Arnold Johnson Movies

This debut offering from twin brothers Albert and Allen Hughes was one of the most critically-acclaimed urban crime films to appear in the wake of John Singleton's influential Boyz N the Hood. Set in the Watts neighborhood of Los Angeles, the film is narrated by 18-year-old Caine (Tyrin Turner), a drug dealer and car thief who lives with his religious grandparents. After graduating from high school, Caine shows no ambition beyond hanging out with his friends, so his grandparents kick him out. Among his other troubles are his best friend O-Dog (Larenz Tate), a vicious thug hunted by the police, and the friends and family of the girl Caine got pregnant and then turned his back on. Perhaps the lone positive influence in his sphere is Ronnie (Jada Pinkett), a single parent struggling to raise her young son without the boy falling prey to the 'hood mentality. When their friendship becomes a love affair, Ronnie tries desperately to convince Caine to move with her to Atlanta; soon afterward, he is shot and nearly dies. After recovering, he accepts Ronnie's offer, but tragedy strikes as they pack their van in preparation to leave. ~ Jason Ankeny, All Movie Guide

Will's widowed mother Vy (Vernee Watson-Johnson) has a new boyfriend named Robert (Bill Overton), who despite his inherent likability simply cannot get Will (Will Smith) to warm up to him. It turns out that Will doesn't want to share Vy with a stranger--and may be willing to go to any lengths to sabotage her romance. In the course of events, Will experiences a curious bonding moment with Robert's young daughter Claudia (played by former Cosby Show regular Raven-Symone, whose longtime TV costar Malcolm-Jamal Warner directed this episode). ~ Hal Erickson, All Movie Guide

Director Blake Edwards departed from his customary sex farces to direct an unusual satirical Western comedy-thriller. In 1927, legendary lawman Wyatt Earp (James Garner) comes to Hollywood to serve as an advisor to a film studio making a movie about Earp's life. He meets silent screen cowboy star Tom Mix (Bruce Willis). The two stumble upon a murder that has apparently occurred on the set but is linked to a renowned bordello. The aging cowboy and the young actor set off on a series of time-warp misadventures to try to solve the mystery. Along the way, they encounter the shady Alfie Alperin (Malcom McDowell) and the intriguing Cheryl King (Mariel Hemingway). ~ Michael Betzold, All Movie Guide

A young man named Kaz (Scott Valentine), afflicted with the curse of turning into an animal at the least sign of sexual arousal, tries to remain friends with a girl he's just met (Michelle Little). Meanwhile, he recruits a bizarre street scientist (Arnold Johnson) to create an antidote to the curse before its too late. ~ John Bush, All Movie Guide

In the third and final film in the Oh, God! franchise, Bobby Shelton (Ted Wass) is a struggling musician who can't get a break, which bothers him all the more now that his wife, Wendy (Roxanne Hart), is about to have a baby. Desperate and depressed, Bobby announces that he'd sell his soul to get ahead. Suddenly, Harry O. Tophat (George Burns), Satan's earthly representative, appears and offers Bobby a deal -- seven years of unprecentented fame and fortune in exchange for his soul. Bobby cynically accepts and discovers that the devil is true to his word, but he finds that the trappings of fame and wealth are empty pleasures, and he loses Wendy along the way. When Bobby declares that he's made a horrible mistake, God (Burns), who has been watching over Bobby, offers to help get his soul back as the devil offers Bobby's place in eternity as the prize in a poker game. ~ Mark Deming, All Movie Guide

In this involved send-up of two American icons -- the automobile and the tourist trap -- the tiny Florida town of Ticlaw strives desperately for success after it has been denied the most essential of all tourist amenities -- a freeway exit. The insane, and mostly successful, schemes of the mayor (William Devane) and other distinctly unbalanced citizens interrupt, often hilariously, the lives of various eccentric travellers forced into a place they never intended to be. Critics disagree violently on whether this is a neglected classic or sophomoric nonsense. The winning record of director (John Schlesinger) (Midnight Cowboy, Marathon Man, Cold Comfort Farm, etc.,) and first-class performances by William Devane, Beau Bridges, Beverly D'Angelo, Hume Cronyn, JessicaTandy and a plethora of great character actors -- not to mention the water-skiing elephant and the wild rhino -- argue that it's worth a look. ~ Michael P. Rogers, All Movie Guide

This lively musical comedy pays tribute to the birth of rock & roll in the late 1950s and the instrumental role played by disc jockey Alan Freed who helped bring the new sound into vogue. Much of the story centers on the daring deejay's attempts to put on the very first live rock & roll stage show at the Paramount Theatre in Brooklyn. To do this he must overcome the protests of concerned and angry parents, conservatives, and local police. Several performers of the era appear in the film including Chuck Berry, and Jerry Lee Lewis. ~ Sandra Brennan, All Movie Guide

Adapted from Alice Childress' inspirational novel of the same name, director Ralph Nelson's sentimental addiction drama tells the story of an intelligent yet alienated ghetto youth seduced into the world of hard drugs. Unable to stand being in the same apartment as his gruff but caring foster-father Butler (Paul Winfield), inner-city high school student Benjie (Larry B. Scott) opts to pass the time smoking grass and drinking with his good friend Jimmy Lee (Kenneth Green) and small-time drug dealer Carwell (Erin Blunt). Before long Benjie is hooked, and hanging out with local pusher Tiger (Kevin Hooks) in order to get the hard stuff. Increasingly alienated from both his foster-father and his grandmother (Helen Martin), young Benjie must rely on the assistance of a caring social worker (Claire Brennan) in order to stay clean and get back on his feet. ~ Jason Buchanan, All Movie Guide

Shades of "The Handy Housewife Helper" on The Honeymooners! Lamont (Demond Wilson) goes ballistic when he finds that the money he has been saving up for acting lessons has been squandered by his dad, Fred (Redd Foxx), who has purchased the "Watts franchise" for a kitchen appliance called the Whopper Chopper. Stuck with dozens of the useless utensils and with no prospect of selling any of them, Fred decides to exact revenge on the TV host who persuaded him to buy the Choppers in the first place. ~ Hal Erickson, All Movie Guide

Once again befriending one of life's castaways, Michael (Ralph Carter) brings a lonely old man named Hubert (Arnold Johnson) home for the Evanses' New Year's celebration. Surrounded by the warmth and conviviality of a loving family, Hubert decides that the Evans apartment would be the perfect place for him to die. However, he's certain that his demise will occur any second now -- an event that would certainly cast a pall on the festivities. ~ Hal Erickson, All Movie Guide

Pat Morita makes another series appearance as Fred Sanford's Japanese friend Ah Chew. Hoping to get Fred (Redd Foxx) to invest in a Japanese restaurant, Ah Chew puts on an impressive display of his vast -- and extremely inexpensive -- culinary skills. Fred is in fact so impressed that he converts the Sanford living room into a "teriyaki palace." ~ Hal Erickson, All Movie Guide

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, "the cat who won't cop out, when there's danger all about" in Gordon Parks' seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can't help him and leaves, only to just miss being waylaid by two of Bumpy's strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he's always kept away from his business, has been kidnapped. There's been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft's onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend's comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean -- Bumpy knows that it's the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they're holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn't know why they're there, but he does know that if fighting breaks out between Bumpy's men and the Mafia, it's going to look like a race war, and the whole city could erupt. Shaft doesn't like the way he's been manipulated, but he sees Androzzi's point -- he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he's wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben's friends in an armed assault on the building where they're holed up. ~ Bruce Eder, All Movie Guide