Karl Johnson Movies

The first season of the lush, lavish and frequently lewd and lascivious British historical drama Rome covers the years 52 to 44BCE, beginning with the return of Julius Caesar (Ciaran Hinds) from the Gallic wars and ending with the fateful "Ides of March". Though returning to a hero's welcome, Caesar realizes that he's stepping into a snake pit of deceit and corruption. The Patrician ruling class, worried that Caesar will make himself emperor and abolish the Republic, intend to strip him of his power. His scheming niece Atia (Polly Walker) is already undercutting her uncle by forcing her daughter Octavia (Kerry Condon) to marry Caesar's most influential nemesis, the aging Pompey (Kenneth Cranham). Playing one side against the other to keep Caesar at bay, Pompey proves so effective that Caesar must ask his friend Marc Antony (James Purefoy) to help him vanquish his foes, even if it means all-out civil war. Meanwhile, a pair of humble soldier, the virtuous family man Vorenus (Kevin McKidd) and the hedonistic Pullo (Ray Stevenson), simply try to stay out of everyone's way and survive--but instead find themselves at Ground Zero of virtually every major historical turning point during the series' turbulent eight-year timespan. Pullo in particular spends much of his time squeaking out of one death-trap after another, somehow managing to enrich or aggrandize himself without even trying. His main contribution during Season One consists of taking Atia's callow son Octavian (Max Pirkis) under his wing, teaching the boy the ways of warfare and women. Eventually Octavian will emerge as the greatest threat against the pro-Caesar forces of Antony after Caesar's assassination--and thus the redoubtable Pullo has once more unwittingly altered the course of history. Not only was Rome an international success during its first season on the air, but the series also garnered an Emmy award for its American run on HBO. ~ Hal Erickson, All Movie Guide

The Best of Great Minds of Medicine offers penetrating interviews with leading medical authorities which shed light on some of today's most diabolical health concerns. Boston television reporter Laurie Garrett interviews co-founder of the National Breast Cancer Coalition, Dr. Susan Love on the myths and realities regarding breast cancer. Formerly with the Center for Disease Control and head of the team that named the Ebola virus, Dr. Karl Johnson discusses the steps in preventing and controlling outbreaks. Dr. Kay Redfield Jamison, professor of psychiatry at John Hopkins University, provides a firsthand account of living with mental illness. America's leading expert on emergency medicine, Dr. Peter Rosen reveals exactly what takes place in the emergency room. Explaining measures to avoid America's number one killer -- heart disease -- is Dr. William Castelli, former director of the Framingham Heart Study and one of America's leading cardiologists. The personal accounts provided by these top experts offer especially insightful and pertinent looks at the contemporary health scene. ~ Sally Barber, All Movie Guide

A kickboxing cyborg security agent accidentally kills a corporate officer who was trying to rape a blonde employee in this sci-fi copy of Die Hard. The head of the corporation orders his security teams to kill both the cyborg and the employee to prevent word of the attempted rape from getting out. The cyborg and the victim must make their way out of the building with two teams of killer cyborgs after them. ~ Brian Gusse, All Movie Guide

This tired, pointless sequel (the sixth in the creatively bankrupt series) continues the premise explored in both Amityville: The Evil Escapes and later used in Amityville 1992: It's About Time, in which the demonic forces occupying the infamous haunted Long Island spook-house reside within various household items that subsequently haunt their unsuspecting new owners. This time the curse inhabits an antique mirror from the house -- passed on to a photographer (Ross Partridge) by one of his subjects -- whose reflection presages the violent death of nearly everyone who gazes into it. Inane plot twists abound, leading Partridge to discover his own connection to Amityville's dark heritage, while his pretentious friends die in messy and uninteresting ways. ~ Cavett Binion, All Movie Guide

Produced in the Autumn of the Golan-Globus collaboration, Avenging Force serves as a vehicle for American Ninja costar Michael Dudikoff. Cast as a retired secret service agent, Dudikoff runs up against a sinister right-wing political organization called the Pentangle. He comes to the aid of his best friend Steve James, a black political candidate who has become a target for the Pentangle's henchmen. Impressed by Dudikoff's martial arts skills, the Pentangle leaders try to convince him to join their cause-and to ensure his cooperation, they kidnap his little sister Alison Gereighty. Avenging Force concludes with a violent Enter the Dragon-style mano y mano squareoff between Dudikoff and the Pentangle flunkeys. The film's finale is "open" enough to allow for a sequel, which has yet to appear. ~ Hal Erickson, All Movie Guide

The "Bells" are an all-female singing group who once attended St. Mary's Orphanage with Face (Dirk Benedict; in fact, the lead singer is Face's sister. When the girls are threatened with violence by their former record label unless they sign a binding contract, the A-Team steps in to help out. Joseph Wiseman, the sinister "Dr. No" in the James Bond film of the same name, appears as the evil billionaire who is calling the shots at the record company; and in another development, can it be true that Murdock (Dwight Schultz) has chosen B.A. (Mr. T) as his personal hero??? This episode was originally scheduled to air on October 12, 1984. ~ Hal Erickson, All Movie Guide

