Gottfried John Movies

A woman whose marriage is in trouble finds herself falling for a new man as her husband's life hangs in the balance in this thriller. Peter Bowman (David Morse) and his wife Alice (Meg Ryan) have relocated to a small Latin American nation called Tecala; Peter works for an American engineering and construction firm, and his latest assignment has him building a dam that is intended to bring power to the developing nation. The ELT is a radical Marxist faction gearing up for political revolution in Tecala that has turned to kidnapping as a way to raise capital, and Peter is chosen as its next target. When Peter is ambushed on his way to work, his firm brings in Terry Thorn (Russell Crowe), a former Australian intelligence operative who now works as a private "kidnapping and ransom" negotiator. Alice is told Terry is her best hope for bringing Peter back safe and sound, but when Terry's employers run into a tight squeeze financially, they cancel their K&R insurance (which is considered a standard benefit for American employees assigned to South America), leaving Alice to rehire Terry on her own, especially since she can't possibly pay the $3 million ransom demanded by the kidnappers. As Terry and his partner Dino (David Caruso) map out a rescue plan, Alice and Terry find themselves increasingly attracted to each other. Alice's marriage to Peter was going through a rough patch when he was kidnapped, and while she's deeply concerned for his safety, she must reconcile her fears for Peter's life with her new feelings for Terry. Proof of Life is based on Adventures in the Ransom Trade, an article by journalist William Prochnau that was published in Vanity Fair, as well as on the case of real-life kidnapping victim Tom Hargrove. ~ Mark Deming, All Movie Guide

One of Germany's most important female directors, Doris Dörrie chose the subject of the universal quest for happiness for the film Bin ich Schön?. Set in Spain and Germany, the film interlaces individual stories of broken hearts and broken dreams with aspirations of new beginnings. On a hot afternoon in Spain, Linda is standing beside the road wearing a thin summer dress and carrying a handbag. A car stops and Werner, a robust-looking German, picks her up. She shows him a note which says, "I am deaf-mute and in need of your help." Werner is touched. As they move off together, Linda throws her handbag out of the window. In a near-by motel, Klaus is on the phone to Munich trying to convince his reluctant girlfriend Franziska to come down to Spain. Linda and Werner have checked into the next room where Werner is asking Linda to hit him with his belt. Plots and subplots intertwine until the film reaches a climax during a religious procession. In an ironic way, the film celebrates life with a message that life is here today and then it's gone. No beginning, no end and enjoy it while you can. Bin ich schön? was screened as part of the New German Films at the 49th International Berlin Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

From the directing team of identical twin brothers Timothy Quay and Stephen Quay, Institute Benjamenta, or This Dream People Call Human Life focuses on the experiences of Jakob Von Gunten (Mark Rylance), who has come to the titular institute to train to become a manservant. Amidst a series of unorthodox lessons under the instruction of brother and sister Johannes Benjamenta (Gottfried John) and Lisa Benjamenta (Alice Krige), Jakob becomes attracted to Lisa and she to him. As the magnetism between the two of them intensifies, Lisa's health declines more and more, leading Johannes to question Jakob's influence on her. The screenplay was adapted from the novel Jakob von Gunten by Robert Walser. ~ Matthew Tobey, All Movie Guide

Set in England and Europe, Death Has a Bad Reputation stars Alan Howard as a crack British espionage agent. Howard breaks and twists the rules to bring terrorist Tony Lo Bianco to justice. The quest is as much personal as professional: Howard's son has just been seriously injured in a terrorist attack. Pamela Villoresi and Elizabeth Hurley costar in this fast-moving, thriftily produced thriller. One of the first of many TV movies made to order for the USA Cable Network, Death Has a Bad Reputation debuted on March 14, 1991. ~ Hal Erickson, All Movie Guide

Using two parallel stories, this drama explores the reconstruction of Germany after the Second World war. To what extend did the lessons of the war sink in? In the story, an idealistic cameraman and his more worldly friend, a movie director, have hidden their old equipment until it is safe to use it again. Finally, the war is over, and movies are being made again. The director is willing to make popular entertainments, but his friend the cameraman has a yen to make something more socially relevant, commenting on the evils of the Hitler regime. Curiously, though they come to a parting of the ways, it comes over a woman they have both falling in love with, rather than these weighty issues. In the parallel story, a former soldier in the Reich's armies has been discharged and has returned to his home town and his old job as projectionist at the local movie theater. He and the others experience some difficulty with the occupying forces, especially with the dark-skinned Moroccans, but as soon as they can, they settle down into their old lives - including their prewar prejudices. ~ Clarke Fountain, All Movie Guide

