Georgann Johnson Movies

"How Far Would You Go to Save Your Sister's Life?" This was the question posed by the original ad copy for the made-for-TV drama A Case for Life--and the answer would seem to be "to the highest courts of the land", or at least that's how far Los Angeles lawyer Liz Hammett (Mel Harris) is prepared to go. A staunch pro-choice advocate, Liz discovers that her sister Kelly Porter (Valerie Bertinelli) is pregnant--a potential fatal situation, inasmuch as Kelly suffers from a rare medical condition requiring a delicate surgical procedure that will put both herself and her unborn child in jeopardy should she allow the baby to go to term. As dedicated to the pro-life movement as Liz is to the "other side", Kelly is determined to have her baby, and hang the consequences. It soon develops that Kelly is one against many, when even her doctor, her husband and her otherwise pro-life parents recommend an abortion. But Kelly sticks to her guns--and so does Liz, who initiates a lawsuit to force Kelly to abort immediately. Ultimately, the battle between the siblings becomes a national cause celebre, with virtually everyone in the country taking sides. A Cause for Life made its ABC network debut on February 18, 1996. ~ Hal Erickson, All Movie Guide

Corey Allen, who'd played James Dean's ill-fated "chickie run" opponent in the 1955 feature Rebel without a Cause (and who later became a prolific TV director), is the guest star in this episode. Allen plays Gil Dalliford, who deeply resents the fact that his widowed father Jonathan (Douglas Kennedy) has married the much-younger Rosina (Georgann Johnson). When Jonathan dies, Gil accuses Rosina of poisoning him. But the guilt lies elsewhere -- not only outwardly, but within the conscience of the actual culprit. ~ Hal Erickson, All Movie Guide

Traveling salesman Charles Hendricks (John Baragrey) has a wife named Marcia (Louise Platt) and a mistress named Beryl (Georgann Johnson). When Marcia finds out about Beryl, she tries to kill her rival by using poisoned sugar. But when it appears as though Charles has ingested the sugar himself, a desperate Marcia decides to tell Beryl everything -- little realizing that someone else is listening in on her conversation (or, at least, part of her conversation). ~ Hal Erickson, All Movie Guide

When speaking of Laurel and Hardy's first feature film Pardon Us, Stan Laurel described it as "a three-story building on a one-story base"-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards's Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That's right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she's blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he's also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little...but there has to be a limit somewhere. ~ Hal Erickson, All Movie Guide

Do You Know the Muffin Man? was the first of a brace of TV movies about day-care abuse (see also Unspeakable Acts). Pam Dawber and John Shea play the parents of a preschool child who comes home one day with horrible stories about the staff of his day care center. The owners of the center are two highly respected social pillars, who automatically deny all charges and accuse the parents of fabricating the whole thing. Despite the looming spectres of public ridicule and financial ruin, Dawber and Shea hire lawyers and pursue the case. Once the story switches to the courtroom, the emphasis shifts from the adult litigants to the prosecution's difficulties in coaxing the children to testify without inducing further damage. Do You Know the Muffin Man? is handled with care and discretion, though dramatically it covers more legal and emotional ground than its two-hour length can hold. ~ Hal Erickson, All Movie Guide

The made-for-TV Fatal Memories is based on a true story. Shelley Long stars as a California woman whose repressed memories suddenly burst forth. She promptly accuses her father of murder that occurred 20 years earlier. Then she experiences flashes of recollection suggesting that her father was also a party to her preteen rape. Many questions are raised but few are resolved during the climactic courtroom sequence. The theory of Repressed Memory Syndrome is in such disrepute nowadays that it's likely a rebroadcast of Fatal Memories will be even more controversial than its original telecast on November 9, 1992. The film has been syndicated as The Eileen Franklin Story. ~ Hal Erickson, All Movie Guide

In this children's movies, a young brother and sister escape from the boredom of their suburban neighborhood and high-tail it to the Metropolitan Museum of Art in New York City. There they wind up hiding within the maze of hallways until the girl finds a beautiful white statue. She is captivated by it and becomes obsessed with trying to discover if it is really a Michaelangelo. This leads her and her brother to the mansion of a 70-year old recluse with whom the girl becomes friends. They begin sharing their secrets and talking about art. ~ Sandra Brennan, All Movie Guide