Night of the Ghouls (which was also known as Revenge of the Dead) was Edward D. Wood Jr.'s first attempt at making a horror film without any contribution, either in a true performance or through the presence of archival footage, from Bela Lugosi, who had died three years earlier. The plot, which was as confusing as most of Wood's scripts, seems to make it a sequel to Bride of the Monster and, to a lesser degree, Plan 9 From Outer Space, incorporating events and characters from both, including Paul Marco's portrayal of the ubiquitous Officer Kelton. (Indeed, some Wood scholars have referred to the three movies as a group as "the Kelton trilogy," since he is the only character to turn up essentially the same in all three films.) Duke Moore, who portrayed the detective lieutenant in Plan 9 From Outer Space, is back in this film, and now he seems to be identified as a specialist in bizarre and unusual cases, making him sort of Ed Wood's distant precursor to The X Files' agent Fox Mulder and The Night Stalker's Carl Kolchak. This time there are strange goings-on, including disappearances and ghostly apparitions, at a mysterious house in a remote part of town. It turns out that this is the same house (rebuilt) and the same locale where Bela Lugosi's mad scientist was creating zombies in Bride of the Monster, and that Tor Johnson's Lobo is still there, somewhat the worse for wear. Instead of a mad scientist, however, the man behind the mayhem is a phony mystic named Dr. Acula, played by ex-cowboy actor Kenne Duncan. None of it makes too much sense, as though anyone needs to be told that, knowing that this was an Ed Wood movie, but parts of it are fun in that unique way that Wood's movies can be -- the strange word usages and dialogue patterns, as well as odd characterizations, mismatched shots, and incomprehensible plot elements all weave their eerie spell on the viewer willing to absorb them. ~ Bruce Eder, All Movie Guide

A top London cop who is so good at his job that he makes his fellow officers look like slackers by comparison is "promoted" to serve in the sleepy village of Sandford in this contemporary action comedy from the creators of Shaun of the Dead. Police constable Nicholas Angel (Simon Pegg) always gets his man, but these days his impeccable record seems to be more indicative of his fellow officers' shortcomings than his own formidable skills as a keeper of the peace. Loathe to stand idly by as their once respectable track record is steadily soiled by the hyper-competent actions of one lone overachiever, Sergeant Angel's superiors at the Met soon determine to remedy their problem by relocating the decorated constable to the West Country village of Sanford -- where tranquil garden parties and neighborhood watch meetings stand in stark contrast to the violent crime and heated gunplay of the city. As Sergeant Angel does his best to adjust to the relative calm of his new environment, his oafish new partner Danny Butterman (Nick Frost) strives to gain the respect of his fellow constables while sustaining himself on fantasies of his favorite action films and police shows. Later, just as it begins to appear as if Sergeant Angel has been relegated to an uneventful existence in the relative calm of the countryside, a series of horrific "accidents" lead him to suspect that the tranquil hamlet of Sanford has fallen prey to a sinister plot which reeks of foul play. Jim Broadbent, Timothy Dalton, Steve Coogan, and Martin Freeman co-star in the Edgar Wright film. ~ Jason Buchanan, All Movie Guide

Set in Great Britain in the late 1980s -- in the midst of Margaret Thatcher's controversial tenure as Prime Minister -- this drama examines the strange relationship between two siblings. Richard (Clive Owen) has given up a well-paying job in the private sector to take a position with a government agency that oversees real estate development. While Richard has always been emotionally secure and well-adjusted, his sister Natalie (Saskia Reeves) is nervous and unsure of how to deal with her life, even after marrying Sinclair (Alan Rickman), a successful financial analyst who can afford a posh home on the River Thames. Natalie and Richard don't see each other often, and their relationship has long had an odd cast to it, as Natalie often seems to flirt with her brother. One day, Richard meets Natalie and Sinclair over lunch, and Richard finds himself strongly attracted to his sister. In time, a mutual interest evolves into a full-blown incestuous affair. Natalie realizes that this sort of relationship can't go on and tries to break it off with Richard, but he becomes irrational, attempting suicide and threatening violence. While dealing openly with the sexual nature of its story, Close My Eyes also uses incest as a metaphor for moral and political irresponsibility. ~ Mark Deming, All Movie Guide

William Katt plays Steve Shephard, a Vietnam Green Beret who has continued to fight on alone for 15years after the withdrawal of American forces. He's a renegade, seeking to avenge his fallen comrades and wearing spooky, white Kabuki-style makeup (hence the title) as he wages his one man war in a Vietnamese-Cambodian border area. As the film opens, the Pentagon receives a coded signal from Shephard that he's ready to come home. Ex-Green Beret Captain Walker (Wayne Crawford is dispatched with a team of vigilantes to find and return Shephard. The complication is that Walker and Shephard had clashed bitterly years earlier while in the same unit. White Ghost was filmed in Zimbabwe, doubling for the Southeast Asian locations. The film was planned for theatrical release by its original producers, but a merger with another company resulted in a direct-to-video release. ~ Clarke Fountain, All Movie Guide

A man struggling to escape the political unrest of Northern Ireland finds that his violent past still follows him in this drama. Martin Fallon (Mickey Rourke) is a terrorist with the Irish Republican Army who, while attempting to blow up a British military transport, accidentally bombs a bus full of schoolchildren. The incident haunts Fallon, who decides to quit the IRA and escape to London. Fallon wants to relocate to America, but he lacks a passport, and his criminal past would prevent him from getting one. Jack Meehan (Alan Bates), a British gangster who knows about Fallon's past, offers him a deal -- he can get Fallon the papers and the cash to go to America, but in return he must kill a man. A priest, Father De Costa (Bob Hoskins), witnesses Fallon committing the murder, and Fallon wants to find a way to keep De Costa quiet without putting more blood on his hands. The original director of A Prayer for the Dying, Franc Roddam, left the production midway through shooting due to disputes with the producers, and star Mickey Rourke later attempted to disassociate himself from the film. ~ Mark Deming, All Movie Guide