Noble Johnson Movies

In this adventure re-edited from the 1938 serial Hawk of the Wilderness, a savage white man (Bruce Bennett) rescues a band of shipwreck survivors. ~ Jason Ankeny, Rovi

The second of John Ford's "Cavalry Trilogy," this film stars John Wayne as Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of General Custer and by double-dealing Indian agents. ~ Iotis Erlewine, Rovi

When Republic moved its popular star William Elliot from "B" series westerns to "A" frontier specials, a lot of the fun and excitement was lost in the process. Additionally, Republic seemed reluctant to admit the new Elliot films were westerns, as witness the title Gallant Legion, which could have been mistaken for a Sahara Desert epic. Actually Gallant Legion is one of the better Elliot big-budgeters, with Bill as one of the charter members of the Texas Rangers. The Rangers' task is to prevent greedy landgrabbers from dividing Texas into sections and setting up their own fiefdoms. Elliot's leading lady in Gallant Legion is Adrian Booth, who as "Lorna Gray" had been a Republic serial villainess a few seasons earlier. ~ Hal Erickson, Rovi

Cecil B. DeMille's first postwar production, the $5 million Technicolor historical spectacular Unconquered lacks only the kitchen sink. The story begins in England in the 1760s, as Abigail Martha Hale (Paulette Goddard), unjustly accused of a crime against the Crown, is sentenced by the Lord Chief Justice (C. Aubrey Smith) to 14 years' forced servitude in North America. Carted off to the auction block, Abigail is highly coveted by slavemaster Martin Garth (Howard da Silva), but the highest bidder turns out to be Virginia militiaman Captain Christopher Holden (Gary Cooper). Having been jilted by his aristocratic fiancee Diana (Virginia Grey), Holden harbors no romantic feelings for Abigail, but he's determined not to let her fall into Garth's grimy clutches. The patriotic Holden also knows that Garth, who is married to the daughter (Katherine de Mille) of Indian chief Pontiac (Robert Warwick), has been trading firearms to the Ottawas. The treacherous Garth later participates in the "Pontiac Conspiracy," an allegiance of 18 Indian nations forsworn to wipe out every colonist on the East Coast. To put Holden out of the way, Garth arranges for him to be court-martialed and sentenced to death on a trumped-up desertion charge. But Abigail, partly in repayment for her rescue from Seneca chief Guyasuta (Boris Karloff) and partly because she's fallen in love with Holden, helps him escape, just in time to save a nearby military fort from an Indian massacre -- a feat accomplished by a subterfuge straight out of Beau Geste, which also starred Gary Cooper! As historically suspect as any Cecil B. DeMille epic, Unconquered is still marvelous escapist entertainment, especially during the time-honored bathtub scene involving a bare-shouldered Paulette Goddard (who spends most of the film in either a state of dishabille or bondage, or both!) Once again, however, Mr. "Spare No Expense" DeMille cuts corners by filming most of his major exterior scenes within the artificial confines of the Paramount sound stages. ~ Hal Erickson, Rovi

The 87-minute running time of Plainsman and the Lady was evidence aplenty that this was no mere Republic B western. William Elliot (formerly and latterly "Wild Bill" Elliot) stars as cattleman Sam Cotten, who offers his services-and his six-guns-to the newly formed Pony Express. Erudite villain Peter Marquette (Joseph Schildkraut) is a rival stagecoach owner who'll stop at nothing to keep the mail from going through. Ordering his minions to disguise themselves as Indians, Marquette masterminds a series of bloody raids on the pony express riders. But Cotton, aided and abetted by grizzled sidekick Dringo (Andy Clyde) proves to be more than a match for the bad guy. The lady of the title is high-born Ann Arnesen, played by Queen of Republic Vera Ralston; she's decorative enough, but no match for her talented costar Gail Patrick, cast as Ann's sister and the despicable Marquette's wife. ~ Hal Erickson, Rovi

RKO Radio's A Game of Death was the first official remake of Richard Connell's The Most Dangerous Game, given a contemporary WW2 twist. Novelist Rainsford (John Loder) and brother-and-sister shipwreck victims Ellen (Audrey Long) and Robert (Russell Wade) are among the innocents stranded on remote island at the mercy of Nazi madman Krieger (Edgar Barrier). Fancying himself a sportsman, Krieger offers his captives an hour's head start before he begins hunting them down like animals. The by-now-familiar plotline is not as compelling as in the original 1932 version of Most Dangerous Game or the 1956 Mexican-based remake (Run for the Sun), thanks to the pedestrian acting of everyone except Edgar Barrier. Still, Robert Wise imbues the story with plenty of tension, especially in the closing reels. ~ Hal Erickson, Rovi

Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, Rovi

The Jungle Book isn't always faithful to the Rudyard Kipling original (in fact, it seldom is), but 1942 audiences swept up in the grandeur of the production values and the lush Technicolor photography didn't mind at all. Indian juvenile-star Sabu plays Mowgli, who having been lost in the jungle as an infant has been raised by wolves. While he has no trouble conversing with his animal neighbors (whose voices aren't as ludicrous as you might think, though we never imagined that a snake could sound like Lionel Barrymore), Mowgli yearns to touch base with his human roots; thus, he returns to the native village whence he came. With the help of his jungle companions, Mowgli rescues his adoptive family, his natural mother (Rosemary DeCamp) and the rest of the humans from the greedy machinations of villains Joseph Calleia, John Qualen and Frank Puglia. Adapted for the screen by Lawrence Stallings and co-directed by Zoltan Korda and Andre De Toth, The Jungle Book scored a significant hit for its distributor United Artists, who really needed a smash at this point in time. The film would be remade (so to speak) as a Disney animated feature in 1967, and again as a live-actioner (with "politically correct" British villains) in 1994. ~ Hal Erickson, Rovi

A solid Jonathan Latimer screenplay is one of the "plusses" of the medium-budget mystery A Night in New Orleans. Preston S. Foster plays police lieutenant Steve Abbott, at present engrossed in a baffling murder case. As he pieces the clues together, Abbott comes to the sobering conclusion that his own wife Ethel (Patricia Morrison) may be intimately involved in the murder. It gets worse: soon Abbott himself is accused of the crime. The film is full of clever little touches, notably a scene in which the heroine is seen reading a book written by none other than Jonathan Latimer! Featured in the cast of A Night in New Orleans is Ginger Rogers' former stand-in Jean Phillips, whom Paramount briefly groomed for stardom in the early 1940s. ~ Hal Erickson, Rovi

In this comedy, the marital conflicts between a meek banker and his nagging wife are chronicled. First they fight over their daughter's future. His snooty, domineering wife wants her to marry a wealthy man, but he, realizing that she really loves the humble delivery boy for the bakery encourages he to follow her heart. Meanwhile, the wife tries to browbeat her husband into attending a posh mountain resort with her. He weasels out by claiming that he must journey to Washington to meet with the vice president. He does not mention that it is Washington, Oklahoma where he plans to do a little fishing. Upon his return he is shocked to discover that the whole town, believing that he has really important political connections, has come out to welcome him home. Not wanting to lose his credibility, the banker uses a variety of convoluted techniques to maintain the illusion until the real Vice President appears and helps him out. ~ Sandra Brennan, Rovi

The South Seas romance is set on the scenic island of Tahiti where the island chief betroths his son to a woman and then ships him to the US to attend Harvard. During the return voyage the lad is befriended by the ship's captain who also protects the beautiful girl the boy meets, but doesn't know he is supposed to marry. The two end up falling in love, even though the young man has sworn not to marry the girl his father picked out for him 15 years before. Meanwhile another jealous girl interferes with the romance as does another chieftain who wants the betrothed girl for himself and so tries to kill the young man. The whole mess is later resolved by a tremendous volcanic eruption which destroys the island and leaves the girl standing alone on a rocky peak staring at the blood red sun slowly sinking beneath the horizon. ~ Sandra Brennan, Rovi

Angry natives or a beautiful widow -- which poses the greater threat? Keith Brandon (Douglas Fairbanks Jr.) is an archeologist leading a team of researchers -- Richardson (Vincent Price), Loren (Alan Hale), Forrester (George Sanders), and Scott (John Howard) -- who are exploring the jungles of South America in search of Inca artifacts. The scientists discover they are not welcome when Richardson is felled by a poisoned dart, and a difficult situation is made all the more complicated when Stephanie (Joan Bennett), Richardson's wife, appears unannounced to pay her husband a visit. Stephanie must join Brandon's party as they make their way through the wilderness, with angry and armed natives surrounding them on all sides, and in the midst of the tension and danger, both Brandon and Forrester discover they're attracted to to Stephanie, leading to a dangerous rivalry among the crew. Green Hell would turn out to be the last feature film completed by the noted and idiosyncratic horror director James Whale; while he was credited with another film, They Dare Not Love, Whale in fact backed out of the project before shooting was finished. ~ Mark Deming, Rovi

John Ford directed this outdoor adventure set in the American Colonial period. Gilbert and Lana Martin (Henry Fonda and Claudette Colbert) are a young couple trying to make a home in New York State's Mohawk Valley, but repeated attacks by Indians drive them, along with other settlers in the valley, into a nearby fort, where they watch helplessly as the natives lay waste to their farms and cabins. A spinster with a large farm, Sarah McKlennar (Edna May Oliver), comes to their rescue when she hires Gilbert to work as a field hand and gives the Martins a place to stay. The rugged life of the farm and frontier doesn't always sit well with Lana, who was raised in wealthy and comfortable circumstances; in time she develops a thicker skin and learns to love their new life in the Mohawk Valley, especially after giving birth to their first son. Gilbert joins the militia, who must do battle both with the local Indian tribes and the British soldiers who are provoking them to battle. Gilbert returns wounded, and as he recuperates, a healthy crop rises in the fields, but their satisfaction is short lived when the Indians once again hit the warpath. 1939 was a stellar year for John Ford; along with this highly successful adventure tale, which was nominated for three Academy Awards, Ford also released the ground-breaking western Stagecoach. ~ Mark Deming, Rovi