhoda lives on--is sacrificed for a "divine retribution" finale in the film, with Rhoda being punished by a convenient bolt of lightning. This alteration is acceptable, but director Mervin LeRoy further gilds the lily with an asinine closing-credits sequence wherein Nancy Kelly throws Patty McCormack over her knee and administers a spanking! The 1985 TV movie remake of The Bad Seed retains the play's original ending, but all in all is not half as entertaining as the 1956 version (its hokey denouement notwithstanding). McCormack later starred in Max Allan Collins' unofficial 1995 sequel Mommy. ~ Hal Erickson, All Movie Guide

Taxidermist George Tiffany (Henry Jones) is commissioned to stuff a horse named Napoleon, whose body will then be included in a time capsule being prepared by the town of West Warlock. While trying to complete his job, George suffers the constant annoyance of his boorish brother-in-law Wadron (Sam Buffington). Finally, George can stand no more -- at which point he takes advantage of the fact that the time capsule will not be opened for another 100 years. ~ Hal Erickson, All Movie Guide

Much to the dismay of his wife Norma (Virginia Gregg), middle-aged Harry Parker (Henry Jones) is quite smitten by his new neighbor across the hall, sexy actress Lainie Elliott (Barbara Baxley). Thus it is that, when Lainie comes to Harry's door in a panic, he offers to help her in any way he can. It seems that someone fired a shot through Lainie's window, instantly killing her husband -- and rather than be blamed for the murder, Lainie begs Harry to help her dispose of the body. The viewer might conclude that Harry is being set up for a fall by Lainie...but the viewer would be only half right. ~ Hal Erickson, All Movie Guide

Dismissed when first released, later heralded as one of director Alfred Hitchcock's finest films (and, according to Hitchcock, his most personal one), this adaptation of the French novel D'entre les morts weaves an intricate web of obsession and deceit. It opens as Scottie Ferguson (James Stewart) realizes he has vertigo, a condition resulting in a fear of heights, when a police officer is killed trying to rescue him from falling off a building. Scottie then retires from his position as a private investigator, only to be lured into another case by his old college friend, Gavin Elster (Tom Helmore). Elster's wife, Madeleine (Kim Novak), has been possessed by a spirit, and Elster wants Scottie to follow her. He hesitantly agrees, and thus begins the film's wordless montage as Scottie follows the beautiful yet enigmatic Madeleine through 1950s San Francisco (accompanied by Bernard Herrmann's hypnotic score). After saving her from suicide, Scottie begins to fall in love with her, and she appears to feel the same way. Here tragedy strikes, and each twist in the movie's second half changes our preconceptions about the characters and events. In 1996 a new print of Vertigo was released, restoring the original grandeur of the colors and the San Francisco backdrop, as well as digitally enhancing the soundtrack. ~ Dylan Wilcox, All Movie Guide

In this routine business-story-cum-romantic-comedy, James Garner is Cash McCall, a wheeling and dealing tycoon, and Natalie Wood is Lory Austen, the daughter of failing businessman Grant (Dean Jagger). McCall's expertise lies in acquiring businesses about to go belly up, attaching them to successful enterprises and then taking a large tax deduction on the resultant equation. Those deals are enhanced when the once-failing business is then sold at a profit. This is a savvy gambit for late '50s movie fare, but its proponent begins to have second thoughts when he comes up against the attractive Lory -- who is not afraid of baring all for a good cause. The well-known co-stars and others like Nina Foch and E.G. Marshall do their best with a limited script. ~ Eleanor Mannikka, All Movie Guide

In this high-gloss soap opera (not dissimilar to the then-popular Peyton Place), Guy (Richard Burton) is a doctor who returns to the New England town where he grew up to help care for his good friend Larry (Tom Drake), who is dying of Hodgkins Disease. Guy gets to know Larry's wife Margaret (Barbara Rush), and a strong attraction quickly develops between them; before long, they're having an affair. His betrayal of his friend notwithstanding, Guy is deeply upset by Larry's rapid decline into illness; when it becomes obvious that Larry cannot be saved, Guy cuts off his life support to end Larry's suffering. Guy is then arrested for murder, as the police believe that he killed Larry to marry his wife, who is now carrying Guy's baby. Fran (Angie Dickinson) is a nurse who was attracted to, and spurned by, Guy; while she harbors bitterness against him, she also knows that Guy's actions were well-intended. Fran falls into an affair with Bert (Jack Carson), a local political figure who wants to see Guy behind bars. Bert persuades Fran to pose for a set of nude photos, and he then gives them to newspaper editor Parker Welk (Henry Jones) as blackmail to keep her quiet about Guy's innocent intentions and Bert's infidelity. The film was based on a best-selling novel by Charles Mergendahl. ~ Mark Deming, All Movie Guide

Based on Jenny Angel, a novel by Elise Oaks Barber, Angel Baby is a gloves-off study of the faith-healing racket. The title character, played by Salome Jens, is a mute whose speech is ostensibly restored by Bible-thumper George Hamilton. Angel Baby is then exploited on the evangelical circuit by crooked promoter Burt Reynolds (in his feature film debut). She becomes disillusioned, but her faith is restored when she apparently heals a crippled child. Any opportunity to see stage actress Salome Jens in one of her rare movie roles is always to be treasured; in this instance, Ms. Jens is backed up by an equally stellar supporting cast, including Mercedes McCambridge, Joan Blondell, and Henry Jones. ~ Hal Erickson, All Movie Guide

Guest star Henry Jones plays a flamboyant eccentric who imagines himself to be King Arthur. Wearing full armor, "Arthur" rescues Adam Cartwright from stagecoach bandits. When Adam is accused of masterminding the holdup, he finds that no one believes his wild yarn about a "knight in shining armor"-and before long, virtually everyone in the cast is convinced that Adam has gone off the deep end. Also appearing are Robert Sorrells as Cyril, Charles Watts as Sheriff Munsey, Zeme North as Phoebe and Rodolfo Acosta as Juan. Written by Robert V. Barron, "A Knight to Remember" was originally shown on December 20, 1964. ~ Hal Erickson, All Movie Guide

Lawyer Alex Morrow (Henry Jones) would like to dump his wife, Angela (Kathleen Freeman), in favor of his sexy mistress, Fiona (Linda Lawson), but he draws the line at divorce: Alex owns a valuable stamp collection, and does not want his wife to get it in the divorce settlement. Then one day, Alex becomes aware of the fact that he is being followed by a man named Richard Schausak (Robert Loggia), who happens to be a professional hitman. Seizing the opportunity, Alex hires Richard to kill Angela -- only to have a last-minute change of heart, one that will end up costing him dearly. ~ Hal Erickson, All Movie Guide

Henry Jones guest stars as Brian O'Brien, a leprechaun who has lost his pot of gold. Hoping to snap Brian out of his doldrums, Samantha embarks on a search for the missing pot. It turns out that the elusive gold is in the possession of one James Dennis Robinson (Parley Baer), who, as luck would have it, is Darrin's newest client. Written by those darlin' lads Paul David and John L. Greene, "The Leprechaun" was first telecast on March 17, 1966 (Saint Paddy's day, don't ya know). ~ Hal Erickson, All Movie Guide