David Swift Movies

The husband-and-wife team of Nancy Meyers and Charles Shyer, who scored with their 1991 remake of the 1950 Father of the Bride, returned for this updating of the 1961 comedy about twins who hope to bring their divorced parents back together. Sheyer and Meyers stayed close to the original screenplay by David Swift, based on Erich Kastner's book Das Doppelte Lottchen. At a summer camp in Maine, 11-year-old Hallie Parker (Lindsay Lohan) meets Annie James (also Lindsay Lohan). Despite a curious resemblance, Hallie develops an immediate dislike for Annie, and the feeling is mutual. However, the two eventually discover they are twin sisters separated not long after they were born. Their parents, Elizabeth (Natasha Richardson) and Nick (Dennis Quaid), had met on the Queen Elizabeth 2 and married on that same voyage. After a divorce, Nick brought up Hallie at his Napa Valley vineyard, while Annie lived with wedding-gown designer Elizabeth in London. Neither twin was aware she had a sister, until their summer-camp meeting. To learn more about their parents, they switch places and maintain the deception until Nick states he will remarry. The twins then try to engineer a renewed romance between Nick and Elizabeth, but Nick's annoying but attractive fiancee Meredith (Elaine Hendrix) presents a major problem in reaching their happy-ending goal. Hayley Mills portrayed the twins in the 1961 original and subsequent TV-movie sequels: In The Parent Trap II (1986), the twins are adults with their own romantic problems. In The Parent Trap III (1989), the twins compete for a widower (Barry Bostwick), the father of triplets, and that same year, the twins also returned in Parent Trap Hawaiian Honeymoon (1989). ~ Bhob Stewart, All Movie Guide

Though she owns a large estate and is herself a noblewoman, Lady St. Edmund (Helen Hayes) is anything but rich. Indeed, if she cannot raise the money needed to pay taxes on the estate, she and the large crew of orphans she has taken in will be thrown out. Legend has it that one of her ancestors, a pirate, hid a substantial treasure in gold coins somewhere in the mansion. Lady St. Edmund has not lost sight of the legend, but neither has she found the coins. With the willing help of her children and her valet-of-all trades, Priory (David Niven), she is doing her plucky best to keep the wolf from the door. However, the thieving duo of Bundage and Grimsworthy (Leo McKern and Vivian Pickles) have decided to mount a search for the legendary loot themselves and have persuaded Casey (Jodie Foster), a waif from L.A., to pose as Lady St. Edmund's long-lost granddaughter and help find and steal the loot. This being a Disney production, one can be confident that good will somehow prevail. ~ Clarke Fountain, All Movie Guide

Disgusted by the smarminess of his 1963 vehicle Under the Yum Yum Tree, Jack Lemmon vowed that his next effort would be a wholesome family picture. Good Neighbor Sam is suitable for all ages, to be sure, but that doesn't stop producer-writer-director David Swift from injecting plenty of double-entendre dialogue and harmlessly risque situations. Lemmon plays ad executive Sam Bissell, happily married to all-American blonde Minerva (Dorothy Provine). Anxious to land the Nurdlinger's milk account, Sam is carefully scrutinized by the prudish Simon Nurdlinger (Edward G. Robinson), a staunch advocate of old-fashioned family values.

Meanwhile, Minerva welcomes her old school friend, sexy Janet Langerlof (Romy Schneider) into her home. Janet is in line to inherit a fortune, but only if she's married. Unfortunately, Janet is currently separated from her insanely jealous spouse Howard Ebbets (Michael Connors), so big-hearted Minerva volunteers Sam to pose as Janet's husband. The ensuing comic complications come to a head when Nurdlinger elects Sam and Janet as the nation's ideal "married" couple, and posts their pictures on billboards all over town! Some of the smaller pleasures in this film are provided by Louis Nye as a high-tech private eye, Barbara Nichols as a squeaky-voiced call girl, Robert Q. Lewis as Sam's lascivious neighbor, and an uncredited Gil Lamb as a genial wino. An amusing running gag involved the Hertz "man in the driver's seat" commercials of the 1960s has sometimes been cut from TV prints of Good Neighbor Sam. ~ Hal Erickson, All Movie Guide

