Celia Johnson Movies
Though she made comparatively few screen appearances, Celia Johnson was, during the war years, one of England's favorite film actresses. An alumnus of the Royal Academy of Dramatic Art, Johnson made her first professional stage appearance in 1928. She would not appear in a film until 1942's In Which We Serve, and then only by special request of director Noel Coward; as the steadfast spouse of a British naval officer (Coward), the actress was the apotheosis of all gallant British war wives. In 1945, she co-starred with Trevor Howard in another Noel Coward effort, Brief Encounter, arguably the best of the tear-stained British romance films of the 1940s (with requisite classical-music score). After a handful of subsequent films, Johnson returned full time to the stage, returning to movies in The Prime of Miss Jean Brodie, for which she received a British Film Academy award. Knighted in 1981, the actress was billed as Dame Celia Johnson for her last appearance in the British TV drama Staying On, where she was reunited with Trevor Howard. Celia Johnson was the widow of actor Peter Fleming. ~ Hal Erickson, All Movie Guide
Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide
- Starring:
- Noël Coward, John Mills, (more)
- 1943
Released in the US as The Randolph Family, Dear Octopus was based on the internationally popular play by Dodie Smith. The story is motivated by the Golden Wedding anniversary of Charles and Dora Randolph (Frederick Leister, Helen Haye). As the relatives gather, each reveals his or her personal quirks and shortcomings. Caught in the middle is family secretary Penny Fenton (Margaret Lockwood), who has the unenviable task of sorting and smoothing out the family's many deep-set hostilities and jealousies so that a good time will be had by all. The basic premise of Dear Octopus is established early on; the rest of the film is variations on a single theme, albeit consistently amusing ones. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Lockwood, Michael Wilding, Sr., (more)
With This Happy Breed, playwright Noel Coward hoped to glorify the British working class in the same manner that he'd celebrated the "higher orders" in Cavalcade. The film begins just after World War I. Middle-class Londoner Robert Newton hopes to improve his family's lot by moving them into a comparatively posh house in the suburbs. The house is large enough for each family member to claim a corner or room as his or her own, allowing Coward to spotlight the characters' highly individual strengths, shortcomings and emotions. Twenty years go by, filled with the sorts of triumphs and tragedies with which British audiences of the 1940s could readily identify. Finally, left alone after their children and relatives have moved on, Newton and his wife (Celia Johnson) leave the house behind for a smaller, more practical apartment. This was the second of four collaborations between author Noel Coward and director David Lean. While Coward can't completely disguise his patronizing attitude towards "regular folks," Lean is successful in conveying the essential warmth, humanity and value of the film's characters. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Newton, Celia Johnson, (more)
Based on Noël Coward's play "Still Life," Brief Encounter is a romantic, bittersweet drama about two married people who meet by chance in a London railway station and carry on an intense love affair. Sentimental yet down-to-earth and set in pre-World War II England, the film follows British housewife Laura Jesson (Celia Johnson), who is on her way home, but catches a cinder in her eye. By chance, she meets Dr. Alec Harvey (Trevor Howard), who removes it for her. The two talk for a few minutes and strike immediate sparks, but they end up catching different trains. However, both return to the station once a week to meet and, as the film progresses, they grow closer, sharing stories, hopes, and fears about their lives, marriages, and children. One day, when Alec's train is late, both become frantic that they will miss each other. When they finally find each other, they realize that they are in love. But what should be a joyous realization is fraught with tragedy, since both care greatly for their families. Howard and Johnson give flawless performances as two practical, married people who find themselves in a situation in which they know they can never be happy. ~ Don Kaye, All Movie Guide
- Starring:
- Celia Johnson, Trevor Howard, (more)
- 1950
