Don Johnson Movies
Film and television actor Don Johnson first studied his trade at the University of Kansas and the American Conservatory Theatre. A professional actor by his late teens, Johnson's earliest stage and screen assignments frequently found him cast as a fallen innocent.
Johnson first gained national press coverage as the 20-year-old star of the counterculture comedy The Magic Garden of Stanley Sweetheart (1970). His next significant credit was the 1975 cult favorite A Boy and His Dog, based on a trenchant Harlan Ellison yarn. Personal and professional entanglements kept him alternately on and offscreen until 1984, when he staged a comeback as Sonny Crockett, a rough-shod yet impossibly hip, sailboat-dwelling Miami-area vice squad detective assigned to work opposite Detective Ricardo Tubbs (Philip Michael Thomas), in Michael Mann's seminal small-screen cop drama Miami Vice (1984-89). To call the program (and Johnson's role in it) "trend-setting" would be a massive understatement; the character of Crockett, with his pastel sports jackets worn atop scoop-neck t-shirts, dark sunglasses, pants without socks, and a two or three-day growth of unshaven beard, rewrote the rules of men's haute-couture for almost a decade and posited Johnson as one of American culture's top male sex symbols for a lengthy duration as well (for a time, it became seemingly impossible to look at the cover of GQ or Esquire without spotting the actor). As the series rolled on, it witnessed Crockett's character undergoing many life changes, including the violent deaths of numerous colleagues on the force and a strange, strange plot point in which he accidentally began to confuse his own identity with that of his drug-pushing alter ego in the Miami crime world.
During this second flush of fame, Johnson also distinguished himself as a dependable TV-movie leading man (notably as Ben Quick in the 1985 remake of The Long Hot Summer) and a champion powerboat racer. He also played a series of interesting leading roles in films of extremely variable quality, including Dennis Hopper's post-noir thriller The Hot Spot (1990), Mary Agnes Donoghue's romantic drama Paradise (1991) (opposite longtime partner Melanie Griffith) and Kevin Costner's hard-living buddy in Ron Shelton's gentle sports-themed romantic comedy Tin Cup (1996). During the 1995-96 season, Johnson enjoyed another career renaissance that distinctly mirrored his Vice success, as star of the TV weekly Nash Bridges. On that program, Johnson played the title character, a tough-as-nails San Francisco cop working the beat as an inspector with the municipal police department's Special Investigators Unit. Episodes found him artnered up, from assignment to assignment, with the wiseacre Hispanic detective Joe Dominguez (Cheech Marin). With relentless devotion to the demands of the force and an ere-present jocularity, Bridges worked his way through a series of seemingly impossible criminal investigations over the course of five seasons. He also attempted to balance life on the squad with a difficult personal life that included a strained relationship with his ex (Annette O'Toole) and the provision of much-needed paternal guidance for his teenage daughter (Jodi O'Keefe).