In this light romantic comedy Charles Boyer plays the enigmatic Mr. Pimm, a man with a Cupid complex who grooms men to be paired with the ideal wealthy heiress, and once heavenly matrimony is attained, Mr. Pimm gets his cut. He has his eyes set on Millie (Hope Lange) for the handsome but somewhat inept Gaspard (Ricardo Montalban) and knowing that love might need a nudge or two, he places Davis (Glenn Ford) in Millie's home as a chauffeur who will help Gaspard whenever he can. Millie has her own ideas about the most irresistible man around -- and he is not Gaspard. Meanwhile, Gaspard agrees with Millie because there is someone else on his horizon as well. Telly Savalas shines in an early role as Millie's gourmet uncle. ~ Eleanor Mannikka, All Movie Guide

We get a double dose of Hayley Mills in this Disney vehicle: she plays 13-year-old identical twins Susan and Sharon, who meet for the very first time in summer camp. They soon learn that they were separated at a very early age when their parents Mitch and Maggie (Brian Keith and Maureen O'Hara) divorced. On a lark, the girls switch places: the one living with Mitch goes back home with Maggie, and vice versa. Mitch is planning to remarry the "wrong woman," vituperative Vicky (Joanna Barnes). The twins conspire to reunite their parents, but the road to reconciliation is rough indeed. It takes a slapsticky camping trip to get rid of the troublesome Vicky and to prompt Mitch and Maggie to renew their vows. The film introduced a hit song, "Let's Get Together," which represented the high point of Hayley Mills' very short-lived recording career. The Parent Trap was based on Das Doppelte Lottchen, a novel by Erich Kastner, which had previously been filmed in German and British versions (real twins were cast in both); over thirty years after Parent Trap was theatrically released, a short series of sequels were made for the Disney Channel cable service, with a grown-up Mills back in her original role(s), and two sets of second-generation twins. Baby Boom collaborators Nancy Meyers and Charles Shyer would remake the film with a new cast in 1998. ~ Hal Erickson, All Movie Guide

Eleanor H. Porter's story of Pollyanna, "The Glad Girl," was first filmed in 1920 by Mary Pickford. While entertaining, the Pickford version tended to reduce the supporting characters to stereotypes. Disney's 1960 remake of Pollyanna wisely offers three-dimensional characterizations, enhancing the charm and believability of the story. In her first Disney film (indeed, her first American film), Hayley Mills stars as Pollyanna, an orphan girl sent to live with her wealthy aunt Polly (Jane Wyman). A humorless sort, Aunt Polly is taken aback by Pollyanna's insistence upon seeing the happy side of everything. With her best friend and fellow orphan, Jimmy Bean (Kevin "Moochie" Corcoran), Pollyanna spreads her sunshine all over town, transforming such local curmudgeons as hypochondriac Mrs. Snow (Agnes Moorehead), hellfire-and-brimstone Reverend Ford (Karl Malden), and reclusive Mr. Pendergast (Adolphe Menjou) into positive, life-affirming sorts. This she does not by being simpering or syrupy, but by applying common sense and refusing to indulge anyone's self-pity. Only Aunt Polly refuses to warm up. As the owner of the town orphanage, Aunt Polly will not hear of having a new, more modern facility built, and when handsome Dr. Chilton (Richard Egan) stages a charity bazaar in defiance of Aunt Polly, Pollyanna is forbidden to attend. She escapes to the bazaar by climbing down the tree next to her upstairs window; but when trying to return home, Pollyanna falls and injures her legs. Facing possible permanent paralysis, the "Glad Girl" is for the first time disconsolate and pessimistic. Her spirits are uplifted by the townsfolk whom she's helped, and finally by Aunt Polly, who's realized the folly of her stubbornness. Ebulliently optimistic once more, Pollyanna leaves town for an operation, as the townsfolk cheer her up and cheer her on. Possibly because it was perceived as having only little-girl appeal (a false perception indeed), Pollyanna was not the big hit that it should have been in 1960. Its latter-day reputation as one of Disney's finest features rests primarily on its many successful television showings. The film was remade for television with an all-black cast as Polly in 1989. ~ Hal Erickson, All Movie Guide

This episode is clearly inspired by the famous "Bridey Murphy" affair of the mid-'50s. During a party, Lucy Pryor (Phyllis Thaxter) allows herself to be hypnotized by Professor Miles Farham (Tom Helmore). While in a trance, she regresses to the year 1853 and assumes the personality of a Quaker woman named Dora Evans -- and then, just as Dora Evans had done over 100 years earlier, Lucy promptly murders her husband. During her subsequent trial, Lucy undergoes hypnosis a second time to prove that she had had no control over herself when committing the murder...and the results are astonishing. ~ Hal Erickson, All Movie Guide