Anthony Jochim Movies
Noted character actor L.Q. Jones (who would later direct the cult classic A Boy and His Dog) produced this low-budget horror item about a small Southwestern town torn asunder by the mysterious disappearances of several of its children. Jones plays the town sheriff, who joins forces with some of the locals to find the perpetrators and uncovers a diabolical plot concocted by a coven of elderly devil-worshippers who plan to use the children's bodies as receptacles for their own souls, enabling them to live again in younger bodies. To this end, they use their supernatural abilities to slay any meddling adults by turning the kids' toys into deadly war machines. Creepy opening and closing sequences and a bravado performance from Strother Martin (as the king-daddy Warlock) are the film's strongest assets. ~ Cavett Binion, All Movie Guide
- Starring:
- Strother Martin, L.Q. Jones, (more)
- 1969
- R
Anthony Quinn plays Matsoukas, a Greek/American ne'er do well, living in Chicago with his long-suffering wife Caliope (Irene Papas). When Matsoukas discovers that his son (Radames Pera) is dying, he decides that the boy needs to get out of the Windy City and recuperate in the more agreeable climate of Greece. All he needs is the money for the plane fare. One by one, Matsoukas' sources of income dry up until he is forced to fix a dice game in order to raise the cash. It is his wife who finally puts up the money by stealing from her own mother. Matsoukas makes the trip but realizes it would be better if he remain in Greece so as not to further humiliate the loyal Caliope. Inger Stevens co-stars as Quinn's mistress, while Sam Levene plays an old pal whose offer to put up the needed money evaporates when he suddenly drops dead. A Dream of Kings was adapted by Harry Mark Petrakis from his own novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Quinn, Irene Papas, (more)
- 1967
Confined to bed with the flu, Andy is obliged to put Mayberry in the hands of the newly formed Police Emergency Committee: Goober, Emmett and Floyd. The boys immediately go to work, messing things up royally in the process-especially Goober, who alienates everyone in town by issuing 14 tickets in a single day. Worse still, a steady parade of uninvited visitors make it impossible for poor Andy to convalesce in peace. Written by Jack Raymond, "Suppose Andy Gets Sick" first aired on December 11, 1967. ~ Hal Erickson, All Movie Guide
- 1967
When Aunt Bee wins a trip to Mexico, she takes her oldest and dearest friends, Clara (Hope Summers) and Myrtle (Ruth Thom), along for the ride. But by the time the three ladies have returned home, they aren't even speaking to one another. As usual, it is up to Andy to patch up the relationship between the trio of feuding females. First shown on September 25, 1967, "A Trip to Mexico" was written by Dick Bensfield and Perry Grant. ~ Hal Erickson, All Movie Guide
- 1966
Raymond Burr essays a dual role in this offbeat episode, appearing as both Perry Mason and Mason's evil lookalike, a scurrilous merchant seaman named Grimes. It seems that someone has hired Grimes to pose as Mason in order to discredit the lawyer's testimony in a hearing over a million-dollar patent dispute. Subsequently, the winner of the dispute, Otis Swanson (Oliver McGowan), is murdered, and innocent Barbara Kramer (Indus Arthur) is arrested for the crime. To save Barbara from the gas chamber, Perry must literally chase himself by tracking down the elusive--and dangerously short-tempered--Mr. Grimes. ~ Hal Erickson, All Movie Guide
- 1964
Two machine-gun specialists, Sgt. O'Neill (Paul Burke) and Lt. Collins (H.M. Wynant), demand that Sgt. Saunders (Vic Morrow) be court-martialed for gross incompetence. The men hold Saunders personally responsible for the deaths of two members of their gun squad. But a entirely different story emeges when others deliver their own eyewitness testimony. Seymour Cassel, later a fixture in the films of director John Cassavetes, appears as a doctor. ~ Hal Erickson, All Movie Guide
This Biblical epic stars Elana Eden as Ruth, who serves in the temple where the High Priestess (Viveca Lindfors) leads the worship of the Pagan idols of the people of Moab. When Ruth falls in love with Mahlon (Tom Tryon), a Hebrew, she must come to terms with his spiritual beliefs, but in time she embraces his faith and converts to Judaism when they marry. Ruth travels with Mahlon and his mother Naomi (Peggy Wood) to their homeland of Bethlehem. Ruth suffers hardship and religious persecution, and when Mahlon dies, Ruth's faith is severely tested. But her belief in God survives this trial by fire, and in time Ruth finds a new love with Boaz (Stuart Whitman). ~ Mark Deming, All Movie Guide