Berlin-born filmmaker Erwin Leiser cemented his reputation with the low-key 1959 documentary Mein Kampf. Combining newsreel footage and eyewitness interviews, this film established Leiser's cinematic throughline of exploring Germany's tragic past. 1986's Following the Fuhrer, codirected by Adolf Winkelman combines fact with fiction as it chronicles the misadventures of a group of Third Reich advocates in the closing days of the war. As their world literally explodes around them, these faithful few huddle together to survive, trying and failing to sustain their beliefs with Hitlerian fantasies. Though the documentary footage can't be faulted in Following the Fuhrer, the film stumbles whenever the characters are given lines to speak. ~ Hal Erickson, All Movie Guide

In this drama, Franza (Elisabeth Trissenaar) leads an unhappy life after she has an affair with a British officer at the end of World War II. She marries an abusive and unfeeling doctor (Armin Mueller-Stahl) and the emotional strain of her marriage leaves her depressed and dispirited. Her brother Martin (Gabriel Barilly) tries to come to her aid and meets her in Cairo where she slowly tells him about her unfortunate past. In the meantime, her trials and tribulations do not appear to be heading toward an easy resolution. ~ Eleanor Mannikka, All Movie Guide

Starring the popular comic personality of Otto Waalkes (co-director with Xavier Schwarzenberger), this farce is essentially a vehicle to demonstrate Waalkes multiple talents. The plot is nothing more than a series of vignettes -- Otto hamming it up on an airplane flight or Otto as a barber in a black wig. A cross between Peter Sellers, Woody Allen, and Jerry Lewis, Otto is constantly chased after by creditors while he himself chases after the woman of his dreams, a wealthy damsel who secretly loves him anyway. This film did well enough to inspire a 1988 sequel, Otto - Der Neue Film. ~ Eleanor Mannikka, All Movie Guide

Per its title, Chinese Boxes plays the riddle-wrapped-in-a-mystery-wrapped-in-an-enigma angle to the hilt. Will Patton plays an innocent American who finds himself in the middle of international intrigue. With West Berlin as backdrop, the story takes so many twists and turns that one may well need a book of directions by fadeout time. Robbie Coltraine and Gottfried John are among the supporting actors who are not what they seem and never say what they mean. Chinese Boxes was a fairly smooth German/British collaboration, with little indication of any on-set communication breakdowns (surely somebody understood what was going on). ~ Hal Erickson, All Movie Guide

German cabaret star Lili Marleen inspired a song that was extremely popular with the German soldiers during WW II. This war drama offers a fictionalized account of her story that begins in 1938 while she performs in a Zurich cabaret. It is her boyfriend, a Swiss Jew who also turns out to be a resistance fighter who pens her famous song. She sings it in Germany and it becomes a hit with the German troops. As a result, Hitler himself invites her to perform for him. This does not set well with the songwriter's powerful who, upon learning that Marleen has become a famed singer in Germany, seek to have her barred from Switzerland. This does not stop the songwriter from loving her though and desperate to see her one last time, he sneaks into Berlin for a tryst. Unfortuantely he is arrested and she gets blacklisted. They do not see each other again until after the war. By this time, their lives have changed considerably. This is not considered among the best of Fassbinder's best films. ~ Sandra Brennan, All Movie Guide

The film that elevated German director Rainer Werner Fassbinder from domestic approbation to international acclaim, The Marriage of Maria Braun stars the director's on-and-off favorite actress Hanna Schygulla in the title role. During the allied siege of Germany in the last year of the war, Maria's new husband (Klaus Löwitsch) is shipped off to the Russian front before the marriage is consummated. As she struggles to survive wartime deprivations, Maria haunts the local train station, seeking out information concerning her husband. When it appears that she's a widow, Maria takes a job as a barmaid and befriends a black soldier (George Byrd) from the occupying allied troops, who sees to it that Maria's family receives vital food and supplies. The opportunistic Maria eventually takes a job with a wealthy importer (Ivan Desny), building herself up to a position of power and indispensability. Though she sleeps with her employer, Maria still carries a torch for her husband. ~ Hal Erickson, All Movie Guide