No matter where he has stood careerwise, Johnson has always proven good copy for the gossip columns and tabloids thanks to his on-again off-again marriage to actress Melanie Griffith, whom he wed and divorced twice over the course of twenty years; the two ended their union for the second time in 1996. ~ Hal Erickson, All Movie Guide
- 1970
- R
Don Johnson makes his acting debut in this way-out take on college life from 1970. He plays a college student searching for himself and his niche. Along the way he has lots of sex, takes drugs, and even appears in an underground film ("Headless"). It's all pretty dated, but still kind of fun. The soundtrack features such performers as Richie Havens, Eric Burdon, War, the BeeGees, and others. ~ Sandra Brennan, All Movie Guide
- Starring:
- Don Johnson, Linda Gillin, (more)
This western is permeated with the culture of the early '70s; it features contributions by writers for the Firesign Theatre, a counter-culture comedy troupe of the period, as well as music from groups such as The James Gang, Doug Kershaw, White Lightening and others--a rock/folk/country fusion. With highly stylized sets, music and story, this movie is full of surprises. Don Johnson as Matthew and John Rubinstein as Zachariah are two friends who go on the run. Together and separately they explore life as outlaws, at first enjoying and later being repelled by the reckless violence involved in gunfighting, bank robbing, and the other kinds of mayhem which come from the outlaw life. Along the way, they meet up with guides and gangs of various kinds, from a troupe of traveling, bank-robbing musicians (Country Joe and the Fish), to the greatest gunfighter in the world. Their paths diverge until Matthew comes gunning for Zachariah in a dramatic final confrontation. ~ Clarke Fountain, All Movie Guide
In The Harrad Experiment, young men and women attend Harrad College for what is essentially a one-year "control group" trial in pre-marital sex, to be overseen by Prof. Philip Tenhausen (James Whitmore) and his wife, Margaret (Tippi Hedren). Although initially paired off for the first month, they will be free to change partners once a month if they so desire. The film focuses on two couples, the somewhat shy Sheila (Laurie Walters), who is paired with the rich and swaggering Stanley (Don Johnson), and alluring Beth (Victoria Thompson), whose roomie is the awkward Harry (Bruno Kirby). The two couples don't get off to a good start, as Stanley is disappointed in his partner and Harry intimidated by his. There's a great deal of tension as the partners consider whether they have been paired off appropriately, and the jealousy and discomfort they feel comes to the surface in an improvisational exercise overseen by Philip. Whether this is all a result of mismatched pairs or more a result of Stanley's inability to "feel" is the subject of some debate, and leads to a number of confrontations and scenes (not to mention nude yoga classes and discussions of group marriage). Stanley also attempts to interest Margaret in having sex with him, but when she suggests that they do so freely and openly on the lawn, he can't go through with it. Stanley decides he wants to leave Harrad, but at the last minute changes his mind and joins Sheila, Beth and Harry for a group hug. Based upon Robert Rimmer's best-seller, Harrad was followed by a sequel, The Harrad Summer. ~ Craig Butler, All Movie Guide
Based on the novella by Harlan Ellison, A Boy and His Dog is set in a post-apocalyptic future where canned goods are used as currency and where entertainment often consists of old porn reels. Vic (Don Johnson) is a violent, illiterate scavenger, principally interested in getting laid. He communicates telepathically with his deceptively cute-looking dog Blood (voiced by Tim McIntire); Vic finds food for Blood, while Blood sniffs out girls for Vic. One of these girls is the sexy Quilla June (Susanne Benton), who, unbeknownst to Vic is a spy for an underground society, headed by a Mr. Craddock (Jason Robards Jr.). This subterranean civilization needs a human "sperm bank" to stay alive, and the oversexed Vic fills the bill. Produced by character actor Alvy Moore (Mr. Kimball of TV's Green Acres), A Boy and His Dog was written and directed by another veteran actor, L.Q. Jones. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Johnson, Susanne Benton, (more)
- 1975
- PG
When they're just out for fun, the fun turns foul for two wild guys who head down Georgia way where they run into trouble with the law, Georgia style. This is the first film effort for actor Nick Nolte. ~ All Movie Guide