- Starring:
- Stuart Whitman, Tom Tryon, (more)
- 1959
The Kingston Trio's hit song with the lyrics "hang down your head Tom Dooley, hang down your head and cry..." may have been the inspiration for this well-wrought drama, but the film stands on its own. Three Confederate soldiers learn too late that the stagecoach they just attacked, killing two Union soldiers, was off-limits because the Civil War was over. Killing the former enemy after peace has been declared is considered murder, so the three young men decide to head for refuge further south. One of the three, Tom Dooley (Michael Landon) takes a detour to find his Northern sweetheart and marry her before escaping. That, it turns out, was a fatal mistake and the beginning of a folk hero and a folk song. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michael Landon, Jo Morrow, (more)
- 1959
Director Hugo Haas reprises the theme of romantic love in this routine yet innocent story of matchmaking. The setting is an overcrowded tenement building in which the residents seem to live beyond the reach of muggers or drug dealers or trigger-happy gangs because they mingle and mix in the halls as they energetically interact with each other. Prof. Brauer (Haas) is a music teacher whose neighbor Dorothy (Carol Morris, a former Miss Universe) is a single woman, a seamstress by trade. Prof. Brauer sees a potentially ideal match for her in his student Eddie (Dick Kallman). While he is promoting that concept, Dorothy is busy introducing him to her friend Mrs. Hoffmann (Vera Vague), a rich widow. Cupid's arrows dart right and left as these two possible couples meet. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Carol Morris, Vera Vague, (more)
- 1958
Anthony Quinn and Shirley Booth play a married couple who cling and claw like cats in a bathtub in this sudsy melodrama set in steamy New Orleans. Booth does most of the clinging as a neglected wife struggling to reassemble her battered marriage to Quinn who plays a faithless husband in love with tender young Valerie Allen, something Booth tries her best to ignore. Unfortunately, despite her efforts, her children are not spared the spousal turmoil. Matters are not helped when Earl Holliman, the eldest son, decides to leave his father's employment business and start his own. The youngest son Clint Kimbrough finds it all terribly upsetting. Meanwhile his sister Shirley MacLaine becomes deeply depressed after her father threatens her boyfriend in an effort to get him to marry her. Now MacLaine is left with no one. The fur really begins to fly when Quinn, tired of the tumult, decides to chuck the whole family and move to Florida with Allen. Tragedy ensues for the wicked duo. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shirley Booth, Anthony Quinn, (more)
After the success of From Here to Eternity, pairing Frank Sinatra with another James Jones novel made perfect sense. Set in the aftermath of World War II, the film stars Sinatra as a recently discharged soldier whose promising writing career has derailed. After a drunken card game, Sinatra finds himself aboard a bus for his Indiana hometown of Parktown, with recent acquaintance Shirley MacLaine in tow. An unrefined good-time girl, MacLaine allows her affections to settle on the hard-drinking Sinatra, who wants little to do with her as he reluctantly sets about re-establishing ties he thought to have abandoned over a decade before. These include a brother (Arthur Kennedy) unable to discard his salesman's persona, his disapproving wife (Leora Dana), and their teenage daughter (Betty Lei Keim). Meanwhile, Sinatra makes a variety of new acquaintances both respectable and otherwise, including a local gambler (Dean Martin) and a creative writing instructor (Martha Hyer) smitten with his writing and possibly with him. Shaking up the complacency of his small hometown more by accident than design, Sinatra forces all those around him to reevaluate their behavior. After a variety of smaller parts, this is the role that cemented MacLaine's name, earning her an Oscar nomination for Best Actress. ~ Keith Phipps, All Movie Guide
- Starring:
