J.J. Johnston Movies

Tim Allen and Chiwetel Ejiofor co-star in writer/director David Mamet's martial arts drama Redbelt. Ejiofor plays Mike Terry, a jujitsu master who co-runs a very modest martial arts studio in Los Angeles with his bossy wife, Sondra (Alice Braga). Mike demonstrates an unwavering commitment to his craft and draws a cadre of defiantly loyal pupils including Joe (Max Martini), an LAPD cop. All told, it appears that he has chosen a peaceful and conflict-free path in life. The dedicated martial artist's fate takes an unanticipated turn, however, one evening when a young woman named Laura (Emily Mortimer) bursts into the academy in a state of near hysteria, and reaches for a policeman's gun when he tries to restrain her. One thing leads to another, and before long, Laura is regularly receiving martial arts lessons from Mike. As master begins to teach pupil and his martial arts philosophies emerge, his path also crisscrosses with that of a Hollywood movie star, Chet Frank (Tim Allen), when he saves the fellow from a beating at a local club and gets invited (along with Sondra) to Chet's house for dinner. Chet extends gestures of friendship, and Mike's guard breaks down; he speaks openly and candidly of a special martial arts method he employs that requires one of the participants to "assume a handicap." In time, the association with Chet leads to involvement in the motion-picture industry, and relations with a bevy of characters who aren't exactly what they seem -- including a pay-per-view fight mogul (Ricky Jay) and Chet's slimy and manipulative manager (Joe Mantegna). ~ Jason Buchanan, Rovi

A talented character actor with an undeniable presence on the screen but an uncanny track record of losing roles to more marketable "name" actors decides to take matters into his own hands after losing out on one too many roles in director Monika Mitchell's blood-soaked showbiz satire. Max Matteo (John Cassini) knows that he has what it takes to make it as an actor, but it always seems like there's a producer's nephew just waiting in the wings to snatch the role just out from under him. Now, with nothing left to lose but the role that will most certainly be offered to someone else before the cameras start to role, Max decides to take his fate - as well as various blunt objects - in his hands to ensure a long and rewarding career in a business where there's truly no room for the weak. ~ Jason Buchanan, Rovi

Echoing the themes of Living in Oblivion and Irma Vep, David Mamet's seventh feature centers on the havoc wrought on the inhabitants of a small town by a troubled film production. After its leading man's propensity for teenage girls gets them banished from their New Hampshire location, a film crew relocates to the small town of Waterford, VT, to finish shooting "The Old Mill." As its title suggests, the film depends on the presence of a genuine mill, something the town is reported to possess. Unfortunately, with only days before principal photography begins, it becomes apparent that the mill in fact burned down decades ago. Unfazed, the film's director, Walt Price (William H. Macy), places his faith in the ability of first-time screenwriter Joseph Turner White (Philip Seymour Hoffman) to alter the script; what he doesn't count on is White's apparently bottomless reserve of angst-fueled writer's block. The film's leading lady (Sarah Jessica Parker) refuses to do her contracted nude scene unless she's give an ungodly sum of cash, while a foreign cinematographer offends the locals by messing with an historic firehouse, and the leading man, Bob Barrenger (Alec Baldwin), dallies with Carla (Julia Stiles), a crafty local teen. Everything comes to a head after Barrenger and Carla are injured in a car accident, which leads White to another emotional quandary and into the arms of Ann Black (Rebecca Pidgeon). ~ Rebecca Flint Marx, Rovi

Series star David Faustino (Bud Bundy) cowrote this episode, originally titled "An Officer and a Garbage Man". Still unemployed, Al (Ed O'Neill) and Griff (Harold Sylvester) endeavor to pick up steady money by joining the military reserves. Their first assignment is to uphold the peace at a bitter garbage-workers' strike--and if that doesn't stink enough, the boys' commanding officer is Jefferson D'Arcy (Ted McGinley). ~ Hal Erickson, Rovi

Antonio (Tony Shalhoub) accepts a huge amount of money -- more than he has ever seen in his life -- to act as personal chauffeur for a gentleman named Mr. DeCarlo (J.J. Johnston). Unfortunately, a series of curious events lead Antonio to the conclusion that DeCarlo is a mob boss. Back at the terminal, Helen tries to "cram" for a visit with her former English Literature teacher Claire Bennett (Jane Carr), a woman who is notoriously difficult to please. ~ Hal Erickson, Rovi