With his previous collaborator David Lean busy on other own projects, Noel Coward had to rely on director Terence Fisher to bring his The Astonished Heart to the screen. Fisher and his stars--Celia Johnson, Margaret Leighton, and Coward himself--vividly convey the playwright's brittle, sophisticated view of the world. Coward stars as Christian Faber, a psychiatrist who falls in love with the much-younger Leonora Vail (Leighton). This means that Faber must convince himself that his blissful 10-year marriage to wife Barbara (Johnson) is truly at an end. Once he's made this compromise with his conscience, Faber further deteriorates into petulant jealousy when Leonora begins roaming. The surprise ending is all the more surprising because the audience is pulling for Faber (despite his emotional immaturity) and is hoping that he'll pull himself out of his self-imposed mess. In addition to writing and starring in The Astonished Heart, Noel Coward also composed the musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Noël Coward, Celia Johnson, (more)
- 1952
Inspired by the recent success of The Blue Lamp, I Believe in You is a multiplotted British drama about parole officers. Several short character vignettes pass our way as the film studies the various methods employed by the officers in dealing with their charges. The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down. ~ Hal Erickson, All Movie Guide
- Starring:
- Cecil Parker, Celia Johnson, (more)
- 1953
In this bright British comedy, we meet Capt. Henry St. James (Alec Guinness) as he stands before a firing squad and then learn of the curious chain of events that brought him to his fate. Henry is a ship's captain ferrying a steamer between Gibraltar and North Africa on a regular basis, and he's taken the notion of "a girl in every port" to a whole new level; he has a wife on each side of the water. In Gibraltar, there's Maude (Celia Johnson), an even-tempered housewife who keeps the house tidy and has dinner ready when Henry likes it. In North Africa, mate number two is Nita (Yvonne DeCarlo), who is a sultry fun seeker who likes to hit the nightspots and dance 'till dawn. Between the two of them, Henry would seem to have the best of both worlds; Chief Officer Ricco (Charles Goldner) openly envies Henry's remarkable romantic situation. But things start to go sour when Maude suddenly decides she's a stick in the mud and wants to start living it up, while Nita becomes a homebody and begins learning to cook; Henry is none too happy about either development, and before long he finds he has no spouse on either shore. The Captain's Paradise was trimmed from 93 to 84 minutes for its initial United States release. ~ Mark Deming, All Movie Guide
- Starring:
- Alec Guinness, Yvonne De Carlo, (more)
- 1954
Faithfully adapted from a popular holiday play by Wynyard Browne, this moving British drama centers on a recently widowed, aging country vicar who hosts a family Christmas and learns a valuable lesson about keeping his own homefires alight before spending too much time tending the fires of others. Those coming for the holiday include his sister, his late wife's sister, and her cousin. The vicar's free-spirited youngest daughter and his son, a furloughed soldier, also show up. The preacher's eldest daughter lives with him and together they welcome their guests. The vicar is a good man and a caring fellow who spends considerable time caring for and counseling his parishioners, perhaps too much time, for he does not recognize the troubles of his own clan. His devoted oldest daughter quietly deals with a terrible dilemma. She is about to marry an engineer who has just found a long-term job overseas. She wants desperately to be with him, but will not leave her beloved father who seems to need her so much. Her little sister also has trouble. While in the city she fell in love with a soldier. He impregnated her, returned to the war, and was killed. Later the child died and she has become an alcoholic, something she eventually tells her brother and sister. Meanwhile the young people's aunts, learning of the situation, ask the youngest to return home to care for her father so the eldest can marry. Unfortunately, the young woman refuses and heads off to get drunk with her brother. When the vicar learns about his daughter's troubles, he and she have an emotional reconciliation. He then moves on to make peace with the rest of his family. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ralph Richardson, Celia Johnson, (more)
