John Dennis Johnston Movies

Surly conservationist Rutger Hauer makes it his life's mission to protect the eggs of the endangered bald eagle. Collector Donald Pleasence wants to appropriate a few of these eggs without invoke Hauer's terrible wrath. Pleasence hires mountain climber Powers Boothe to pose as a magazine photographer, the better to win Hauer's confidence and expedite the egg-poaching. But Boothe is soon converted to Hauer's cause, and with the help of storekeeper Kathleen Turner the two men thwart Pleasence's anti-eco deviltry. While the acting and plotline of A Breed Apart are unremarkable at best, the film is redeemed by the breathtaking location photography of Geoffrey Stephenson. ~ Hal Erickson, All Movie Guide

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide

For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, All Movie Guide

This debut episode of Charlie's Angels takes place at a racetrack catering to female speed demons, where driver Suzy Lennon has died in a crash. Suspected of negligence, Suzy's mechanic Jerry (John Dennis Johnston) turns to the Angels -- Jill (Farrah Fawcett-Majors), Sabrina (Kate Jackson) and Kelly (Jaclyn Smith) -- to prove his innocence and finger a murderer. Although Sabrina goes undercover as a racer, it is Jill who ends up being taken for a ride when her cover is blown. ~ Hal Erickson, All Movie Guide

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, All Movie Guide

In this pilot for a TV series that was not to be, a young rebel becomes town hero when he unintentionally thwarts a raid on the local bank, and on the strength of this, he is offered the job of sheriff, which of course only leads him into more trouble. ~ Mark Hockley, All Movie Guide

Modern-day Texas Ranger Jack Benteen (Nick Nolte) was once the best friend of local drug kingpin Cash Bailey (Powers Boothe). At present, however, the only element linking them together is Jack's lover Sarita (Maria Conchita Alonso), Cash's former mistress. When Sarita tires of Jack's Spartan lifestyle, she returns to Cash as a voluntary hostage to make certain that Jack keeps his hands off Cash's operation. The film comes to a head during a meticulously planned drug bust, in which both Jack and Cash butt heads with CIA-funded paramilitary Maj. Paul Hackett (Michael Ironside, who isn't all he seems to be). ~ Hal Erickson, All Movie Guide

Tessa (Alexandra Van Der Noot) is kidnapped by three survivalists and bundled off to a remote cabin somewhere in the Pacific Northwest. As Duncan (Adrian Paul) desperately searches for his lost lady love, one of the mountain men, Caleb (Marc Singer), begins to fall in love with his captive. As it turns out, Caleb, like Duncan, is an Immortal; this sparks a climactic duel to the death with axe and sword. ~ Hal Erickson, All Movie Guide

After being released from an institution, a manic-depressive attempts to get custody of her 5 children and struggles with the opposition of her oldest daughter and the foster parents. ~ All Movie Guide

Robert Louis Stevenson's novel is satirized in this comedy about a scientist (Mark Blankfield) who is hopelessly addicted to his latest invention, a strange white powder. ~ Jason Ankeny, All Movie Guide

In the first episode of a two-part story, James (Jason Bateman) heads to the Sleepy Eye bank to make a deposit. The bank is robbed and James is shot, leaving him comatose. Seething with grief and rage, James' adoptive father, Charles (Michael Landon), persuades his friend Mr. Edwards (Victor French) to help him track down the outlaws. As they set out on their mission, Charles and Edwards order Albert ( Matthew Laborteaux) to stay behind -- an order he disobeys. ~ Hal Erickson, All Movie Guide

Series regular John Hillerman essays the first of several dual roles, appearing in both his familiar guise as the stuffy, erudite Jonathan Higgins and as Higgins' illegitimate half-brother, a rowdy Texan named Elmo Ziller. Reported killed several years earlier, Elmo has suddenly resurfaced, and his daughter Lexi (Robin Dearden) asks Magnum to protect him from a murder plot--which, according to Elmo, has been hatched by his ex-wife Marcella (Barbara Rhoades). Though unable to shake the belief that Higgins and Elmo are one and the same and that he is the butt of a practical joke, Magnum agrees t shield the Texan from harm--a job that eventually obliges our hero and his buddies to dress up as rodeo clowns! Gillian Dobb, later to join the cast as Agatha Chumley, appears as a hotel desk clerk. ~ Hal Erickson, All Movie Guide