Though Kelly (Christina Applegate) loses an audition for a sitcom role, the producer (George Wyner) is impressed by her impromptu description of the Bundy clan. As a result, the sitcom is rewritten to resemble a certain extremely popular Fox series about a dysfunctional family living in Chicago--and take a look at that cast! Inside jokes abound in this classic entry, including a pointed reference to housewife-activist Terry Rakolta, a swipe at the Fox network's low-power UHF affiliate lineup, and a clever amalgam of the names of series creators Ronald Leavitt and Michael G. Moye. ~ Hal Erickson, Rovi

John McNaughton directed this Richard Price-scripted comedy about a cop who learns to love an unwanted gift from a gangster. Robert De Niro plays Wayne Dobie, a shy and reclusive Chicago cop who has never fired a gun. Dobie is an evidence technician who takes photographs at crime scenes, earning the moniker of "Mad Dog" for his diffident attitude. One day Dobie walks in on a convenience store holdup and saves the life of Chicago mob boss Frank Milo (Bill Murray). Frank is impressed by the way Dobie handled the holdup and wants to pay him back for saving his life. In thrall to Frank is Glory (Uma Thurman), who is working off her brother's gambling debts by living with the mobster. One day, Glory turns up at Dobie's house, explaining that Frank is giving her to him for one week as a gift. Initially Dobie wants nothing to do with Glory, but as the week goes on, he realizes he is becoming intensely attracted to her. ~ Paul Brenner, Rovi

A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi

Sami (Mark Taylor) is an American of Lebanese descent. As this drama opens, he is a standup comedian who simply wants to become successful and well-known, after the pattern of fellow Lebanese Danny Thomas. After he has returned from visiting Lebanon and reviews his experiences of the horrors of the civil war going on there, his mental state deteriorates and he becomes suicidal. ~ Clarke Fountain, Rovi

Peter Gunn was a one-shot TV movie revival of the classic detective series (1958-61) created by Blake Edwards. Edwards wrote and directed this pilot for a potential Gunn revival, with Peter Strauss stepping into Craig Stevens' gumshoes as private eye Peter Gunn. Peter Jurasik assumes Herschel Bernardi's old role as Lt. Jacobi, while Barbara Williams takes over for Lola Albright as saloon singer Edie ("Mother's", the night spot where Edie vocalizes, is operated by "special guest star" Pearl Bailey). The film is not updated to the present time, but is set in 1964. Gunn finds himself between gangsters and rogue cops when he agrees to get to the bottom of a mob hit. A lot more verbose than the old, visually dynamic TV series, Peter Gunn (1989) has the saving grace of Henry Mancini's original progressive-jazz theme song and musical score. Blake Edwards' daughter Jennifer is featured as Gunn's ditsy secretary, a character (thankfully) missing from the earlier series. This actually represented Edwards's second attempt to revive the Peter Gunn character in a movie format; he first did so with the 1967 big-screen feature Gunn. ~ Hal Erickson, Rovi

This underrated teen-revenge horror film starring Stephen Geoffreys (Fright Night) was the directorial debut of Robert Englund, best known as Freddy Krueger in the Nightmare on Elm Street series. Geoffreys plays Hoax, a picked-on nerd who lives with his religious-nut mother Lucy (the marvelous Sandy Dennis). One day Hoax calls a 976-line for a "Horrorscope," and the demonic voice at the other end starts giving him wicked advice. Before long, he has killed his brother's girlfriend with tarantulas, slashed the face of a teen tough with his newly-sprouted talons, and gutted several of his tormentors. Only a well-meaning journalist and a sexy schoolmarm can stop the now-demonic Hoax before he sends the whole neighborhood straight to Hell. Granted, the screenplay is rather confused and slow-moving, but Geoffreys and Dennis are great, the effects work by Kevin Yagher is skillful, and this is one of the few teen-horror films with characters that are actually interesting. Look for Robert Picardo (The Howling) in a fun cameo as the diabolical Mark Darke. After a brief stint as a teen star, Geoffreys went on to appear in gay porn films as "Sam Ritter." ~ Robert Firsching, Rovi

Though a fine cast was assembled for this comedy, none can save this embarrassingly humorless satire. Henderson Dores (Daniel-Day Lewis) is a very proper British art expert sent to rural Georgia by his boss to purchase a painting by Renoir. The present owner, hillbilly Loomis Gage (Harry Dean Stanton), claims he bought the painting for $500 in France in 1946. Dores offers $10 million, but Gage's scheming son Freeborn (Maury Chaykin) has made a deal with a rival art dealer for $15 million. Steven Wright plays Dores' business rival Pruitt with his typical deadpan charm, and Joan Cusack and Laurie Metcalf provide romantic interest. Tea and crumpets collide with moonshine and cornbread in this feature, but the results are unpalatable. ~ Dan Pavlides, Rovi