Walter Addison Movies

300's Zack Snyder brings Alan Moore and Dave Gibbons' critically acclaimed comic book Watchmen to the big screen, courtesy of DC Comics and Warner Bros. Pictures. Set in an alternate universe circa 1985, the film's world is a highly unstable one where a nuclear war is imminent between America and Russia. Superheroes have long been made to hang up their tights thanks to the government-sponsored Keene Act, but that all changes with the death of The Comedian (Jeffrey Dean Morgan), a robust ex-hero commando whose mysterious free fall out a window perks the interest of one of the country's last remaining vigilantes, Rorschach (Jackie Earle Haley). His investigation leads him to caution many of his other former costumed colleagues, including Dr. Manhattan, Night Owl (Patrick Wilson), Ozymandias (Matthew Goode), Sally Jupiter (Carla Gugino), and her daughter, The Silk Spectre (Malin Akerman). Heralded for bringing the world of superheroes into the literary world, Watchmen gave the super-powered mythos a real-life grounding that had been missing in mainstream comics to that point. The film adaptation had languished in one form of development hell or another for years after the book's release, with various directors on and off the project, including Terry Gilliam, David Hayter, and Darren Aronofsky, as well as Paul Greengrass, whose eventual dismissal stemmed from budget conflicts with the studio. ~ Jeremy Wheeler, All Movie Guide

Try though he might, Jerry (Jerry Seinfeld) cannot overcome the fact that his girlfriend, Jenna (Kristen Davis), has used a toothbrush that he'd pulled from his toilet. George (Jason Alexander) loses his keys -- and also a key ring that Steinbrenner has given him -- near a pothole. Kramer (Michael Richards) adopts a stretch of highway, but his "child" proves to be a major disappointment. And Elaine (Julia Louis-Dreyfus) moves into a janitor's closet in hopes of getting a Chinese meal delivered. ~ Hal Erickson, All Movie Guide

Boxing is more than just a sport -- it's also a business and a con game in this satirical comedy. Rev. Fred Sultan (Samuel L. Jackson) is a shrewd boxing promoter and manager whose meal ticket is heavyweight champion James "The Grim Reaper" Roper (Damon Wayans), a fighter whose skill and confidence significantly outstrips his intelligence. While the top-ranked contender for Roper's title is Marvin Shabazz (Michael Jace), Sultan isn't too keen on the idea of Shabazz fighting Roper -- it seems that both fighters are black, and Sultan's figures show that mixed race matches stir up a lot more media attention and pay-per-view customers. Eager to find a white challenger for Roper, Sultan digs up Terry Conklin (Peter Berg), who won a Golden Gloves fight against Roper many years ago but is now out of the game and fronting a rock band called Massive Head Wound. Thanks to a few bribes and a couple of fixed fights, Sultan is able to arrange for Conklin to be next in line to battle "The Grim Reaper." However, Conklin is taking his renewed career as a boxer quite seriously, while Roper, convinced that Conklin doesn't stand a chance, has let himself go and gained a lot of weight. Suddenly Sultan realizes that Roper might just lose the piece-of-cake fight he's so carefully arranged, while journalist Mitchell Kane (Jeff Goldblum) smells a rat in Conklin's sudden rise to ranking status. Jon Lovitz, Cheech Marin, and Corbin Bernsen highlight the supporting cast, while members of the well-regarded alternative rock band Local H appear as Massive Head Wound. ~ Mark Deming, All Movie Guide

A serial killer is transformed into a computer virus out to destroy more than your hard drive in this sci-fi thriller. Terry Munroe (Karen Allen), a single mother, is looking for a gift for her boss and visits a computer store, where one of the employees demonstrates a hand-held scanner than can transfer the information from her address book into a software program that will store the information on her PC. Unknown to Terry, one of the employees of the store is Karl Hochman (Ted Marcoux), known in the press as "The Address Book Killer," who likes to steal other people's address books and murder all the people listed within, including the book's owner. Terry accidentally leaves her book behind at the store, and Karl lifts it, but as he drives to her house to strike her off the list first, he is injured in a serious accident and taken to a hospital. While Karl is being given a CAT scan, lightning strikes the building and Karl is transformed into a series of electrical impulses that can travel as computer code from one system to another, or as current through power lines. Soon Terry begins to suspect something is wrong as her friends succumb to attacks by microwave ovens, hot-air blowers, and other household objects. Terry and her computer-savvy son, Josh (Wil Horneff), realize that they're at risk after Karl appears in Josh's virtual reality games; it's up to Bram Walker (Chris Mulkey), a brilliant hacker-turned-computer maintenance technician, to isolate and destroy the Karl virus before it can kill again. The film's soundtrack features such hip-hop stars as D-Nice and Too Short, Schoolly-D, Grandmaster Slice, and Kool Moe Dee. ~ Mark Deming, All Movie Guide

