Ina Balin Movies

The treacherous Baltar (John Colicos) joins forces with several captured villains from earlier episodes -- the three Borellian Nomens, the Eastern Alliance Enforcers -- to plot an escape from the Colonials' prison. Holding Adama (Lorne Greene) and the Council of Twelve hostage, Baltar demands that he and his new cronies be immediately released. To rescue their comrades, Apollo (Richard Hatch) and Starbuck (Dirk Benedict) disguise themselves as Cylon robots. "Baltar's Escape" was later combined with the Battlestar Galactica episode "The Man With Nine Lives" and reissued as the two-hour "TV movie" Space Prison. ~ Hal Erickson, All Movie Guide

Call to Danger was a title that had already been applied to two unsold pilot films before this TV movie made its first appearance in February of 1973. Like the previous 1968 Call to Danger, the 1973 film stars Peter Graves as a federal agent who enlists "ordinary" people to solve crimes. Headquartered in Washington DC (where most of this film was shot), Graves selects his erstwhile agents by means of a computer. The case at hand is the retrieval of an underworld informer who has been kidnapped. Peter Graves appeared in Call to Danger even while his series Mission: Impossible was in production; there was talk that Mission: Impossible would soon be cancelled, and Graves wanted a pilot film to fall back on. Come September of 1973, there was neither hide nor hair of Mission: Impossible, Call to Danger or Peter Graves on any network. ~ Hal Erickson, All Movie Guide

Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide

Made for television, Hostage Flight fomented a well-publicized controversy when first aired by NBC on November 17, 1985. On a domestic flight headed for Detroit, 65 passengers are held hostage by four international terrorists. The demands of the hijackers are simple: Release their imprisoned leader or the hostages will be executed one by one. Only after innocent blood is shed do the outraged passengers form a united front to rebel against their captors, and, ultimately, to take justice in their own hands. The film's original ending found the passengers, having staged their own "trial" of the hijackers, doling out punishment in a gruesome manner (and a highly unlikely manner, given the limited head-space on a typical jetliner). This denouement proved too horrifying for the NBC executives, who demanded that a modified ending be filmed (though the original climax was shown when the film was released outside the United States). ~ Hal Erickson, All Movie Guide

Marion Hammond (Wendy Girard) engages the services of P.I. Thomas Magnum (Tom Selleck) to locate her missing archaeologist father. While hunting for ancient sunken relics, Dr. Hammond was lost in the Nihoa Channel, which the local natives regard as sacred--and cursed. As usual, Magnum is not told the whole story by his client, and as a result stands a good chance of becoming just as "lost" as Hammond, and just as "cursed" as the Channel. ~ Hal Erickson, All Movie Guide

Jessica (Angela Lansbury) heads to wine-growing country to help wealthy vintner Salvatori Gambini (Eli Wallach) celebrate his 75th birthday. Unfortunately, Gambini's fractious family isn't in a celebratory mood, and the festivities come to a grim climax when a corpse is found in the wine cellar. In her efforts to solve the mystery, Jessica is heartbroken over the likelihood that she might have to turn an old and cherished friend over to the authorities. ~ Hal Erickson, All Movie Guide

Originally networkcast on March 20, 1973, Police Story was the 2-hour pilot for the long running anthology weekly which officially debuted seven months later. Created by novelist (and ex-police officer) Joseph Wambaugh, Police Story was set in Los Angeles, and each week detailed a different aspect of law enforcement work. In the pilot, Vic Morrow stars as a hard-nosed cop assigned to a unit devoted to stopping felonies in progress. Morrow's principal reason for being is to bring to justice an elusive veteran criminal named "Slow Boy," portrayed by Chuck Connors. This initial Police Story entry was rerun September 26, 1973, one week before the premiere of the series proper. ~ Hal Erickson, All Movie Guide

Frequent Quincy, M.E guest star Ina Balin makes a return appearance, this time in the role of Quincy's fellow medical examiner Dr. Lorraine Linderman. Afer several mistakes both minor and serious are made in Dr. Linderman's lab, Quincy (Jack Klugman) becomes convinced that Lorraine is an alcoholic. Despite a preponderance of symptoms, the woman remains in denial--and unless she faces up to her problem soon, the consequences may be fatal. ~ Hal Erickson, All Movie Guide

Quincy (Jack Klugman) and Sam (Robert Ito) are abducted by the minions of mob boss Vince DiNardi (John Vernon), who makes an offer that our hero can't refuse. DiNaldi has been poisoned, and the doctors have given him only 24 hours to live. With Sam's life being used as a bargaining chip, Quincy is ordered to find out who has administered the fatal dose to DiNaldi, so that the doomed Mafioso can exact a final vengeance. This is the last episode of Quincy, M.E.'s third season. ~ Hal Erickson, All Movie Guide

A priceless cache of blue diamonds cause criminal chaos in this grim action drama that is set in the Mexican jungle. The excitement begins with the robbery of an armored car carrying the valuable gems. Something goes awry and all but one of the thieves die violently. The sole witness to the crime then kills the surviving crook and hides the diamonds in the jungle. Later a gangster captures him and tries to force him to disclose their location. The gangster's moll takes pity on the fellow and helps him escape. The two then make a desperate bid for the border with both the crooks and the Diamond Syndicate Police in hot pursuit. ~ Sandra Brennan, All Movie Guide

The title is Black Orchid, but the leading lady is a rose--florist Rose Bianco, played by Sophia Loren. Newly widowed, Rose holds herself responsible for the death of her husband, a well-known gangster. Anthony Quinn plays a widower who falls in love with Rose, much to the dismay of his daughter (Ina Balin), who fears that Quinn will be destroyed as thoroughly as Rose's first husband. All ends happily after Rose and her new beau align to find her unhappy runaway son (Jimmy Baird). Black Orchid tries too hard to be a "slice of life;" perhaps it might have fared better with a cast of unknowns, but then who'd go to see it? ~ Hal Erickson, All Movie Guide