In this made-for-TV movie, Meredith Baxter plays Kate, a homemaker who suffers from the eating disorder bulimia. On the surface, slim, attractive Kate's life seems perfect. Her husband, Jack (Ben Masters), is a successful lawyer, while her daughter, Becky, a Junior Girl Scout, adores her. But between strenuous workouts and gossip sessions with Gail (Shari Belafonte), her best friend and personal trainer, Kate binges on junk food and then purges by vomiting. Any stressful situation can set off these bulimic episodes, and Kate has three separate sources of aggravation to deal with: Jack is about to make partner in his firm; Monica (Leslie Bevis), another lawyer, is making a play for Jack; and Kate's controlling mother (Georgann Johnson) has just arrived for an extended visit. Soon, Kate's vomiting spirals out of control as she binges everywhere from a grocery-store dairy aisle to her own suburban kitchen. One afternoon, weak from lack of food and too much exercise, Kate crashes her car, almost killing herself and Becky. Soon an eating-disorder specialist, Dr. Resnick (Edward Asner), reveals Kate's secret to her husband and mother, and Kate must enter a clinic to face her demons in the company of the other bulimics and anorexics. Her roommate, Patch (Tracy Nelson), a gorgeous young model, teaches Kate the therapeutic ropes, but the road to healing isn't as smooth as either woman would like. Kate's Secret premiered on November 17, 1986. In addition to Family and Family Ties star Baxter and Mary Tyler Moore Show vet Asner, Kate's Secret featured fellow sitcom survivor Mackenzie Phillips, of One Day at a Time fame, as another clinic patient. ~ Brian J. Dillard, All Movie Guide

Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide

Kate Maxwell (Georgann Johnson) turns down a marriage proposal from Fred Somers (Donald Murphy), convinced that her husband, a Marine pilot who has been MIA for two years, is still alive. Shortly afterward, Kate is walking alone in the park when she is attacked by a mugger. Screaming for help, she is rescued by a stranger who turns out to be...but wait, it simply can't be HIM, can it? Series host John Newland appears at the end to wrap things up--but not to provide an easy explanation. ~ Hal Erickson, All Movie Guide

The wife of Quincy's boss Dr. Astin (John S. Ragin) enters the same hospital where veteran nurse Lynn Buchanan (Georgann Johnson) is employed. Having resumed medication on a patient without a doctor's approval (which she was unable to secure due to lack of time and back-up staff), Lynn has been placed on suspension--whereupon all the other nurses go on strike. Though he might be more concerned with the fate of his wife Louise (Cynthia Harris) than in defusing the actual crisis at hand, Astin begs Quincy (Jack Klugman) to determine whether or not Nurse Buchanan acted properly. ~ Hal Erickson, All Movie Guide

Director Alan Parker and writer Bo Goldman chronicle the emotional disintegration of an unhappy marriage. Albert Finney and Diane Keaton play George and Faith Dunlap, a seemingly happily married couple living with their four daughters in a converted farmhouse in Marin County, California. George is inwardly empty and decides to have an affair with Sandy (Karen Allen), who has doubts about how long their affair will last. Faith is also suffering from ennui and takes up with Frank Henderson (Peter Weller), the contractor for the Dunlap's tennis court. Frank, after discovering about Faith's affair, is in a confused state: he wants to leave and live with Sandy but doesn't want his wife to date other men and demands the love of his daughters -- all of whom now detest him. ~ Paul Brenner, All Movie Guide

Three giants of early television--Milton Berle, Sid Caesar and Danny Thomas--combine their talents in the made-for-TV Side by Side. Berle and Caesar play a couple of 65-year-olds who've just been forcibly retired; Thomas portrays a widower, who's been aimless and lethargic since the death of his wife. The trio gains a new lease on life when they team up to manufacture a line of clothing exclusively designed for senior citizens. Their zeal intensifies when Berle's old boss Richard Klein spitefully develops a rival wardrobe line. Marjorie Lord, who'd played Danny Thomas' wife on TV in the late 1950s and early 1960s, is here cast as Sid Caesar's spouse. Side By Side first aired on March 6, 1988. ~ Hal Erickson, All Movie Guide