Griffith Jones Movies

A Yank at Oxford was filmed in England at MGM's "sister studio", Elstree. Robert Taylor plays Lee Sheridan, an arrogant young American scholar/athlete who intends to show the "Brits" a thing or two while attending Oxford University. His abrasive attitude grates against the Oxonian students, who retaliate by subjecting Sheridan to a rather humiliating hazing. Romance enters the picture in the form of Molly Beaumont (Maureen O'Sullivan), the sister of Sheridan's chief academic rival Paul Beaumont (Griffith Jones). When Paul faces disgrace over a breach of student ethics, Sheridan nobly shoulders the blame, simultaneously endangering his own future at Oxford and proving that he's really a "right guy" underneath. All is forgiven during the annual rowing competition against Cambridge, with Sheridan coming through in jolly good fashion. Cast as campus vamp Elsa Craddock is the stunningly beautiful Vivien Leigh, still two years away from Gone With the Wind. A Yank at Oxford was remade in 1984 as Oxford Blues, and mercilessly lampooned by Laurel & Hardy in 1940's A Chump at Oxford. ~ Hal Erickson, All Movie Guide

Recovering from a broken leg at a private convalescent home, Steed soon learns that he is being stalked by a mysterious assailant. The would-be killer turns out to be an old enemy, who intends to kill Steed exactly seven years after he himself was thrown in jail. Physically unable to repel his enemy, Steed must rely upon Tara for salvation. Blatantly inspired by the American movie classic High Noon, "Noon Doomsday" was written by Terry Nation; it was first shown in America on October 28, 1968, and in England on November 27 of that same year. ~ Hal Erickson, All Movie Guide

In this feather-weight version of Evelyn Waugh's novel Decline and Fall, Paul Pennyfeather (Robin Phillips) is an Oxford divinity student who finds himself expelled after a gang of drunken freshmen remove his pants and he is accused of exposing himself to a girl. Looking for work, he retains the services of an unsavory employment agency that secures a position for him at a sleazy Welsh boarding school for boys, presided over by the colorful Dr. Fagan (Donald Wolfit). On staff at the school are an assortment of distasteful screwballs; Mr. Prendergast (Robert Harris) is a withdrawn former clergyman; Captain Grimes (Leo McKern) is a one-legged two-timer with his eye on Fagan's daughter Flossie (Patience Collier); and Soloman Philbrick (Colin Blakely) is an undercover criminal posing as Fagan's butler. All hell breaks loose during the school's annual Sports Day, but Paul manages to meet a wealthy patron of the school, Margot Beste-Chetwynde (Geneviève Page), who hires him to tutor her son. At her estate, Margot seduces Paul, and Paul proposes marriage. But before the wedding, Margot asks Paul, as a favor, to travel to Tangiers on a business trip. He agrees but is soon arrested for trafficking in prostitution. Sent to jail, he runs into Philbrick and Captain Grimes, and now Margot has to scheme to get Paul out of jail. ~ Paul Brenner, All Movie Guide

Margaret Kennedy, whose novel The Constant Nymph dealt with a musician's love for a pretty young gamin, penned a variation of the same concept in Escape Me Never. Elizabeth Bergner stars as an unwed mother, who is befriended by impoverished composer Hugh Sinclair. He marries her out of pity, but his heart belongs to Penelope Dudley Ward, the wife of his brother. Sinclair is shaken out of his infidelity when his own wife's baby dies. This popular British version of Escape Me Never was remade by Warner Bros. in 1946, which though not as well cast (Ida Lupino is not a fair exchange for Elizabeth Bergner) boasts a superb musical score by Erich Wolfgang Korngold--who'd also scored Warners' filmization of Margaret Kennedy's Constant Nymph. ~ Hal Erickson, All Movie Guide

British musical star Jessie Matthews tops the bill in this song-studded comedy. Elizabeth (Matthews) is a delivery girl for a seamstress who is dispatched to drop off some costumes at a theater where a noted female impersonator is about to open a new show. The star is suddenly stricken with laryngitis, and Elizabeth is drafted to take over in his place, posing as a man who dresses like a woman. Elizabeth is a hit, and with Victor (Sonnie Hale) as her manager, she sets forth on a concert tour of Europe; she continues to perform as a man and draws packed houses and enthusiastic reviews. However, a mysterious Princess (Anna Lee) and her significant other get the strange feeling there's something odd about this new singing star, and they're determined to find out what it is. First a Girl was adapted from the German film Viktor und Viktoria, which would be remade into the American musical comedy Victor/Victoria. ~ Mark Deming, All Movie Guide

