Alain Attal Movies

The population of the City of Lights is reduced to two in this offbeat comedy from France. Gervais (Eric Judor) is a police detective who one morning discovers that the city of Paris has been mysteriously abandoned, with almost nobody to be seen. The only other person Gervais runs across happens to be Curtis (Ramzy Bedia), a wanted criminal Gervais has been tracking for some time. Even though there aren't any fellow officers on hand to help handle the arrest, Gervais is determined to capture Curtis anyway, especially since there isn't much else to do, and the two pursue one another through the empty streets (with Curtis occasionally giving chase in a race car). In time, Gervais and Curtis grow tired of shouting and running after one another and they begin to wonder if the bad karma they're generating has something to do with the empty streets. Seuls Two (aka Two Alone In Paris) was directed by Eric Judor and Ramzy Bedia, who also contributed to the screenplay as well as playing Gervais and Curtis; it was their first project behind the camera. ~ Mark Deming, All Movie Guide

Like the American pictures Magnolia and Happy Endings, French helmer Nicole Garcia's ensemble drama Charlie Says interweaves a tapestry of mordant and miserable existences. Garcia zeroes in on six vice-ridden Gallic men, all generally average and unremarkable individuals, and several at the midpoints of their sorry lives. The characters include: Mathieu (Patrick Pineau), an artic researcher returning to the town where he grew up to host an important conference; Adrien (Arnaud Valois), a national celebrity notorious for losing a tennis match, who must now resume formal court training; small-town mayor Jean-Louis Bertagnat (Jean-Pierre Bacri) , who prepares to honor Mathieu at a town ceremony and bides his off time in a stormy extramarital affair with landscape gardener Severine (Sophie Cattani); ex-con Joss (Benoit Pooleverde), a man attempting to survive parole without drifting back into crime; pool worker Serge Torres (Vincent Lindon) , a husband and father who flirts dangerously with married Finnish co-worker Nora (Minna Haapkyla); and Serge's son, the Charlie of the title (Ferdinand Martin) who has Nora's husband as a teacher but consents to ably assisting his father in the execution of an affair with Nora by falsely indicating his father's whereabouts to his mother. ~ Nathan Southern, All Movie Guide

Actor Guillaume Canet, best known to American audiences for his work in The Beach, makes his directorial debut with the dark comedy, Mon idole. Canet also stars in the film as Bastien, an ambitious young man working as an assistant to Philippe Letzger (Philippe Lefebvre, who co-wrote the script with Canet and Eric Naggar) the overbearing host of a raucous, exploitative Jerry Springer-like game/talk show called It's Tissue Time! in which the goal is to make the contestants cry. Bastien warms up the audience and runs errands for Letzger, in addition to coming up with helpful ideas for the network, which Letzger takes credit for. Bastien puts up with Letzger’s abuse because he wants to work with his idol, the show's impossibly suave producer, Jean-Louis Broustal (François Berléand). To Bastien’s surprise, Broustal stops ignoring him one day, and starts taking an interest in the young man’s ideas. Bastien lives with his girlfriend, Fabienne (Clotilde Courau), who’s tired of hearing about how wonderful Broustal is. And Bastien is torn when he realizes that the pretty blond he’s been admiring around the office is Broustal’s young wife, Clara (Diane Kruger). Things take a strange turn for Bastien when Broustal invites him out for a night on the town that quickly turns into a weekend at the couple’s remote country estate. Clara quickly gets Bastien alone and beds him, and Broustal doesn’t seem to mind. Broustal makes a lot of promises about Bastien’s future in television, but what does the couple want from him? As the weekend progresses, their motives seem increasingly bizarre and even sinister. Mon idole was nominated for César Awards for Best First Film and for Berléand’s performance. It was shown at Lincoln Center in New York as part of their 2003 Rendez-vous with French Cinema. ~ Josh Ralske, All Movie Guide