- Frank Sinatra, Dean Martin, (more)
- 1958
Doris Hocksley (Toni Gerry, long-lost daughter of the late Adam Hocksley and sole heir to Hocksley's estate, arrives in Los Angeles and contacts Alan Neil (Warren Stevens), nephew of the estate's executor Elston Carr (Anthony Joachim). Later, Carr is found murdered in his home--and Doris is hiding in on the premises. With her fingerprints all over the murder weapon, Doris would seem to be caught red-handed, but Perry Mason (Raymond Burr) believes in her innocence. Problem is, the only other likely suspect is Alan Neil--and he turns up murdered as well. This episode is based on a 1941 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide
Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Kirk Douglas, (more)
- 1957
A tall horseman (Jock Mahoney) rides into the small town of Arborville, deserted except for redheaded Jody (Luana Patten), who's uncomfortable about it. Outside town, the rider finds all the townspeople working on an oil rig on a small ranch. They're led by Cal Moore (Charles McGraw), and include brothers Aaron (Claude Akins) and Adam Grant (Lee Van Cleef). The stranger asks a few questions, rousing the ire of the hot-tempered brothers, who toss him into a pool of oil. Glossy black but unconcerned, the stranger ambles out and rides back to town. Jody helps him clean up, so he tells her he has come to meet an old Indian who lived on the property where the oil well now is; he's clearly surprised when she refers to the old man, now missing, as Joe Dakota. Meanwhile, the townspeople gather, and we learn that Cal is a newcomer to town, an oil expert who decided to cast his lot with Arborville. We also learn that something happened to the old Indian, and that the townspeople were involved. The townspeople later are horrified when the stranger announces that he owns the land where the oil well is, and that his name is Joe Dakota.
Later, Jody comes to see Joe at the ranch, and reveals that the old man was her friend; she often came out to visit him. Joe tells her that the old man, whom he'd known well some years before, had simply borrowed his name. Jody says that the last time she'd visited the old Indian, he'd been drunk and had attacked (but not raped) her. Egged on by Cal, the townspeople had lynched him. The next day, Joe hangs a noose on the Arborville town sign, and puts a cross on the old man's grave. He explains that he was a captain in the infantry, and the old man was the finest scout he'd ever known. Everyone gathers at the oil well, where Joe explains that it was Cal who had attacked Jody, framing the old man for the crime to get the town to lynch him. He and Cal have a fight, but the townspeople, ashamed of what they've done, side with Joe.
Universal-International turned out quite a number of well-down, medium-budget westerns in the late 1950s, often starring Audie Murphy. This time, however, the lead is former stuntman Jock Mahoney, whom the studio was trying to groom as a star; his easy-going but very masculine personality made him ideal for roles such as this. The movie, co-written by Perry Mason's "Hamilton Burger," (William Talman), seems to owe something to Bad Day at Black Rock, but the plot works well in this context, too. There are good small details, like a wine store instead of a saloon, the town's beloved water trough, and the stranger's midnight shave. Richard H. Bartlett's direction is as low-key as the movie -- scarcely a shot is fired, and few wear guns -- and as likable. Joe Dakota is "just another movie," but it's a very good example of its long-gone kind. ~ Bill Warren, All Movie Guide
Later, Jody comes to see Joe at the ranch, and reveals that the old man was her friend; she often came out to visit him. Joe tells her that the old man, whom he'd known well some years before, had simply borrowed his name. Jody says that the last time she'd visited the old Indian, he'd been drunk and had attacked (but not raped) her. Egged on by Cal, the townspeople had lynched him. The next day, Joe hangs a noose on the Arborville town sign, and puts a cross on the old man's grave. He explains that he was a captain in the infantry, and the old man was the finest scout he'd ever known. Everyone gathers at the oil well, where Joe explains that it was Cal who had attacked Jody, framing the old man for the crime to get the town to lynch him. He and Cal have a fight, but the townspeople, ashamed of what they've done, side with Joe.