Laurence Olivier's adaptation of Henry V is one of the finest Shakespeare films ever made, full of rousing action, beautiful colors and passionate performances. Henry V is the story of the newly crowned king of England who fights the French for possession of Normandy. Olivier's direction is inventive, beginning the film as if it were a performance at the Globe Theatre, and having it slowly expand so the final battle scenes take place in realistic settings. Released in 1944 during the height of World War II, Henry V didn't receive an American release until 1946, upon which Olivier won a special Academy Award for "his outstanding achievement as actor, producer and director in bringing Henry V to the screen." ~ Stephen Thomas Erlewine, All Movie Guide

Ex-mental patient Jeff Martin (Griffth Jones) holds his loving wife Kay (Maureen Connell) responsible for all his troubles. He'd like to murder Kay, but knows full well that he'd never get away with it. Fate intervenes in the form of Connors (Marc Lawrence) and Svenson (George Mikell), two escaped convicts who invade the Martin household. Taking advantage of the situation, Martin offers to help Connors and Svenson elude the law, if they will kill his wife in exchange. But the scheme doesn't go off as planned, partly because one of the convicts happens to have the glimmer of a conscience. ~ Hal Erickson, All Movie Guide

Ann Markham (Margaret Lockwood) is an employee with the British Embassy in Rio de Janeiro. Though ostensibly businesslike and intelligent, Ann can't help falling in love with irresponsible Charlie Kent (Griffith Jones). On their wedding day, Ann discovers that Charlie is on the lam from fraud charges throughout the world. Still, she believes his promise that he'll mend his ways once they've tied the nuptial knot. Not unexpectedly, Charlie goes back on his word, and it is up to handsome millionaire Ashley Morehouse (Norman Wooland) to save Ann from her poor judgment. It was surprising to see the British film industry's resident "wicked lady" Margaret Lockwood playing so gullible a character -- so surprising, in fact, that audiences tended to stay away from Look Before You Love in droves. ~ Hal Erickson, All Movie Guide

For pretty Jean Francis (Lisa Gastoni), the nightmare begins when she inadvertently witnesses a robbery-murder. Rapson (Griffith Jones), leader of the criminal gang responsible, puts pressure on Jean to keep her from testifying. Fortunately, Jean finds a champion in the form of reporter Bob Meredith (Vincent Ball), who's been after the gang for months. In the end, the villains' worst enemies turn out not to be Jean or Bob, but themselves. Released in Great Britain as 3DFace in the Night3D, this British crime quickie reads rather better than it plays. ~ Hal Erickson, All Movie Guide

In this variation of Brewster's Millions, a fellow's sister will give him a million dollars if he can spend all his money in 30 days. He does his level best by wasting it on prizefights, race horses, and even a suspender factory, but no matter what he does, he cannot seem to lose a dime. Instead he simply continues to make money. ~ Sandra Brennan, All Movie Guide

Rex Harrison stars in this stylish British drama that caused problems with U.S. censors, who forced the film to be trimmed due to what was considered graphically amoral and sexual content for its time. Harrison is Vivian Kenway, an unrepentant cad who embarks on a campaign of irresponsible behavior after being ejected from Oxford. Among his many sins are seducing Jill Duncan (Jean Kent), the wife of his best friend Sandy (Griffith Jones), marrying a rich Austrian Jew, Rikki Krausner (Lilli Palmer), for her money, and dallying with the secretary (Margaret Johnson) of his father, Colonel Kenway (Godfrey Tearle). The feckless Vivian's actions cause no small amount of collateral damage to his loved ones, including the drunken death of his father and the attempted suicide of Rikki. Vivian ends up serving in World War II, however, where his non-heroic ultimate sacrifice may (or may not) redeem him. The Rake's Progress (1945 was released in the U.S. under the title Notorious Gentleman. ~ Karl Williams, All Movie Guide

In this drama, a cynical sculptor finds a fresh outlook on life after meeting a lovely ballerina. He is utterly enchanted with her and begins creating a life-sized depiction of the beauty. Unfortunately, this enrages her jealous lover who brutally beats the artist. The sculptor is severely injured and begins losing his sight. He desperately needs an operation to save his failing vision, but instead focuses on finishing his work. He then tries to make the dancer believe that he doesn't care any more, but when she learns the truth she abandons her thuggish beau in favor of the sculptor. ~ Sandra Brennan, All Movie Guide