Melodie Johnson Movies

In this comedy drama set during the late Prohibition era, a federal agent attempts to make some real money before the alcohol ban is lifted. He sets his sights on the whiskey cache of an old army buddy, but just before they strike a deal, two ex-convicts frighten the buddy away. The creeps then murder the town sheriff and his deputy and begin looking to get a hold of the moonshine. The agent decides to help his friend defeat the thugs. One of the crooks ends up killing the agent and taking four locals hostage. In exchange for their lives, he wants all the whiskey. The moonshiner acquiesces and tells him that the booze is stashed in a graveyard. The greedy crook races off and begins digging. Unfortunately instead of hooch, he finds dynamite and blows himself up. To celebrate his death and the end of Prohibition, the town decides to have a blow-out of their own. Naturally the buddy provides the booze. ~ Sandra Brennan, All Movie Guide

Determined to test Darrin's loyalty to Samantha, Serena and Endora transform Dusty Harrison (Melodie Johnson), the strait-laced daughter of Darrin's new, ultra-conservative client (Arch Johnson), into a swingin' hippie chick. In her new form, Dusty makes an unsubtle play for Darrin's affections, outraging both Mr. Harrison and Darrin's boss, Larry. The plot is resolved by the personal peccadilloes of Harrison himself. Written by Ed Jurist, "The Generation Zap" first aired on March 5, 1970. ~ Hal Erickson, All Movie Guide

Clint Eastwood stars as Walt Coogan, an Arizona deputy sheriff who has been sent to New York City to extradite escaped killer James Ringerman (Don Stroud). On arrival, he's forced to wait by NYPD detective Lieutenant McElroy (Lee J. Cobb), who informs him that Ringerman is recovering from a bad acid trip at Bellevue Hospital. After briefly flirting with attractive probation officer Julie Roth (Susan Clark), Coogan heads for Bellevue, where he's able to con the hospital's staff into releasing the criminal. The cop and the fugitive are on the way to catch a flight back to Arizona, when Ringerman's hippie girlfriend Linny (Tisha Sterling) and a large accomplice spirit the killer away, leaving Coogan unconscious. Luckily, Julie is the girl's probation officer, and Coogan manages to get her address from the woman's files while getting to know her better. He tracks the girl to a popular psychedelic club, whereupon, deciding she likes the deputy, she takes him back to her apartment for further interrogation. The first in a series of films on which Eastwood would collaborate with director Don Siegel, it features a memorable scene in which a battle fought with billiard balls and cue sticks suggests the birth of a new martial art. Although its seemingly innocuous scenes of sex and violence drew criticism at the time, it served as the source for television's considerably more benign McCloud, starring Dennis Weaver as the laconic fish out of water. ~ Michael Costello, All Movie Guide

Originally telecast November 26, 1966, Fame is the Name of the Game was the first official entry in NBC-TV "Project 120" series of made-for-TV movies (after two false starts in 1964). Tony Franciosa plays a magazine writer investigating the suicide of a beautiful girl. He uses the girl's address book as a key to piecing together the mystery of her self-destruction--and in so doing discovers that she'd actually been murdered. Advertised as an "original" for television, Fame is the Name of the Game was actually a remake of the 1949 Alan Ladd melodrama Chicago Deadline, right down to the identity of the mystery killer. Jill St. John and Jack Klugman co-star, with Jack Weston, Robert Duvall, Nanette Fabray and Jay C. Flippen popping up in supporting roles. This film served as the pilot for the 1968-71 TV series Name of the Game, with cast members Tony Franciosa and Susan St. James retained for the series proper. ~ Hal Erickson, All Movie Guide