Karl Johnson Movies

Like Tchaikovsky and other classical geniuses, Franz Schubert buried a dark and somewhat disturbing lifestyle beneath a myriad of extraordinary musical accomplishments. A notorious rake, Schubert contracted such a severe case of syphilis that he endured a forced hospitalization, yet his difficult recuperation and physical suffering reportedly inspired some of his most glorious works. The documentary The Double Life of Franz Schubert: An Exploration of His Life and Work unflinchingly hones in on this period of development and growth in Schubert's life. ~ Nathan Southern, All Movie Guide

Night of the Ghouls (which was also known as Revenge of the Dead) was Edward D. Wood Jr.'s first attempt at making a horror film without any contribution, either in a true performance or through the presence of archival footage, from Bela Lugosi, who had died three years earlier. The plot, which was as confusing as most of Wood's scripts, seems to make it a sequel to Bride of the Monster and, to a lesser degree, Plan 9 From Outer Space, incorporating events and characters from both, including Paul Marco's portrayal of the ubiquitous Officer Kelton. (Indeed, some Wood scholars have referred to the three movies as a group as "the Kelton trilogy," since he is the only character to turn up essentially the same in all three films.) Duke Moore, who portrayed the detective lieutenant in Plan 9 From Outer Space, is back in this film, and now he seems to be identified as a specialist in bizarre and unusual cases, making him sort of Ed Wood's distant precursor to The X Files' agent Fox Mulder and The Night Stalker's Carl Kolchak. This time there are strange goings-on, including disappearances and ghostly apparitions, at a mysterious house in a remote part of town. It turns out that this is the same house (rebuilt) and the same locale where Bela Lugosi's mad scientist was creating zombies in Bride of the Monster, and that Tor Johnson's Lobo is still there, somewhat the worse for wear. Instead of a mad scientist, however, the man behind the mayhem is a phony mystic named Dr. Acula, played by ex-cowboy actor Kenne Duncan. None of it makes too much sense, as though anyone needs to be told that, knowing that this was an Ed Wood movie, but parts of it are fun in that unique way that Wood's movies can be -- the strange word usages and dialogue patterns, as well as odd characterizations, mismatched shots, and incomprehensible plot elements all weave their eerie spell on the viewer willing to absorb them. ~ Bruce Eder, All Movie Guide

Then professional potheads Cheech Marin and Tommy Chong teamed up for Cheech & Chong: Up In Smoke, which features the drug-addled duo on a road trip throughout California; that is to say, a road-trip they hope will culminate in finding some quality weed. Instead, a series of mishaps result in their respective deportations to Mexico. Desperate to get back to the states so they can perform in their band's gig later that night, Cheech and Chong unwittingly agree to drive a very unique car across the border -- rather than steel and various metal bits, the vehicle is constructed entirely out of marijuana. Back in the States and accompanied by two extraordinarily out-of-it female hitchhikers, the stoned group meanders about in an attempt to get their musical performance together, and narrowly escapes from local law enforcement agencies on numerous occasions despite their complete inability to realize they were being tailed to begin with. The incredibly low-budget movie surprised critics, grossed millions, spawned a series of lesser follow-up films, and cemented Cheech & Chong's cult-status among potheads across the globe. ~ Tracie Cooper, All Movie Guide

A satiric romantic comedy, Martha Coolidge's Valley Girl is a testimony to the short-lived Southern California '80s craze. Julie (Deborah Foreman) is a good-natured teenager following a swarm of pastel pink valley girls, who utter "gag me" at every opportunity. To her friends' dismay , Julie breaks up with her egotistical boyfriend, Tommy (Michael Bowen), while shopping at the mall. All the valley kids go to a party that night, and Tommy immediately tries to bed one of Julie's friends. Randy (Nicolas Cage), a bad boy from Hollywood, shows up and crashes the party. Open-minded Julie flirts with him before he is literally thrown out, presumably just for looking different. Smitten with Julie, Randy sneaks back into the party to talk to her again. Julie drags a whimpering valley friend with her to spend the night cruising with Randy in Hollywood. After an extended courtship, Randy is in love with Julie, and she must choose between him and Tommy, who wants her back. Her friends refuse to accept Randy, who makes many exaggerated attempts to win back her love. Finally, after she has a heartfelt talk with her dad (Frederic Forrest), love triumphs at the prom. ~ Andrea LeVasseur, All Movie Guide

