Darby Jones Movies

Producer Hal Wallis evidently hoped to recapture the magic of his earlier Casablanca with 1949's Rope of Sand. To that end, he hired three of Casablanca's supporting players: Paul Henreid, Claude Rains, and Peter Lorre. This time, Henreid is the villain, a sadistic police inspector named Paul Vogel. Stationed somewhere in Africa, Vogel hopes to find a legendary lost diamond field. His principal rival in this endeavor is jewel thief Mike Davis (Burt Lancaster), who continues bouncing back from every death trap lain for him by the ill-tempered Vogel. The scenes in which Davis is subjected to various physical tortures is pretty raw for a 1940s film. Claude Rains co-stars as a diamond syndicate head misleadingly named Toady, while Peter Lorre does his shifty-mercenary act. Billed ninth as the nominal heroine is Hal Wallis' latest discovery, French actress/singer Corinne Calvet. ~ Hal Erickson, All Movie Guide

When a man dies under suspicious circumstances, the law must decide if it was murder or an accident. Francis Macomber (Robert Preston) is a wealthy, carefree gentleman who hires Robert Wilson (Gregory Peck), an expert hunter, as his guide when he sets off on a safari in Kenya. Francis' wife Margaret (Joan Bennett) regards her husband as a fool and a coward, and before long, she develops a strong attraction to Robert -- which she does not bother to keep secret. However, Robert informs her that as a matter of personal ethics, he would not consider becoming involved with her. After several weeks on the African savannah, Francis feels himself changing; he's developed a new bravery and sense of confidence, and as a test of himself, he one day stands in the path of a charging buffalo as he prepares to shoot. However, shots ring out from behind him, and Francis falls dead. Margaret insists that she was trying to kill the animal before it could trample Francis and missed, but given her well-documented contempt for her husband, the widow finds herself on trial for murder. The Macomber Affair was based on the short story "The Short Happy Life of Francis Macomber" by Ernest Hemingway, though director Zoltan Korda found it necessary to rework the material (with the input of the featured cast) in order to appease the industry censors of the day. ~ Mark Deming, All Movie Guide

RKO producer Val Lewton seemed to thrive upon taking the most lurid film titles and coming up with pocket-edition works of art. Saddled with the studio-dictated title I Walked With a Zombie, Lewton, together with scripters Curt Siodmak and Ardel Wray, concocted a West Indies variation on Jane Eyre. Trained nurse (Frances Dee) travels to the tropics to care for Christine Gordon, the wife of seemingly abusive Tom Conway. At first, Dee merely believes her patient to be comatose. But as the drums throb and the natives behave restlessly, Dee tries to bring her patient back to life by jungle magic. Conway is racked with guilt, believing himself responsible for his wife's condition; his guilt is stoked by Conway's drunken brother James Ellison, who has always loved Gordon. Utilizing very limited sets and only a handful of extras, director Jacques Tourneur manages to evoke an impression of an expansive tropical island populated at every turn by voodoo worshippers. Many of the sequences, notably Frances Dee's first languid stroll into the midst of the native ceremonies, have an eerie dream-like quality that pervades even the most worn-out, badly processed TV prints of I Walked With Zombie. ~ Hal Erickson, All Movie Guide

The once-notorious theatrical chestnut White Cargo was toned down for public consumption in this 1942 MGM-ized adaptation (the property had been previously filmed in England in 1929). More sullen than sexy, Hedy Lamarr stars as Tondelayo, the libidinous African native girl who nearly drives rubber-plantation manager Langford (Richard Carlson) to ruin and madness. Though warned by local English magistrate Witzel (Walter Pidgeon) not to "mammy-palaver" with the natives, Langford falls hopelessly in love with Tondelayo, marrying her in defiance of convention and anti-miscegenation laws. Alas, the restless Tondelayo soons tires of married life, just as Langford wearies of his bride's near-manic possessiveness. She tries to come on to Witzel, who'll have none of it, then plots to rid herself of her husband by systematically poisoning him during a bout of fever. A studio-imposed prologue and epilogue set in the 1940s was inserted to assure the audiences from the outset that Langford would eventually wise up and divest himself of the troublesome Tondelayo. Though corny and campy in the extreme, White Cargo is one of the films for which Hedy Lamarr is best remembered. ~ Hal Erickson, All Movie Guide

