Ina Balin Movies

The title is Black Orchid, but the leading lady is a rose--florist Rose Bianco, played by Sophia Loren. Newly widowed, Rose holds herself responsible for the death of her husband, a well-known gangster. Anthony Quinn plays a widower who falls in love with Rose, much to the dismay of his daughter (Ina Balin), who fears that Quinn will be destroyed as thoroughly as Rose's first husband. All ends happily after Rose and her new beau align to find her unhappy runaway son (Jimmy Baird). Black Orchid tries too hard to be a "slice of life;" perhaps it might have fared better with a cast of unknowns, but then who'd go to see it? ~ Hal Erickson, All Movie Guide

This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide

Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.

Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide

Emma Morgan (Adrienne Marden, the jealous wife of religious cult leader Rev. Evan Morgan (John Doucette), is convinced that Morgan's niece Sarah Reynolds (Ina Balin) is possessed by the Devil. It is up to Ben Cartwright to save Sarah from a grisly demise at the hands of Morgan's more rabid followers. Also in the cast are Peter Helm as Gwylem and Angela Dorian (aka Victoria Vetri) as Essie. First broadcast October 17, 1965, "Devil on Her Shoulder" was written by Suzanne Clauser. ~ Hal Erickson, All Movie Guide

Laura (Mary Tyler Moore) is so enthusiastic about her art class that she coerces Rob (Dick Van Dyke) into signing up himself. Before long, however, Laura has ample reason to regret talking Rob into participating in the class. The reason? Well, it so happens that the art teacher, an attractive young woman named Valerie Ware (Ina Balin), has drawn a bead on Rob -- and desires to make our hero "teacher's pet" both in and out of the classroom! ~ Hal Erickson, All Movie Guide

This western saga finds Jess Wade (Elvis Presley) as a reformed gunfighter who is stalked and captured by his former band of outlaws. Vince (Victor French) is the heavy who orders Jess' cheek to be branded with a hot iron. The gang terrorizes a small town by threatening to use a gold-plated and jewel-encrusted Mexican cannon on the innocent population. Presley sings only one song (the title track) in the last dramatic role of his career. The feature has the look and feel of the popular spaghetti westerns of the time. This routine western would be followed by the truly gaugeable The Trouble With Girls and Change Of Habit. Presley revived his live performing career soon after the forgettable last two films and continued touring until his death on August 16th, 1977. ~ Dan Pavlides, All Movie Guide

A superb throwback to the "films noir" of old, The Lonely Profession puts icing on the cake with a strong dose of 1960s realism--within reasonable TV-movie limits. Harry Guardino plays a businesslike private eye assigned to trail the mistress (Ina Balin) of a Hughes-like reclusive millionaire. When he catches up with her, the two spend an evening in a motel. Guardino wakes up; the woman does not. Now facing a murder rap, Guardino must get to the bottom of the killing and determine why he's been set up as the fall guy. To do this, he opens his own probe of the dead woman's past. Lonely Profession was a special favorite of its director Douglas Heyes, who is best known to TV buffs for his work on Maverick and Twilight Zone. ~ Hal Erickson, All Movie Guide

This offbeat comedy finds a rotund, daydreaming projectionist (Chuck McCann) who fantasizes that he is the super hero Captain Flash. He imagines his nemesis to be Renaldi (Rodney Dangerfield), whom the projectionist refers to as "the Bat." Renaldi demands the lobby floor to be so clean he can eat off it. The film uses superimposition of older films, the first to employ such techniques. The projectionist imagines Rinaldi to be in league with the forces of evil like Hitler, Mussolini and space aliens. He is under the delusion that he must save a female co-worker (Ina Balin) from the clutches of the evil Bat. The projectionist summons such heroes as Errol Flynn, Gary Cooper and the US Marine Corp to save her from imagined danger. This is the first feature length film for director Harry Hurwitz, who also appears as an usher. This also marks the film debut for Rodney Dangerfield, who had recently changed his name from his given name of Jack Roy and opened a nightclub. The film premiered at the Rochester Film Festival in 1969. It has earned cult status over the years and is in the archives of the Museum Of Modern Art in New York. ~ Dan Pavlides, All Movie Guide

