Eddie Jones Movies

A police psychologist and his school-age son become embroiled in the machinations of a mysterious cult religion in this thriller from director John Schlesinger. After his wife is electrocuted in a freak accident, Dr. Cal Jamison (Martin Sheen) and his son, Chris (Harley Cross), move back to Manhattan, where Cal went to school. When not spending time with his son and surrogate extended family -- husband-and-wife anthropologists Kate (Elizabeth Wilson) and Dennis Maslow (Lee Richardson) -- Cal settles into his new job and romances his landlady, Jessica Halliday (Helen Shaver). Soon, though, a series of brutal murders of young children begins to take over Cal's life. Through the ravings of policeman Tom Lopez (Jimmy Smits), who believes the killers have supernatural power over him after stealing his badge, Cal learns of Santeria, a voodoo-like Latin American sect that mixes elements of Christianity and pagan mysticism. Although the religion turns out to have ties to some of the richest men in the city and even Cal's well-meaning maid seems to be a practitioner, he can't get any straight answers as to whether the cult is responsible for the murders. But after a sinister African shaman (Malick Bowens) places a curse on Jessica, Cal finally begins to understand the danger that faces him -- and his son. The Believers was very loosely adapted from Nicholas Conde's 1982 novel The Religion. ~ Brian J. Dillard, All Movie Guide

Abby (Lori Loughlin) and her brother, Loren (Shannon Presby), seem to have it all: good looks, lots of friends, and a great relationship with their loving mom and their heroic, discipline-minded military dad. When their folks are killed in a car crash, however, the siblings must move to small-town Florida to live with their sweet but cash-impaired Uncle Charlie (Ed Jones) and Aunt Fay (Lucy Martin), who own a gas station and a struggling, bargain-bin amusement park. For Abby and Loren, life in the Sunshine State proves to be a mixture of hard work, new faces, and harassment at the hands of drug-dealing, skirt-chasing local scion Dutra (James Spader) and his gang of trailer-park psychopaths. Dutra places a bet with the wiry, reptilian Gideon (John Philbin) about which of the young villains will be able to bed Abby first, leading to a series of increasingly vile sexual come-ons. Abby, however, has other romantic ideas involving a kindly boy named Mark (Eric Stoltz). Between bouts of defending his sister's honor, Loren finds a similarly wholesome romance with pretty, blond Karen (Paige Lyn Price). With the help of these new friends, Loren and Abby make some headway in the local social hierarchy, but their skirmishes with Dutra and his minions escalate, climaxing with attempted rape, kidnapping, and bumper-car violence on the night of a high-school dance. Director Sean S. Cunningham also directed the original Friday the 13th. ~ Brian J. Dillard, All Movie Guide

Best known for his 1978 film The Deer Hunter or perhaps the less-successful Heaven's Gate, director Michael Cimino turned to this fast-paced actioner set in an authentic (back lot) Chinatown. This thriller stars a rogue Polish-American cop (Mickey Rourke) out to not only keep Chinatown safe for the local consumers, but to dismantle its deep-rooted crime and drug cartels as well. No one backs the crusading cop in the latter objective, and as he faces a suave and wily crime boss (John Lone of The Last Emperor) and a libidinous newscaster (Ariane), he may be taking on more than he can handle. At least his wife thinks so, and the guys at City Hall think so -- but mayhem and murder will strew the streets with corpses before the smoke clears and the dust settles, and a vague, unresolved future sets in. ~ Eleanor Mannikka, All Movie Guide

