Jennifer Balgobin Movies

As the year 2262 draws to a close, so does the saga of Babylon 5. The Alliance relocates to Minbar, requiring Sheridan and Delenn to go along for the ride. G'Kar and Garibaldi have already said their farewells to their fellow crew members and gone their separate ways. And Dr. Franklyn launches a second career on Earth. So does everyone live happily ever after? Not so far as Lennier is concerned; a past mistake will cost him dearly before episode's end. Written by J. Michael Straczynski and first telecast November 18, 1998, "Objects at Rest" was, technically, the last episode of Babylon 5, though the series' "official" finale, "Sleeping in Light" (actually filmed in 1997) would not air until the following week. ~ Hal Erickson, Rovi

After several weeks of cat-and-mouse, the Shadows finally make an open attack. Hoping to rally support against the aggressors, Sheridan turns to Kosh for help. And Londo's efforts to patch up his differences with Morden (Ed Wasser) only makes a bad situation worse. Rance Howard, the father of actor/director Ron Howard, shows up briefly as David Sheridan, the Captain's father (it would spoil things to explain the elder Sheridan's surprise appearance). First telecast in America during the week of May 6, 1996, "Interludes and Examinations" was written by J. Michael Straczynski. ~ Hal Erickson, Rovi

Screenwriter/electrician Abbe Wool makes her directorial debut with the offbeat road movie Roadside Prophets. Brooding factory worker Joe (X front man John Doe) takes a road trip in order to scatter the ashes of his co-worker Dave Coleman (David Anthony Marshall). Riding his vintage Harley Davidson, Joe leaves Los Angeles and heads for a small Nevada town called El Dorado to fulfill Dave's final wish. His journey is complicated by a small fry named Sam (the Beastie Boys' Adam Horovitz), a wannabe biker who continually lights off fireworks and nurtures an odd obsession with Motel 9. Joe also has to cope with making daily phone calls to Angie (voice of Sonna Chavez), his co-worker back in L.A. who is giving him sick days in exchange for the promise of a hot date. While traveling through the desert, Joe and Sam meet various eccentric characters played by the likes of David Carradine, John Cusack, Timothy Leary, and Arlo Guthrie. They eventually end up at their destination, which turns out to be a washed-up gambling town called Jackpot. ~ Andrea LeVasseur, Rovi

Two hapless psychics unwittingly aid a criminal in his quest to obtain a mystic relic in this farcical adventure. Street smart beauty-school dropout Sylvia Pickel (Cyndi Lauper) navigates life with the counsel of a spirit named Louise, while genteel Nick Deezy (Jeff Goldblum) has the ability to "read" an object's past just by holding it. Harry Buscafusco (Peter Falk) is the treasure hunter who brings them together for a trip to Ecuador to find his missing son. Nick and Sylvia don't get on at first, their animosity only amplified by various slapstick escapades that find them posing as siblings and hobnobbing with monied jet-setters. Eventually, Buscafusco's missing-child premise turns out to be a ruse; his true intentions envelop Nick and Sylvia in serious peril just as they're beginning to let down their guard and fall for one another. The action climaxes in a special effects-laden jungle sequence. Vibes marked the screen debut of pop singer Cyndi Lauper, whose single "Hole in My Heart (All the Way to China)" graces the closing credits. Despite the poor box-office results of Vibes and the generally poor reviews for her performance, Lauper would go on to earn an Emmy award for a guest stint on TV's Mad About You and appear with Christopher Walken in the indie drama The Opportunists. ~ Brian J. Dillard, Rovi

This bizarre comedy spoof on spaghetti westerns was made in a hurry on location in Almeria, Spain. Simms (Joe Strummer), Willy (Dick Rude), and Norwood (Sy Richardson) are inept hitmen who decide to rob a bank. They encounter the MacMahon's (The Pogues), a quintet of caffeine-addicted gunslingers who ride motorcycles across the range wreaking havoc. Elvis Costello has a reoccurring role as a waiter who is always ready with a new tray of coffee. ~ Dan Pavlides, Rovi