Call to Danger was a title that had already been applied to two unsold pilot films before this TV movie made its first appearance in February of 1973. Like the previous 1968 Call to Danger, the 1973 film stars Peter Graves as a federal agent who enlists "ordinary" people to solve crimes. Headquartered in Washington DC (where most of this film was shot), Graves selects his erstwhile agents by means of a computer. The case at hand is the retrieval of an underworld informer who has been kidnapped. Peter Graves appeared in Call to Danger even while his series Mission: Impossible was in production; there was talk that Mission: Impossible would soon be cancelled, and Graves wanted a pilot film to fall back on. Come September of 1973, there was neither hide nor hair of Mission: Impossible, Call to Danger or Peter Graves on any network. ~ Hal Erickson, All Movie Guide

In this organized crime drama (one of many that came in the wake of The Godfather, Tony (Frederic Forrest) and Vince (Al Lettieri) are two brothers whose father is a high-ranking Mafia kingpin; they've followed him into the family business, operating a profitable drug ring. While waiting for a delivery of a large supply of heroin, the pair are ambushed, which leads them to suspect their associate Frank (Robert Forster) is a snitch. They soon realize that the corruption within their organization runs deeper than expected when they discover that their father has been assassinated. Don Angelo (Anthony Quinn) is chosen to be the new boss in a tense meeting of the Mafia brass, but Tony and Frank refuse to follow his leadership. Meanwhile, Orlando (Charles Cioffi), a mob accountant whose boss, Don Bernardo (J. Duke Russo), is behind bars, has a plan to bring himself to a position of power in the mob; he engineers a situation that will put Frank's fiancée Ruby (Angel Thompkins) into the arms of Don Angelo, thereby sending Frank into a murderous rage. Cult figure Sid Haig has a supporting role as The Arab. ~ Mark Deming, All Movie Guide

Deadly Kiss and Beautiful But Deadly are alternate titles for the Godfather knockoff The Don is Dead. Anthony Quinn is appointed mob leader after the reigning Don expires. Syndicate functionaries Frederic Forrest and Al Lettieri, sons of the deceased don, refuse to align themselves with Quinn, sparking a power struggle involving Quinn and overambitious Charles Cioffi. Sexy singer Angel Tompkins is used as a pawn in Cioffi's insidious scheme. Quinn, however, is not so easily toppled; only an act of God can knock him off his throne, and ultimately it's the Almighty who takes a hand in matters. Adapted from the novel by Marvin H. Albert, The Don is Dead is a fascinating (if tacky) peek into the inner workings of Mafia politics. ~ Hal Erickson, All Movie Guide

Ironside (Raymond Burr) is skeptical when Isabel Fredericks (Katherine Cannon), the daughter of Judge John Fredericks (Joseph Campanella), insists that her father's life is in danger. What the Chief doesn't know (at least at first) is that the Judge's new wife Eleanor (Ina Balin) once had ties with the Underworld. Hoping to start life anew as Mrs. John Fredericks, Eleanor finds that she cannot purge her criminal past, which threatens to destroy both herself and her husband. ~ Hal Erickson, All Movie Guide

Season Three of Quincy M.E. gets off to a running start when Quincy (Jack Klugman) is interrupted during a nocturnal romantic rendezvous by the sudden arrival of his old friend Carl Hopwood, an investigative reporter. It is obvious that Hopwood has been beaten and mutilated, but before Quincy can find out what has happened, his friend dies. Rushing the body to the police morgue, Quincy performs an autopsy without witnesses and personally records the vital lab data. The next morning, Quincy returns to the morgue to find that the body has disappeared...and with it all evidence that an autopsy ever occurred. ~ Hal Erickson, All Movie Guide