People are disappearing all over the Big Apple. Nobody cares, though, because most of the missing are homeless. But when investigative reporter Murphy (J.C. Quinn) tips off principled photographer George Cooper (John Heard) to a government conspiracy involving the dumping of nuclear waste beneath the streets, Cooper decides to dig a little deeper. Soon he discovers the existence of C.H.U.D.s, or "Cannibalistic Humanoid Underground Dwellers," derelicts who have become grotesque monsters after being exposed to the mountains of hazardous waste. Meanwhile, Captain Bosch (Christopher Curry), a cop whose wife is among the missing, forms an unlikely alliance with the Reverend (Daniel Stern), a leftist soup-kitchen cook who knows the score. Murphy, Cooper, Bosch, and the Reverend soon run up against the stonewalling tactics of Wilson (George Martin), a government toadie. As the titular monsters begin to tire of their underground habitat, the protagonists -- including Cooper's wife, beautiful model Lauren Daniels (Kim Greist) -- face a race against time to defeat not only the C.H.U.D.s, but the government's cover-up. The debut, and only film, from writer Parnell Hall and director Douglas Cheek, C.H.U.D. was followed by 1989's C.H.U.D. 2: Bud the C.H.U.D. Co-stars Stern and Heard would later appear together in the first two Home Alone pictures, while Curry would appear in the third. ~ Brian J. Dillard, All Movie Guide

Genre pioneer Larry Cohen, who broke new horror ground with the killer-baby hit It's Alive!, takes a stab at the giant-monster scenario with this enjoyable low-budget exercise. The title refers to the winged Aztec god Quetzalcoatl, represented here as a dragon-like flying lizard (thanks to some quaint but amusing stop-motion animation from David Allen), who decides to take up residence in the art-deco spire of the Chrysler Building, taking frequent jaunts in the midday sun to nip the heads off various hapless New Yorkers. The resulting bloody mess confounds detectives Shepard (David Carradine) and Powell (Richard Roundtree), who are already scratching their heads over a series of bizarre ritual murders linked to a secret Aztec cult. Into the picture comes the film's protagonist -- neurotic, sweaty, paranoid crook Jimmy Quinn (Michael Moriarty, in a tour-de-force performance), a two-bit wheel-man with aspirations of becoming a jazz pianist. After a botched diamond heist leads Quinn to Q's lair, his attempts to go straight take a side-turn as he decides to extort from the city an enormous sum in exchange for directions to the monster's nest. A few sneaky deals later, the location falls into Shepard's hands, and he leads a paramilitary assault on the Chrysler Building, where the creature's humongous egg is about to hatch. Rude, edgy, fast-paced, and peppered with witty dialogue (most of which can't be repeated here), Cohen's script retains the spirit of classic monster movies like The Beast from 20,000 Fathoms, injecting it with tough, gangster-movie moxie. Moriarty's unbelievable performance -- one of three collaborations with Cohen -- finds him chewing acres of scenery as a contemptible, loud-mouthed goon who's too funny to hate; Moriarty also composed and performed two schizophrenic piano numbers for the film. ~ Cavett Binion, All Movie Guide

The First Deadly Sin was Frank Sinatra's final starring movie vehicle. Based on a novel by Lawrence Sanders, it casts Sinatra as Edward Delaney, a big-city detective on the verge of retirement. Beset with profound personal problems--including a gravely ill wife (Faye Dunaway)--Delaney nonetheless tackles the case of an axe murderer who seemingly strikes at random. Be on the lookout for an unbilled Bruce Willis. ~ Hal Erickson, All Movie Guide

Older brother Chubby (Paul Sorvino) is a combative, booze-swilling, rough-edged construction worker, following in the footsteps of his brother Tommy (Tony Lo Bianco). Macho in the extreme, these fellows have no time for the sensitive moral quandaries which are at the heart of the two younger brothers' lives. Stony (Richard Gere), has worked with his father in the construction business, but longs to work with children. Albert (Michael Hershewe), the youngest, is a sensitive lad, the butt of his father and oldest brother's rough manner, and is constantly being harassed by his stressed-out mother (Lelia Goldoni). After a few attempts to communicate with his insensitive older brother and his parents, Stony must decide for himself if the rejection he will experience from his family on leaving the construction business is worth it; and if it is, what can be done to protect his younger brother from the rest of the family? ~ Clarke Fountain, All Movie Guide