In this arch sci-fi sex comedy-cum-action extravaganza, a hard-nosed female mercenary helps a hapless yuppie find a new body for his robot girlfriend in the post-industrial wasteland of the American Southwest. In the year 2017, what little remains of civilization feeds off the scrap heap of 20th century waste, while even casual sex has become a matter of regulations and contracts. Like many other members of the L.A. white-collar elite, Sam Treatwell (David Andrews) takes refuge in a quasi-marriage with his beloved sex robot, Cherry (Pamela Gidley). After a soft-focus, bubbly sexcapade short circuits Cherry's body, Sam considers replacing her, but the shoddy production values of modern robots make it obvious that the vintage appliance is irreplaceable. To put it simply, the guy's in love. The wistful romantic therefore heads out to The Zone, a forbidding no man's land, where he hopes to find a new "chassis" in which to insert Cherry's unique personality chip. To do so, he needs the help of a "tracker," and E. Johnson (Melanie Griffith) is just the woman for the job. The gun-toting, red-headed road warrior leads Sam through a dystopian desert landscape full of psychopaths and opportunists toward their final destination: an abandoned warehouse full of antique androids. Along the way, Sam learns what it's like to interact with a woman who has brains and a heart instead of a microchip. Filmed in 1986, Cherry 2000 didn't receive its limited theatrical release until 1988, the same year star Griffith received an Oscar nomination for her role in Working Girl. Griffith and director Steven de Jarnatt previously worked together on the pilot for the 1980s revival of Alfred Hitchcock Presents. Ben Johnson, veteran of many a Hollywood Western, appears as E. Johnson's mentor, Six Finger Jake. ~ Brian J. Dillard, Rovi

This bleak post-apocalyptic science fiction actioner substitutes a plague instead of a bomb as the reason for civilization's demise but the result is the same -- grizzly motorcycle gangs with a ton of gasoline to burn. In City Limits the older generation has been wiped out by the plague, and the younger generation lives in a state of anarchy in a world controlled by biker gangs. The gangs live by rules discovered in pre-apocalyptic comic books. Two rival biker gangs, the Clippers and the DAs, have taken to dividing up a city amongst themselves and live under a fragile truce. Utilizing a comic-strip version of medieval times, a code has been established for violations of the pact between the gangs -- competitive jousting or acts of reciprocal retaliation. When a person dies, like a post-Holocaust Viking funeral, he is cremated along with his motorcycle. But this shaky peace between the bike gangs is threatened when the fascistic Sunya Corporation attempts to take over the city with the cooperation of the DA bike gang. ~ Paul Brenner, Rovi

Alex Cox's directorial debut was a wickedly funny and willfully bizarre story that became a major cult item once it began making the art-house rounds a year after its release (an initial run in a string of Southern grind houses and drive-ins, where it was billed as an action film, was a resounding failure). Having lost his job and his girlfriend, punk rocker Otto (Emilio Estevez) meets a guy named Bud (Harry Dean Stanton) who offers him $25 to drive his wife's car out of a "bad area." When a handful of angry people start chasing Otto, he realizes that something is up, and he discovers that Bud repossesses cars for a living. With few immediate prospects, Otto joins Bud at the repo yard and is soon "ripping" cars with the best of them. When an anonymous source posts a $20,000 reward for a missing 1964 Chevy Malibu, it turns out that what's valuable isn't the car itself, but what's in the trunk, which is very hot, glows brightly, and kills anyone who comes in contact with it. A vaguely surreal modern-noir science-fiction comedy with echoes of Kiss Me Deadly (1955), Repo Man is packed with more incongruous sight gags than anyone can absorb in one viewing; keep your eyes peeled for the air fresheners, the generic newspaper box, and the watches without hands. Harry Dean Stanton gives a superb comic performance as the intense but laid-back Bud, Emilio Estevez delivers perhaps the best work of his career as the petulant but goofy Otto, and Tracey Walter is hilarious as the spaced out repo-yard man Miller. Iggy Pop wrote and performed the theme song and The Circle Jerks appear as a lounge band. ~ Mark Deming, Rovi