Edward Jewesbury Movies

This ten-hour mini-series extravaganza originally aired on February 26, 2000 on NBC, and concerns the fate of a janitor, Tony (John Larroquette), and his lovely daughter Virginia (Kimberly Williams), who mysteriously find themselves in a land where fairies, trolls, and elves live. Their attempts to return home are thwarted by an evil witch (Diane Wiest). Appearing in supporting roles are Rutger Hauer, Warwick Davis, and Camryn Manheim as Snow White. The 10th Kingdom was rebroadcast on August, 2000, with a substantially trimmed running time of eight hours, which was shortened even further to six hours for the video release, after all commercials had been removed. ~ Jonathan Crow, All Movie Guide

A young man learns that love hurts (or at least it does if you're doing it right) in this saucy comedy from England. Henry Harding (Tom Bell) is a member of British Parliament and a self-styled moral crusader who is deeply disturbed by reports that Tanya Cheex (Guinevere Turner), a dominatrix from the U.S., has opened a night club for S&M enthusiasts in England. Harding is determined to put Cheex out of business, but first he needs to collect evidence of her activities, so Harding persuades Peter Emery (Christian Anholt) -- a young man with political ambitions, Christian principles, and his virginity intact -- to attend the club incognito and videotape the proceedings. To Peter's great surprise, he discovers that he rather likes a bit of spanking and leather fetishism, and he soon becomes quite infatuated with Tanya, making him all the less inclined to help shut down her club. Preaching to the Perverted presented Guinevere Turner in her first starring role after her breakthrough in the acclaimed independent feature Go Fish. ~ Mark Deming, All Movie Guide

The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, All Movie Guide

Actor Kenneth Branagh made his directorial debut with a rousing screen adaptation of William Shakespeare's Henry V. Four years later, he returns to the bard's work with this lively version of one of Shakespeare's best comedies. Don Pedro (Denzel Washington), the Prince of Aragon, returns victorious from battle to the praises of the Governor of Messina, Leonato (Richard Briers). One of Don Pedro's bravest men, Claudio (Robert Sean Leonard), falls in love with Hero (Kate Beckinsale), Leonato's daughter, and they plan to marry. However, Don Pedro's devious half-brother Don John (Keanu Reeves) opposes the match, and he devises a plan to turn Hero against Claudio. Meanwhile, Benedict (Branagh), Don Pedro's second-in-command, detests Leonato's niece Beatrice (Emma Thompson), but Don Pedro cleverly brings them together by making each think that the other is secretly in love with them. Much Ado About Nothing also features Michael Keaton in a showy turn as Dogberry. ~ Mark Deming, All Movie Guide

This comedy drama, a sort of British version of The Big Chill (1983), was directed by Kenneth Branagh. Ten years after they were members of a music and comedy troupe at Cambridge University, a diverse group of friends in their early 30s gather at the expansive estate of Peter Morton (Stephen Fry), who's invited them there for a reunion. Among the guests are Andrew (Branagh), who has married Carol (Rita Rudner), the star of the American situation comedy he writes; lonely Maggie (Emma Thompson), who thinks she may be in love with Peter; Roger (Hugh Laurie) and Mary (Imelda Staunton), a couple in advertising who have lost a child; and single Sarah (Alphonsia Emmanuel), who's always attracted to the wrong men, including her latest boyfriend, the married Brian (Tony Slattery). Also on hand is Vera (Phyllida Law, the real-life mother of Thompson), a housekeeper who has protectively watched over Peter since childhood. Over the course of the weekend, various jealousies and fears are revealed between joyous feasts, but a startling, tragic announcement from Peter puts everyone's petty dramas into proper perspective. American stand-up comedienne Rudner wrote the screenplay with her husband, (Martin Bergmann). ~ Karl Williams, All Movie Guide

Made for British television, 1989's Look Back in Anger is the third film adaptation of John Osborne's legendary "kitchen sink" stage drama. Kenneth Branagh plays working-class roisterer Jimmy Porter, the archetypal "angry young man" whose college education has led nowhere. Stuck in a go-nowhere job at a candy store, Porter rebels against the establishment through his boorish treatment of his wife (Emma Thompson) and mistress (Siobhan Redmond). Branagh's forceful performance allows us to ignore the structural shortcomings inherent in the play (Osborne writes in fluent tract). Earlier filmizations of Look Back in Anger starred Richard Burton and Malcolm McDowell. ~ Hal Erickson, All Movie Guide

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

Anthony Burgess translated and adapted this staging of Edmond Rostand's 19th century theatrical classic. Derek Jacobi (of I Claudius) fame stars as Cyrano de Bergerac, the ski-nosed poet, philosopher and swordsman. Believing that the beautiful Roxanne will shrink from his ugliness, Cyrano woos her by proxy, feeding the handsome but empty-headed Christian the honey'd words of love that will win the lady's heart. Jacobi is given powerhouse support by the Royal Shakespeare Company, including the exquisite Sinead Cusack as Roxanne. Videotaped for British television, Cyrano de Bergerac was telecast in America on selected PBS and cable-TV outlets. ~ Hal Erickson, All Movie Guide

One of the most notorious American judicial cases of the 20th century is paced and photographed like a spaghetti Western in the Italian Sacco and Vanzetti. There is no denying that Nicola Sacco (Riccardo Cucciolla) and Bartolomeo Vanzetti (Gian Maria Volontè) were anarchists. But it is highly doubtful that Sacco and Vanzetti were guilty of murder. However, their trial took place at the height of the 1920s "Red Scare," so there was little opportunity for the two men to receive fair treatment. Despite worldwide protests from politicians, intellectuals, and "average Joes," Sacco and Vanzetti were executed on August 23, 1927, after spending nearly seven years on death row. Like most TV and film accounts of this story, Sacco and Vanzetti is clearly sympathetic to the main characters. ~ Hal Erickson, All Movie Guide

The "gimmick" in this Avengers episode is a rare postage stamp. When a famed stamp collector is killed, Steed and Cathy head to a philatelic convention, where the aforementioned stamp is about to be auctioned off for a ridiculously low price. The convention turns out to be a front for a radical organization bent on taking over the world. Written by Malcolm Hulke and Terrance Dicks, "The Mauritius Penny" made its British TV debut on November 10, 1962; it was not seen in America until February 4, 1991. ~ Hal Erickson, All Movie Guide