- Starring:
- Nick Nolte, Don Johnson, (more)
- 1976
Detective Mike Stone (Karl Malden) is none too thrilled when his daughter Jeannie (Darlene Carr) falls in love with charismatic but recklessly irresponsible motorcycle cop Larry Wilson (played by superstar-in-the-making Don Johnson). This plot device ultimately links up with a second storyline, involving a gang of criminals who use motorcycles to make their getaways. Future Little House on the Prairie regular Alonzo Dean Butler plays a minor role in this episode, which was originally scheduled to air on October 14, 1976. ~ Hal Erickson, All Movie Guide
- 1976
Charles Martin Smith and Don Johnson highlight the cast of this TV movie about a prostitute-stalking serial killer plaguing the Old West. Johnson and Smith play tough lawmen who set out to capture the murderer. ~ Michael Hastings, All Movie Guide
- 1977
Cover Girls isn't really a Charlie's Angels rip-off. Honest! Look: there are three girls in Charlie's Angels and only two girls (Jayne Kennedy and Cornelia Sharpe) in Cover Girls. Besides, the Angels are private eyes, working on behalf of boss John Forsythe; the Cover Girls are fashion models, doubling as secret agents on behalf of boss Don Galloway. Just because Cover Girls premiered on May 18, 1977, six months into Charlie's Angels' fabulous first season, doesn't mean that there was any conscious copycatting. Does it? ~ Hal Erickson, All Movie Guide
- Starring:
- Jayne Kennedy, Cornelia Sharpe, (more)
- 1978
This 1978 TV movie was the first of two pilots for a cop series titled--yes--Two-Five The title refers to a woebegone Big City precinct where all the malcontents and misfits on the force are transferred. The latest arrivals at Two-Five are undercover cops Don Johnson ("introduced" in the ad copy as a "bright new comedy star") and Joe Bennett, who have recently capped their many mistakes by arresting the mayor's mother during a gambling raid. The boys try to toe the line, but those pesky criminals just won't go away, most notably a drug kingpin whom Johnson and Bennett have been trying to nail for years. The Two-Five was followed in 1979 by another 90-minute pilot with the same title and the same cast, but with a different director (Jules Irving). ~ Hal Erickson, All Movie Guide
- 1978
NBC correspondent Betty Rollin's book about her own mastectomy, First You Cry, was adapted for television by Carmen Culver. Mary Tyler Moore plays Ms. Rollins, who discovers after her breast surgery that her "loving" husband (Anthony Perkins) is a cad who can't withstand the pressure of living with a woman in dire need of emotional support. Thankfully, Ms. Rollins is able to begin a new life with the tender, compassionate man (Richard Crenna) who's loved her all along. Unfortunately, the rest of the film is just as simplistic as its romantic angle. Despite Mary Tyler Moore's consummate performance, First You Cry (originally telecast November 8, 1978) is better read than seen. ~ Hal Erickson, All Movie Guide
- 1978
The most surprising aspect of the made-for-TV Ski Lift to Death is that it wasn't produced by Irwin Allen. Two ski-lift gondolas derail, hanging perilously close to destruction. Among the passengers are a former gangster and the hit man assigned to kill him. Also on board are a pair of champion skiiers who've been linked in a publicity-generated romance. Real-life ski champ Suzy Chaffee plays Maureen; the rest of the cast includes such TV stalwarts as Deborah Raffin, Howard Duff, Don Galloway, Don Johnson, Veronica Hamel and Clu Gulager. Ski Lift to Death was originally telecast March 3, 1978. ~ Hal Erickson, All Movie Guide
- 1978
Kim Basinger was best known as a model when she starred in the made-for-TV Katie: Portrait of a Centerfold. She plays a green-as-grass Texas teenager who wins a beauty contest. Armed with nothing more than delusions, Basinger heads to Hollywood to become a star. As given away by the film's title, Ms. Basinger ends up as posing au naturel. While it received surprisingly good review in 1978, Katie: Portrait of a Centerfold is no more artistically advanced than those Kroger Babb VD exploitation movies of the 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Kim Basinger
- 1979