In this satirical sci-fi comedy, Samantha (Kelli Maroney) and Regina (Catherine Mary Stewart) are two sisters whose father was a hard-bitten Green Beret, but who've grown into typical Valley Girls. They end up spending the night in a steel-lined room just as a comet passes close to the earth, vaporizing the people in its wake. When Samantha and Regina emerge, they discover that they have the city to themselves, and they begin the shopping spree to end all shopping sprees. En route to the mall, they discover Hector (Robert Beltran), the only survivor they've found so far, and they argue over who gets the last boyfriend on Earth. However, the mall holds an unpleasant surprise -- a small army of zombified stockboys who the gals must battle using an arsenal they shoplifted along the way (while lamenting that "Daddy would have gotten us Uzis!" after a MAC-10 fails to fire). Meanwhile, a cadre of soldiers from a special military experiment have come out of hiding, but it seems that they need fresh blood to survive, and Samantha and Regina look like just the refreshment they need. Cult figure Mary Woronov also appears in a supporting role as a scientist. ~ Mark Deming, All Movie Guide

Produced in the Autumn of the Golan-Globus collaboration, Avenging Force serves as a vehicle for American Ninja costar Michael Dudikoff. Cast as a retired secret service agent, Dudikoff runs up against a sinister right-wing political organization called the Pentangle. He comes to the aid of his best friend Steve James, a black political candidate who has become a target for the Pentangle's henchmen. Impressed by Dudikoff's martial arts skills, the Pentangle leaders try to convince him to join their cause-and to ensure his cooperation, they kidnap his little sister Alison Gereighty. Avenging Force concludes with a violent Enter the Dragon-style mano y mano squareoff between Dudikoff and the Pentangle flunkeys. The film's finale is "open" enough to allow for a sequel, which has yet to appear. ~ Hal Erickson, All Movie Guide

This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, All Movie Guide

This is the second of four "Day in the Life" episodes, in which the Night Court staff must process a huge number of cases before a midnight deadline. Upping the stakes on this occasion is a Texas millionaire (Pat Corley) who has agreed to finance an orphanage if the staff can successfully try 207 cases within the time allotted; also, Dan (John Larroquette) stands to win a large an office pool if he's guessed the correct number of convictions. Keep an eye out for those "Three Stooges" nuns! ~ Hal Erickson, All Movie Guide

When Will Colton (David Hasselhoff) journeys back to his home town, he is shocked to discover that a gang of motorcycle thugs have killed his family and taken over. ~ Iotis Erlewine, All Movie Guide

Derek Jarman directed this witty, stylish biography of the life of the eccentric 20th-century philosopher Ludwig Wittgenstein (Karl Johnson). Wittgenstein is shown as a boy living a repressive youth, demonstrated by his family appearing in Roman togas. When Wittgenstein leaves to study under Bertrand Russell at Cambridge, he begins to investigate language and apply the strictures and constructs of language to philosophical study. The subject of Wittgenstein's homosexuality is depicted when, after World War I, he falls in love with a poor philosophy student, Johnny (Kevin Collins). Also portrayed is Wittgenstein's death at an early age from prostate cancer. ~ Paul Brenner, All Movie Guide

A kickboxing cyborg security agent accidentally kills a corporate officer who was trying to rape a blonde employee in this sci-fi copy of Die Hard. The head of the corporation orders his security teams to kill both the cyborg and the employee to prevent word of the attempted rape from getting out. The cyborg and the victim must make their way out of the building with two teams of killer cyborgs after them. ~ Brian Gusse, All Movie Guide

This arty British effort attempts to pay homage to distinguished and fanciful French author Antoine de Saint-Exupery via a sort of tone poem. Those familiar with the writer's work will get the most from this film as it does not contain any excerpts from the writer's work. The film, though not a documentary, does contain interviews from those who knew and loved Saint-Exupery. ~ Sandra Brennan, All Movie Guide

This British biographical drama probes the life of painter Francis Bacon (1909-1992), critically acclaimed as the outstanding British painter of the latter half of the 20th Century. This unsympathetic portrait of Bacon (Derek Jacobi) begins when George Dyer (Daniel Craig), a small-time criminal from working-class East End environs, drops through a skylight to rob Bacon's studio -- and is ordered into bed by Bacon. The two become a familiar couple at Bacon's hangout, the Colony Room in Soho. Bacon's sexual interests lean toward S&M, but as the cruel Bacon loses interest in Dyer and begins to look elsewhere, the couple splits. Left to his own devices, Dyer turns to drugs and alcohol -- and a tragic suicide. Visual grotesqueries and a trancelike Ryuichi Sakamoto music score capture the essence of Bacon's work (although paintings by Bacon are not seen onscreen here). The film is told in the form of a flashback from Bacon's successful 1971 retrospective at the Grand Palais in Paris to a period in the mid-'60s. Bacon biographer Daniel Farson (The Gilded Gutter Life of Francis Bacon) served as consultant on the film. ~ Bhob Stewart, All Movie Guide