Soledad Jiminez Movies

Edmond O'Brien stars as an idealistic state's attorney assigned to crack down on a crime syndicate. This proves more dangerous than first suspected, since the syndicate has a number of city officials in its pocket--including the father of one of the investigating committee's chairpersons. William Holden is the crusading newspaperman who attempts to help O'Brien, but even his efforts are compromised by deeply entrenched political corruption. The climax is staged at a crowded boxing arena, where Holden is struck down by an assassin's bullet intended for O'Brien. Inspired by the real-life Senate investigations of 1951, The Turning Point is neither a remake of a 1917 Paramount silent of the same name, nor was the 1977 ballet-oriented Turning Point a remake of the 1952 film. ~ Hal Erickson, Rovi

Cary Grant's utter credibility in the role of a brilliant, world-famous brain surgeon Dr. Eugene Norland Ferguson is the single element that keeps Crisis afloat. While vacationing in a politically unstable Latin American country, Ferguson and his wife, Helen (Paula Raymond), find themselves the unwilling house guests of dictator Raoul Farrago (José Ferrer). Suffering from a brain tumor, Farrago insists that Ferguson operate at once. The "crisis" of the title arises when revolutionary leader Gonzales (Gilbert Roland) demands that Farrago be killed on the operating table -- and kidnaps Dr. Ferguson's wife to bind the bargain. Unaware of his wife's plight, Ferguson proceeds with the operation, setting into motion a series of events leading to a grimly ironic denouement. Director Richard Brooks adapted the screenplay of Crisis from a story by George Tabori. ~ Hal Erickson, Rovi

Infused with religious themes, this crime drama is considered a minor example of film noir. Set in Los Angeles, it tells the grim story of vengeful embezzler Nick Cherney, who plots murderous revenge after he is fired from Johnny Torno's freight company. He gets it by killing Johnny's brother Jess, a chaplain who has just returned from the war. Johnny arrives at the hotel room of his brother Jess and finds him dying. Just before Jess expires he tells Johnny that the identity of his killer can be found in his Bible. Though every hotel room has a Bible, the one belonging in his brother's is missing. Though his girl friend, the priest and the police warn against a private investigation, Johnny ignores their advice and goes looking for that Good Book. His girl friend goes along with him. Before they go, they leave Warni Hazard in charge of the freight company. Nick Cherney shows up and takes off after Hazard who flees until finding safety beneath the tires of an enormous trailer. Nick sees him cowering there and in the film's most shocking sequence, coolly kicks one of the jacks holding up the trailer and while Hazard is crushed, Nick calmly takes a drag on his cigarette. Meanwhile, Johnny and his gal finally find the Bible and see that Jess had underlined a couple of verses that seem to suggest that Johnny leave the matter of revenge in God's hands. Johnny pays no heed to the message until the story's grim climax. ~ Sandra Brennan, Rovi

This episodic holiday film centers around a rich spinster aunt whose greedy nephew is attempting legal action to take her estate. Before he makes a final decision, a caring judge tells the spinster that she can rally together the three foster children she raised to help her keep the estate, he will delay the nephew's action. Now she must find her three grown boys who have gone in wildly different directions. One is a boozy cowboy involved in a baby racket, another is a deadbeat deeply indebted to the nephew, and the other is a successful owner of a South American cafe on the lam for a con-job he didn't commit. She endures and adventurous journey, but the three do manage to come together on Christmas Eve, save the estate, and give the conniving nephew his due. ~ Sandra Brennan, Rovi

Esther Williams moves from the swimming pool to the bull ring in this musical drama. Antonio Morales (Fortunio Bonanova) was once a champion bullfighter; now in retirement, Antonio and his wife (Mary Astor) have high hopes that their son Mario (Ricardo Montalban) will follow in his father's footsteps as a matador. However, Mario's great passion is music, and he longs to pursue a career as a composer. But there is a budding toreador in the family: Mario's sister Maria (Esther Williams), who has learned the basics of bullfighting from her sibling. Not wanting to be thought a coward, but with no desire to enter the ring, Mario allows Maria to disguise herself as him and take his place in the bullring, allowing her to compete in a traditionally male sport while Mario devotes his time to his music. Fiesta gave Ricardo Montalban his first English-speaking role, with Cyd Charisse appearing as Conchita, his love interest and dancing partner. Classical music buffs might notice that Mario's composition "Fantasia Mexican" is actually Aaron Copland's "El Salon Mexico." ~ Mark Deming, Rovi

Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, Rovi

Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as Louis Riel (Francis J. McDonald) tries to organize Indians and French settlers into a fighting force that will battle against the ruling British, Texas Ranger Dusty Rivers (Gary Cooper) arrives in Canada to arrest Jacques Corbeau (George Bancroft), one of Riel's associates who is wanted for murder in the U.S. Rivers promptly falls for nurse April Logan (Madeleine Carroll), which triggers jealously in the straightlaced Mountie sergeant Jim Brett (Preston S. Foster), who is also in love with April. Meanwhile, April's brother, Ronnie Logan (Robert Preston), also a member of the North West Mounted Police, is in love with Louvette (Paulette Goddard), Corbeau's sister and a fiery "half-breed" who lives among the Indians. When Dusty arrives in Canada, he joins forces with the mounties, who are looking for Corbeau on another murder charge, and soon joins the fight against Riel's rebel factions. De Mille imported 300 pine trees for his "forest" set, believing that a woods created on the controlled environment of a soundstage would look more "real" onscreen than location shooting in Canada. ~ Mark Deming, Rovi

James Cagney stars in the humorous Western The Oklahoma Kid, set during the land rush of 1893. John Kincaid (Hugh Sothern) and his son, Ned (Harvey Stephens), try to settle on a plot of land, but they are met by the villainous Whip McCord (Humphrey Bogart) and his band of miscreants. McCord runs a saloon and ends up turning the town of Tulsa into a haven of gambling and drinking. Wanting to clean up the town, John runs for mayor and Ned runs for sheriff. McCord doesn't want to lose his power, so he has John framed, jailed, and eventually lynched. Soon, Jim Kincaid (James Cagney) shows up in town and joins his brother Ned in seeking revenge for his father's murder. They stage a big shoot-out in McCord's saloon in order to bring him to justice. Also starring Rosemary Lane as Ned's girlfriend Jane, the daughter of the good Judge Hardwick (Donald Crisp). This movie features James Cagney singing the tunes "Rockabye Baby" and "I Don't Want to Play in Your Yard." ~ Andrea LeVasseur, Rovi

In this Mexican version of the popular southwestern series, Cisco barely escapes the deadly bullets of a firing squad. He later meets a lovely señorita and falls in love, but before he can dally romantically, he must first help her and her papa get back the money they were bilked out of. More trouble ensues when the woman's old lover reappears and she would rather be with him. to take care of that, Cisco sends the man on a suicidal assignment. Fortunately, he changes his mind, captures the crooks himself, saves the man, and rides away. ~ Sandra Brennan, Rovi

In this youth-oriented western, a young man's father is wrongfully accused of murder. Unfortunately, his pa can't prove it and so flees into the rugged mountains. He brings his boy with him. In those lonely hills lives a sad, but wealthy young woman. Love blossoms between the son and the girl as the son struggles to clear his father's name and bring the real villains to justice. ~ Sandra Brennan, Rovi

One of the advantages of holding an MGM stock-company contract in the 1930s was the occasional opportunity to star in one of the studio's "B"-pictures. Maltese character actor Joseph Calleia, hitherto confined to supporting villainy, was permitted to play the hero in MGM's Man of the People. "Drawn from today's headlines," the story dealt with small-town political corruption. Unable to make a living as a lawyer, Italian-born Jack Mareno (Calleia) sells out to a high-pressure political machine. Elevated to the position of assistant District Attorney, Mareno is expected to "play ball" with the local racketeers. Finally rebelling against this set-up, Mareno turns his back on his dirty-handed sponsors and runs for office as an independent. Designed as just another programmer, Man of the People turned out to be something rather special, thanks in no small part to the heartfelt performance by star Joseph Calleia. ~ Hal Erickson, Rovi

In this tuneful, romantic drama, an Australian opera star (Grace Moore) wants to perform in a major U.S. festival but cannot enter the country unless she is married. To this end, she hires a handsome artist (Cary Grant) temporarily marry her. At first it is all strictly business, but in time, the artist starts falling in love. Songs include: "Our Song," "Minnie the Moocher" (this number is usually cut out in 98m televised version of the film), "Siboney," and "The Waltz Song." ~ Sandra Brennan, Rovi