Director Joel Schumacher makes like Robert Altman in the made-for-TV Amateur Night at the Dixie Bar and Grill. In the tradition of Altman's Nashville, Schumacher's film is a rambling, anecdotal study of an amateur talent show in a tawdry Southern saloon. The link between the two films is strengthened by the presence in Amateur Night of Henry Gibson, who'd played a Porter Wagoner type in Nashville. Among the contestants is country-western singer Tanya Tucker, who also contributed some of the background themes for the film's musical score. Amateur Night at the Dixie Bar and Grill was produced by Motown Industries' motion picture division. Sidebar: To improve ratings, the ad copy for this film was headlined "Disco Killer on the Loose!"--then, in smaller type, the copy explained that "killing" was merely a slang term for winning over the audience! ~ Hal Erickson, All Movie Guide
- 1979
The Rebels was the second "Operation Prime Time" miniseries to be based on author John Jakes' Kent Family Chronicles (the first was The Bastard). The saga of Philip Kent (Andrew Stevens), illegitimate son of a British blueblood, picks up with Kent fighting in the Continental Army during the Revolutionary War. Part One of this two-part endeavor busies itself with setting up characters, places and events; Part Two finds Kent and his pal Judson Fletcher (Don Johnson) teaming up to prevent the assassination of General George Washington (Peter Graves). The enormous all-star cast includes Richard Basehart, Doug McClure, Joan Blondell, Tom Bosley, Macdonald Carey, Robert Vaughan, William Daniels and Nehemiah Persoff; William Conrad does off-screen duty as narrator. The Rebels was syndicated to local TV stations beginning the week of May 14, 1979. ~ Hal Erickson, All Movie Guide
- 1980
According to the NBC publicity packet, the made-for-TV Revenge of the Stepford Wives was "based on characters created by Ira Levin" -- specifically, those characters created by Levin for his fantasy-suspense novel The Stepford Wives, which was transformed into a theatrical film in 1975. On this occasion, plucky TV journalist Kay Foster (Sharon Gless) is stranded in the "idyllic" New England community of Stepford, populated exclusively by chauvinistic males and their eerily submissive and subservient wives. With the help of Megan Brady (Julie Kavner), a new arrival to the community who hasn't yet been "conditioned," Kay tries to learn the terrible secret behind the robotic Stepford wives -- and to foment a rebellion against the wicked menfolk. Revenge of the Stepford Wives first aired on October 12, 1980. ~ Hal Erickson, All Movie Guide
- 1980
When Sgt. Warden, on Honolulu, hears of high numbers of casualties he attempts to join his men. ~ All Movie Guide
- 1980
While Hawaii is under military alert due to the bombing of a ship, a man's mysterious death is investigated by his brother. ~ All Movie Guide
- 1980
Sgt. Warden, while having an affair with a major's wife, begins a personal vendetta against the major. ~ All Movie Guide
- 1980
When Sgt. Warden is transferred to a combat unit, he turns down his officer's commission, putting himself in danger. ~ All Movie Guide
Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, All Movie Guide
- Starring:
- Lesley Ann Warren, Michael Sarrazin, (more)
- 1981
TV movies dealing with Elvis Presley are always good for a few vital extra rating points, and Elvis and the Beauty Queen was no exception to this rule. The King, here played by Don Johnson, is first seen here at the age of 37. Elvis falls in love with 21-year-old Miss Universe contestant Linda Thompson (Stephanie Zimbalist), and the two stay together for five years, remaining as close as it's possible to be a world populated of managers, gophers and sycophants. Linda tries to wean Presley off drugs, but you and I and everyone in the universe knows how that turned out. There's nothing here that hasn't already been trampled to death by the tabloids, but diehard Elvis fanatics will be satisfied. Three surprises: Elvis and the Beauty Queen was not telecast on Elvis' birthday; it wasn't telecast on the anniversary of his death; and it premiered in March of 1981, several weeks after the February "sweeps". ~ Hal Erickson, All Movie Guide
- 1981
In this drama, an ex-hooker reluctantly accepts an undercover assignment for the cops and returns to her old stomping grounds. ~ Sandra Brennan, All Movie Guide
- 1982
- PG
An Arkansas woman (Glynnis O'Connor) decides to journey to California to rescue her son from her ex-husband (Don Johnson). While there, she meets a down-and-out rock star (Burton Cummings, from the Guess Who), and the couple's relationship inspires the confidence both of them need. ~ John Bush, All Movie Guide
- Starring:
- Glynnis O'Connor, Burton Cummings, (more)