The late journalist Randy Shilts' best-selling book on the burgeoning AIDS crisis was adapted for cable TV by Arnold Schulman. In 1981, researchers begin discerning a mysterious new disease that apparently affects only homosexual males (or so they thought at that time). Working independently, and with marked hostility toward one another, an American and a French research team manage to identify and name the dreaded HIV virus. The long-range effects of AIDS is experienced through the first- and secondhand experiences of several unfortunates, including a choreographer (Richard Gere) whose character is said to be based on Michael Bennett. The all-star cast (most of whom eschewed their usual high salaries) includes Lily Tomlin as San Francisco health official Selma Dritz, Matthew Modine as Centers for Disease Control researcher Don Francis, Alan Alda as NIH official Robert Gallo (who emerges as the villain of the piece), Ian McKellan as gay activist Bill Kraus, and Glenne Headley, Steve Martin and Anjelica Huston in cameo roles. And the Band Played On debuted September 11, 1993, on HBO. ~ Hal Erickson, All Movie Guide

This riveting, fact-based made-for-cable drama follows the fight of Air Force widow Janet Harduvel to clear the name of her late husband, a pilot who died when his F-16 crashed. The official cause of the mishap was listed as "pilot error," but Harduvel refuses to believe this and so launches her own investigation. She soon discovers that the problem was with the plane itself and that the Air Force is trying very hard to conceal crucial facts. Despite the bureaucracy and obstacles, the determined widow continues fighting until she finds herself facing down a major military contractor, General Dynamics, in court. ~ Sandra Brennan, All Movie Guide

In this better-than-average kick-boxer foray, Brandon Lee (son of famed martial-arts film star, Bruce Lee) stars as a young art student who happens to witness a drug murder and is placed in protective custody by federal agents. It's not too long before he realizes that the only real protection he can count on is his own martial-arts training. This film is rated R for violence, sex and profanity. ~ All Movie Guide

The TV-movie thriller Face of Fear is a real cliffhanger--or rather, skyscraper-hanger. Lee Horsely plays a psychic mountaineer who's been afraid of heights ever since stumbling off Mt. Everest. Pam Dawber costars as Horsely's patient fiancee. Less patient is neo-Nazi leader Kevin Conroy, who for reasons dictated by the plot chases Horsely and Dawber around and up a 40-story building. The climax finds hero and heroine dangling by their fingertips, and Conroy all prepared to do a little prying loose. The only people watching Face of Fear upon its September 30, 1990 airing were those who'd had their fill of David Lynch's Twin Peaks--which was resolving a cliffhanger of its own for its second-season opener on a rival network. ~ Hal Erickson, All Movie Guide

From the Dead of Night has an acceptable two-hour premise; unfortunately, the producers saw fit to drag things out to four hours. Lindsay Wagner stars as an LA fashion designer who, when she nearly drowns, has an out-of-body experience. Haunted by this, Wagner seeks out a spiritualist (Rita Zohar). This weird but worthy seer suggests that Wagner saw what no living person can be permitted to see, and prophesies that six entities from "the other side" will try to drag Wagner back. The conclusion finds the plucky Ms. Wagner doing battle with resurrected corpses. From the Dead of Night was stretched out over two consecutive days, February 27 and 28, 1989. ~ Hal Erickson, All Movie Guide

A deaf couple is ambushed, and the husband is fatally shot. As he lies dying, the man conveys his last words to his wife via sign language--thereby giving Huntern(Fred Dryer) the only clue (an extremely thin one) as to the killer's identity. With the help of a police interpreter, Hunter interrogates the three most likely suspects--the wife, a jealous brother and a disgruntled suitor--who like victim are all deaf. As it turns out, however, the dead man's vast art collection holds the key to unlocking the mystery. This episode was adapted from a novel by H. Edward Hunsberger, a master in the realm of "locked-room" whoddunits. ~ Hal Erickson, All Movie Guide

After a tumultuous five-year relationship, Sam (Ted Danson) and Diane (Shelley Long) are ready to exchange marriage vows. But on the day of the wedding, who should show up but Sumner Sloane (Michael McGuire), the ex-beau who "deserted" Diane at Cheers five years earlier. Announcing that he's had an offer to expand one of Diane's class papers into a novel, Sloane begs Diane to accompany him to a publisher -- immediately. Although fans of Cheers were fully aware that this, the final episode of the series' fifth season, also marked the farewell appearance of Long, the actual outcome of the story was one of the best-kept secrets of 1987, thanks to the producers' strategy of filming a false ending in front of a live studio audience. ~ Hal Erickson, All Movie Guide