In this sentimental comedy, Carol Reed tries for a bit of neo-realist whimsy that takes place in the London slums of Petticoat Lane. The film centers upon Joe (Jonathan Ashmore), a six-year-old London East-ender who believes strongly in the magical power of unicorns. Joe and his lonely mother Joanna (Celia Johnson) live with wily, philosophical tailor Kandinsky (David Kossoff), who convinces Joe that if he could only come upon the legendary unicorn, he could grant all the wishes of his poor neighbors. Taking Kandinsky at his word, Joe searches the slums for a unicorn. Then one morning, he finds one. Only thing is, it is not a unicorn but a baby goat with a growth sticking out of his forehead. Nevertheless, Joe is convinced that the goat is a unicorn. He gives an elderly homeless man all of his savings for the kid and triumphantly takes it home. Hoping to use the kid to grant all his friends' wishes, he hopes to grant the wishes of Kandinsky, who wants a steam-pressing table, and Sonia (Diana Dors), an attractive blonde who wants to marry Sam (Joe Robinson), a handsome wrestler. And finally, he wishes for his father to return home to his lonely mother. ~ Paul Brenner, All Movie Guide
- Starring:
- Celia Johnson, Diana Dors, (more)
- 1957
1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, All Movie Guide
- Starring:
- Eric Portman, Celia Johnson, (more)
Based on the novel by Muriel Spark, The Prime of Miss Jean Brodie stars Maggie Smith in the title role. Smith won an Academy Award for her delicately textured portrayal of an eccentric teacher at an exclusive Scottish girl's school. Miss Jean exhorts her "gels" to follow their hearts and never lose their youthful idealism. Unfortunately for her, she also stumps for her favorite political figures: Mussolini and Franco. In addition, she can't keep the innermost details of her private life a secret, and in fact boasts about her sex life to her students. Her prize pupil (Pamela Franklin) becomes so much a clone of Miss Jean that she ends up a threat to the teacher. Ultimately, Miss Jean loses her position, but not the hearts of her students. The box-office success of Prime of Miss Jean Brodie was due in great part to the popularity of the title song, as recorded by Rod McKuen. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Smith, Robert Stephens, (more)
The 1979 TV movie Les Miserables was advertised as the 12th feature film to be based on the 1862 Victor Hugo novel (and that was a modest estimate). This time, Richard Jordan is the persecuted French ex-convict Jean Valjean, and Anthony Perkins is the relentless police officer Javert, who dogs Valjean's trail for forty years. Screenwriter John Gay does a nice compression job on Hugo's mammoth novel, including most of the familiar episodes ("The Bishop's Candlesticks" etc.) and reintroducing several vignettes that had been ignored by earlier adaptations. Norman Rosemont produced Les Miserables on a lavish scale in both England and France, populating the cast with several of Europe and America's best actors (including veteran Claude Dauphin, in his last screen appearance). Les Miserables debuted as a three-hour "IBM Special" on December 27, 1978. ~ Hal Erickson, All Movie Guide
- 1979
This 3-hour TV adaptation of Shakespeare's Romeo and Juliet features Patrick Ryecart and Rebecca Saire in the title roles. Though these names may not be familiar to the casual viewer, the same cannot be said of the supporting cast. Celia Johnson appears as the Nurse, Michael Hordern is Lord Capulet, Laurence Naismith is Prince Escalus, and Alec Guinness is the Chorus. Also appearing are stars-to-be Anthony Andrews as Mercutio (his "Queen Mab" speech is a singular highlight) and Alan Rickman as Tybalt. Originally presented as part of PBS' "Shakespeare Plays" series, Romeo and Juliet was first aired March 14, 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Rebecca Saire
Trevor Howard and Celia Johnson, the stars of the classic British romantic drama Brief Encounter (1946), were reunited in the 1980 TV special Staying On. Adapted from the novel by Paul Scott, this 90-minute drama casts Howard and Johnson as an elderly British couple, spending their declining years in a faraway Himalayan resort. Though Colonial India is a thing of the past, the couple clings to their fading memories of the Raj's glory days. The film was lensed on location in Simia, a popular vacationing spot for British and Indian aristocracy. Staying On was first telecast in the US on May 11, 1981, as part of PBS' Great Performances series. ~ Hal Erickson, All Movie Guide
- 1980
Suspense novelist Alistair MacLean wrote Hostage Tower directly for television. A master criminal takes over the Eiffel Tower, holding the mother of the President of the United States hostage. The criminal demands a $30 million ransom or the tower will be blasted into oblivion. The cast is quite stellar for a TV-movie, including Peter Fonda, Douglas Fairbanks Jr. (then in virtual retirement), Celia Johnson and Maude Adams (as one of the villains). Curiously, the director of Hostage Tower is sitcom veteran Claudio Guzman, best known for his long association with I Dream of Jeannie! ~ Hal Erickson, All Movie Guide