Universal-International turned out quite a number of well-down, medium-budget westerns in the late 1950s, often starring Audie Murphy. This time, however, the lead is former stuntman Jock Mahoney, whom the studio was trying to groom as a star; his easy-going but very masculine personality made him ideal for roles such as this. The movie, co-written by Perry Mason's "Hamilton Burger," (William Talman), seems to owe something to Bad Day at Black Rock, but the plot works well in this context, too. There are good small details, like a wine store instead of a saloon, the town's beloved water trough, and the stranger's midnight shave. Richard H. Bartlett's direction is as low-key as the movie -- scarcely a shot is fired, and few wear guns -- and as likable. Joe Dakota is "just another movie," but it's a very good example of its long-gone kind. ~ Bill Warren, All Movie Guide
- Starring:
- Jock Mahoney, Luana Patten, (more)
- 1957
Union army major Drango (Jeff Chandler) is assigned to rebuild a ruined Georgian town in the aftermath of the Civil War. Despite his best intentions, Drango has trouble combatting the hatred and resentment of the townsfolk. In particular, Clay Allen (Ronald Howard), the hotheaded son of Judge Allen (Donald Crisp), does his utmost to sabotage Drango's efforts and foment a Confederate insurrection. It takes the conscience-stricken intervention of the Judge himself to prevent wholesale bloodshed. The film's low-key romantic interest is handled by Joanne Dru and Julie London, cast respectively as the daughter of a despised Union sympathizer and an "unreconstructed" female plantation owner. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeff Chandler, John Lupton, (more)
- 1956
In this western, a lawman tries to mediate between irate farmers and angry ranchers who are trying to decide the fate of a captured killer. The killer was hired by the ranchers who want him freed. The farmers, egged on by a schoolteacher, want to see the gunman swing. Meanwhile the real troublemaker, the town banker, votes for the death penalty. Look carefully and see Clint Eastwood as a ranch hand. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Agar, Mamie van Doren, (more)
- 1955
Tender Hearts was the pre-release title of Hugo Haas' Edge of Hell. The film could also have been called Umberto D, Hollywood Style, inasmuch as star-producer-director-scripter Haas plays a kindly old derelict whose only friend is his pet dog. Living on the fringes of a big city, former circus clown Haas depends upon his trained pooch to scrounge around for food. When he becomes too old and feeble to care for the dog, Haas seeks out a wealthy home for his beloved pet. Despite the prevailing sentimentality in Tender Hearts, Hugo Haas manages to work a trashy blonde into the proceedings, in this case a streetwalker played by Francesca de Scaffa, and a climactic murder. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugo Haas, June Hammerstein, (more)
Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Hayward, Richard Conte, (more)
- 1954
In this heart-warming drama, a beggar and his performing dog, Flip, struggle to eke out a living upon the cruel streets. He is hired to perform at a rich kid's birthday party. There, the beggar is offered $500 for his beloved dog. He refuses and again hits the streets. Soon he becomes so impoverished that he can no longer provide food for his four-legged friend; he sells him for $20. The beggar is then beaten and robbed. Later he learns that Flip died. The man soon follows the dog to heaven where they begin performing for God. ~ Sandra Brennan, All Movie Guide
- 1954
Completed in 1953, Dragon's Gold was released by United Artists early the following year. John Archer (the father of present-day leading lady Anne Archer) stars as an insurance investigator, sent to China to locate a missing client. The official story is that the client stole $7 million from his employer, but Archer smells a rat. His olfactory senses are right on target: The supposed theft was actually a smokescreen, contrived by a Red Chinese general (Noel Cravath). Also intimately involved in the intrigue is Hillary Brooke, playing straight once more after several years' worth of TV work on The Abbott and Costello Show and My Little Margie. ~ Hal Erickson, All Movie Guide
- Starring:
