Freddie Jones Movies

When a killer leaves the body of an actress under a tree, a private detective's wife sets out to identify the killer. ~ All Movie Guide

The complex relationships among an Oxford professor, one of his students, and the young woman who captivates both of them is the subject of this difficult but rewarding drama. Director Joseph Losey and writer Harold Pinter had previously collaborated on 1963's The Servant, and they surrounded this recasting of a Nicholas Mosley novel with a similar atmosphere of ominous mystery. The story is presented through flashbacks and disconnected memories that trace the characters' interactions. Though the mood is occasionally brightened by satirical views of the academic world, the overall effect is rather somber, concerned with missed opportunities, unhealthy obsessions, and unavoidable regret. Dirk Bogarde superbly captures the pensive professor's torment, with able support from Jacqueline Sassard and Michael York as the younger couple. ~ Judd Blaise, All Movie Guide

Sarah Sutton stars as Alice in this adaptation (produced for British television) of Lewis Carroll's classic fantasy of a young girl who discovers a remarkable fantasy world on the other side of the mirror. Alice Thru the Looking Glass] also features Freddie Jones as Humpty Dumpty, Brenda Bruce as the White Queen, and Raymond Mason and Anthony Collin as, respectively, Tweedledee and Tweedledum. ~ Mark Deming, All Movie Guide

This evocative look at a 1914 ocean voyage to scatter the ashes of a world-famous opera singer (Janet Suzman) is by turns charming, funny, and bizarre. Among the ship's passengers are aristocrats, politicians, singers, and a rhinoceros. Their episodic interactions form the core of the film, with complications (including a group of refugee Serbs boarding the vessel) carefully orchestrated by screenwriters Federico Fellini and Tonino Guerra to highlight the decay of European society prior to World War I. The ship sails on an artificial ocean against an artificial sky, crafted by art director Dante Ferretti in the studios of Cinecitta, with a result that is both disconcerting and oddly comforting. ~ Robert Firsching, All Movie Guide

Appointment with a Killer began life as a British TV movie, then took up residence in the US as part of ABC's Wide World Mystery anthology. As with most videotaped thrillers of this ilk, the cast is headed by a well-known American actor, in this case Joanna Pettet. The plot concerns a murder that remains unsolved for five years. Ms. Pettet may well be the next victim unless she can determine the killer's identity post-haste. Tony Anholt and Freddie Jones costar. ~ Hal Erickson, All Movie Guide

The Avengers' fifth season came to a rousing finale with this episode. Steed and Emma are impersonated by a pair of enemy agents named Basil and Lola (Freddie Jones, and Patricia Haines). Things get hairier when the two imposters utilize a futuristic brain-transfer device to swap their minds with the genuine Steed and Emma. Written by Philip Levene, "Who's Who???" first aired in England on May 6, 1967, and in America on May 19 of that same year. ~ Hal Erickson, All Movie Guide

A group of former CIA agents team up to ransom the entire world by staging an international crisis in the Orient. Only one man (Brian Kerwin), also an agent, can stop them. ~ John Bush, All Movie Guide

Set in the 1830s, this historical drama stars Robin Soans as George Loveless, a Methodist minister whose flock is a group of working families in Tolpuddle, a small town in the British Southwest. Most of the workers in the community are under the thumb of Frampton (Robert Stephens), a ruthless land owner, and his overseer Clerk (Murray Melvin); Frampton and Clerk demand long hours from their workers and pay meager wages. Convinced that the workers deserve a better shake, Loveless, encouraged by organizer Mr. Pitt (Michael Hordern), forms the Society of Friends, an early labor union, and organizes the men to negotiate with Frampton for better pay. When their salaries are instead cut, Loveless and his men go on strike, which could cripple Frampton financially. However, Frampton is well-connected, and soon both the government and private militias are sent in to break the strike and punish the rebellious laborers. The supporting cast includes James Fox, Freddie Jones, and Vanessa Redgrave. ~ Mark Deming, All Movie Guide

The final installment in Hammer Studios' Dracula series is also the least interesting of the lot. A fairly direct follow-up to Dracula A.D. 1972, this sequel finds the Count (Christopher Lee) developing a potent strain of bubonic plague which he and his devil-worshipping disciples plan to release from 1970's London to wipe out nearly all life on earth. His efforts are challenged once again by the dedicated Dr. Van Helsing (Peter Cushing), leading to a rather uninvolving climax. Despite the always-welcome presence of Lee and Cushing, this installment plays too flagrantly with the time-honored Hammer Gothic formula, giving Dracula actual dialogue and surrounding the leads with a dull, amateurish supporting cast -- with the possible exception of Joanna Lumley (later of BBC-TV's Absolutely Fabulous). This also marked Lee's final performance as the Count and signaled the beginning of the end for Hammer's horror heyday. Also known as Satanic Rites of Dracula and Dracula is Dead and Well and Living in London. ~ Cavett Binion, All Movie Guide

Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide

An unusually principled young Viking becomes increasing uncomfortable with all the killing and plundering that goes with the job, and sets out on a magical journey in order to bring about world peace. Former Monty Python member Terry Jones attempts to have his story of Erik's seemingly hopeless quest operate as both witty, lunatic satire and sincere children's fantasy. However, despite a good cast and some interesting design elements, the film fails to completely succeed at either of its goals. ~ Judd Blaise, All Movie Guide

This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, All Movie Guide