Adapted by Barre Lyndon from his own Saturday Evening Post short story, Sundown takes place in Africa during WW2. British army major Coombes (George Sanders) cannot abide the local Arab population, and he has even less time for district commissioner Crawford (Bruce Cabot), who has befriended the natives. Crawford is particularly fond of the beautiful Zia (Gene Tierney), whom Coombes suspects of being a Nazi sympathizer. But when the British troops must make their way through treacherous uncharted territory, they are forced to rely upon the guidance of the enigmatic Zia. Cedric Hardwycke spouts reams and reams of symbolic dialogue as the local British bishop, while among the native extras is a very young Dorothy Dandridge. Impressively photographed (by Charles Lang) and directed (by Henry Hathaway), Sundown just misses being as profound as it obviously wants to be. ~ Hal Erickson, All Movie Guide

The success of 1938's Kentucky prompted 20th Century-Fox to come up with the similar (though not entirely identical) horse-racing opus Maryland. After her husband (Russell Hicks) is killed during a fox hunt, Maryland matriarch Charlotte Danfield (Fay Bainter) forbids her son Lee (John Payne) from ever riding or even owning a horse. Lee obedient only until he meets lovely Linda Stewart (Brenda Joyce), the daughter of his father's ex-trainer William Stewart (Walter Brennan, doing a virtual reprise of his Kentucky characterization). In concert with Linda, Lee enters his horse in the fabled Maryland Hunt, an annual steeplechase event. The outcome of the race is instrumental in weakening Charlotte Danfield's anti-equestrian stance, but Stewart, alas, isn't around long enough to fully bask in his restored glory. Much of Maryland was filmed on location, gorgeously lensed in Technicolor by George Barnes. ~ Hal Erickson, All Movie Guide

Produced under the working title The Capture of Tarzan, Tarzan Escapes was completely refilmed before release, eviscerating several blood-curdling sequences involving killer pygmies, torture murders and vampire bats. Wearing considerably more clothing than in 1934's Tarzan and His Mate, Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan) have taken up residence in their gadget-laden treehouse, replete with animal-powered elevator. Two of Jane's British relatives (Benita Hume and Willam Henry) come calling, together with an underhanded hunter (Hugh Buckler) who plans to kidnap Tarzan and put him on display in London. The Lord of the Jungle is briefly subdued, but escapes just in time to rescue Jane and her family from hostile natives, who practice the jolly ritual of spread-eagling their victims between two bent trees, then splitting the unfortunates in two (a harrowing but tastefully filmed sequence, later excerpted in 1941's Tarzan's Secret Treasure). Other than this grisly finale, Tarzan Escapes was strictly family fare. The familial aspects of the film extended into the film's credits; among the screenwriters were John Farrow, husband of leading lady Maureen O'Sullivan, and Cyril Hume, brother of supporting actress Benita Hume. ~ Hal Erickson, All Movie Guide

If MGM could cast an Olympic champion it its Tarzan series, so could Sol Lesser's Principal Pictures. Thus it was that Larry "Buster" Crabbe, gold-medal winner for the 400 meter free-style swimming event in the 1932 L.A. Olympics, played the title role in Principal's 15-chapter serial Tarzan the Fearless. One of the few Tarzan epics actually based on a story by Edgar Rice Burroughs, this one finds the Lord of the Jungle protecting pulchritudinous heroine Mary Brooks (Jacqueline Wells) from the villainous machinations of the High Priest (Mischa Auer) of Zar, God of the Jeweled Fingers. Tarzan must also avoid Jeff (Philo McCullough), a bounty hunter who has been offered a huge reward to bring the ape man to Civilization -- dead or alive! This 60-minute feature-length version of Tarzan the Fearless is mostly comprised of the first four chapters, with a rather abrupt wrap-up of several plotlines in the final two reels; another feature version, running 86 minutes, was prepared for television in 1960. ~ Hal Erickson, All Movie Guide