- John Archer, Hillary Brooke, (more)
In this suspenseful drama, based on a John Dickson Carr novel, blissfully happy newlywed Ruth Bowman (Jeanne Crain) boards a transatlantic ocean liner with her new husband John (Carl Betz). A few days later, however, John suddenly disappears. Ruth quickly discovers that her cruise ticket was made out under her maiden name, and that her "husband" never even bought one. To make matters worse, no one on board admits to ever having seen them together. Only the ship's doctor (Michael Rennie) believes the distraught bride's story. Together they discover the truth about her husband's disappearance. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Michael Rennie, (more)
- 1953
Producer-director-star Hugo Haas attempts a costume melodrama in Thy Neighbor's Wife. Plotwise, it's the usual Haas formula: a middle-aged man, his voluptuous young wife and a handsome interloper. In the 19th century, a Moravian magistrate (Haas) swears vengeance when his gorgeous bride (Cleo Moore) renews her romance with her ex-flame (Ken Carlton). When the young man's uncle is murdered, the judge prosecutes his wife's lover for the crime, despite the fact that he's already heard a confession from the village-idiot (Tom Fadden). To make sure that the young man is hanged, the judge kills the real killer; this is witnessed by the judge's wife, who is likewise promptly murdered by her over-zealous husband. Eventually, justice -- or rather, conscience -- emerges triumphant. The ad campaign for Thy Neighbor's Wife included an alluring 8 X 10 of the bare-backed Cleo Moore being flogged, though this is hardly an important moment in the film's course of events. ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1953
Unlike many westerns, City of Bad Men is placed within a specific historical time frame. The scene is Carson City, Nevada, in the year 1897. As the city prepares itself for the much-ballyhooed prizefight between Gentleman Jim Corbett and Bob Fitzsimmons, soldier-of-fortune Brett Stanton (Dale Robertson) rides into town with a few of his cronies. Stanton takes into consideration the enormous gate proceeds that the prizefight will yield and immediately begins formulating plans to steal the loot. He is deflected from this by his former girlfriend Linda Culligan (Jeanne Crain), whose good example sets Stanton on the right path. Corbett and Fitzsimmons are played, respectively, by ace stunt men John Day and Gil Perkins. Actual film footage exists of their legendary bout, and this brief ribbon of celluloid might make an interesting companion feature to City of Bad Men. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Dale Robertson, (more)
- 1953
Filmmaker Hugo Haas unfolds his usual cautionary "old man-young woman" story in One Girl's Confession. Perennial Haas leading lady Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison. A few years later, Mary is placed on probation, whereupon she takes a waitressing job at the seaside eatery run by Dragomie Damitrof (Haas). A chronic gambler, Damitrof is on the verge of losing his café when Mary offers to loan him money. When Damitrof begins spending cash like a sailor, Mary is convinced that he's located her hidden loot, whereupon she hits him on the noggin and leaves him for dead. Deciding that the money is too much trouble, Mary donates the rest of the loot to an orphanage and confesses to Damitrof's murder. But that's not the end of the story .... ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1953
Legendary German director E. A. DuPont didn't have much luck lining up worthwhile projects in Hollywood. DuPont's 1953 potboiler Problem Girls is set in a seedy private school for emotionally disturbed young women. The school's operator (Helen Walker), working in concert with the athletic instructor (James Seay), schemes to pass off a drug-addicted girl (Susan Morrow) as the heiress to an oil fortune. Luckily, school psychologist John Page (Ross Elliot) gets wind of the scheme; unluckily, this puts Page next in line on the villains' ever-mounting "hit list." Essentially an excuse to parade a group of buxom young starlets across the screen, Problem Girls was a far cry from such earlier DuPont films as Variety and Atlantic. ~ Hal Erickson, All Movie Guide
- Starring:
- Helen Walker, Ross Elliott, (more)
