Elmer Jerome Movies

Heavenly Days was the last of three RKO Radio film vehicles for the popular radio duo of Fibber McGee and Molly (aka Jim and Marion Jordan). Unlike their first two films, which were cacophonous, plotless musical farces, this one actually has a coherent storyline and not a little "heart appeal." Self-styled expert on everything Fibber McGee takes it upon himself to leave the safe environs of Wistful Vista to go to Washington DC, intending to present himself as the "common man" before the US Congress. Naturally, Fibber's wife Molly goes along for the ride, if only to keep her husband from making a fool of himself. Fibber's actions are given credibility when pollster George Gallup (played by Don Douglas) selects the McGees as Mr. and Mrs. Average Man (or Person). While at large in DC, the McGees also become involved with a group of wide-eyed war orphans. The film's highlight is an impromptu musical interlude with Fibber, Molly, and a group of GIs, played by the King's Men Quartet (regulars on the Fibber McGee and Molly radio show). Perhaps because it took itself a bit too seriously, Heavenly Days failed to match the box-office success of RKO's earlier Fibber-and-Molly efforts, posting a loss of $205,000. ~ Hal Erickson, All Movie Guide

In this musical, a gang of college students decide to play a little trick by creating the perfect student. The fictional gal has everything a university would ever want. The trouble begins when the campus psych professor becomes determined to meet this girl. If the gang cannot bring her forward, they will be expelled. They hire a New York actress to portray the imaginary girl and all is well at the end. Songs include: "It Seems I've Heard That Song Before," "You're So Good to Me" "If It's Love," "Man," "Gotcha Too Ta Mee," "You Got to Study, Buddy." All the songs were penned by Sammy Cahn and Jule Styne who went on to become one of Hollywood's top song-writing teams. ~ Sandra Brennan, All Movie Guide

A young Bar 20 cowboy is killed in this fine Hopalong Cassidy Western directed by the efficient George Archainbaud. Having signed an agreement making Hoppy (William Boyd), California Carlson (Andy Clyde), and Jimmy Rogers part owners of his ranch, young Bud Lawton (Tom Seidel) is promptly killed by a couple of strangers, Sonora (Glenn Strange) and Lefty (Pierce Lyden). The killers, it turns out, are working for crooked banker Mark Foster (Douglass Dumbrille), who has a look-a-like, Kit Moyer (also Seidel), waiting in the wings. To the consternation of Bud's sister, Faith (Claudia Drake), the imposter immediately plans to sell their valuable property to Foster, whose men are scaring the help away. When Hoppy attempts to halt the sale, the entire Bar 20 crew lands in jail, accused of being imposters themselves. To get rid of the opposition without appearing to be doing so, Foster plans to have the crooked sheriff (Roy Barcroft) release the men to the enraged townspeople, but Hoppy manages to force a confession from Kit and the villain is defeated in a final struggle. ~ Hans J. Wollstein, All Movie Guide

Orson Welles' followup to Citizen Kane (1941) was utterly different from Kane in style and texture, but just as brilliant in its own way. Writer/director Welles does not appear on camera, but his voiceover narration superbly sets the stage for the movie's action, which fades in valentine fashion on Amberson Mansion, the most ostentatious dwelling in all of turn-of-century Indianapolis. Its mistress is the haughtily beautiful Isabel Amberson (Dolores Costello). When Isabel's beau, erstwhile inventor Eugene Morgan (Joseph Cotten), inadvertently humiliates her in public, she breaks off the relationship and marries colorless Wilbur Minafer (Donald Dillaway). The neighbors are certain that, since Isabel can't possibly love Wilbur, she will spoil her children rotten. As it turns out, she has one child, George Minafer (Tim Holt), and that one is enough as far as the rest of Indianapolis is concerned. There are those who live for the day that the arrogant, insufferable George will get his comeuppance. When George returns home from college, his mother and grandfather (Richard Bennett) hold a gala reception in his honor. Among the guests is the older-and-wiser Eugene, now a prosperous automobile manufacturer, and his pretty daughter Lucy (Anne Baxter). George takes to Lucy immediately, but can't warm up to Eugene, especially after learning from his uncle Jack Amberson (Ray Collins) and his maiden aunt Fanny (Agnes Moorehead) that Eugene and Isabel had once been sweethearts. After the death of Wilbur Minafer, the widowed Eugene feels emboldened enough to propose to Isabel again. This time she is willing, but the obstreperous George refuses to allow his mother to see Eugene. His imperious bullheadedness will lead to tragedy for all concerned--and, at long last, a chastened George Minafer will indeed receive his comeuppance. The film's real villain is not George but that old intangible bugaboo called "Progress." As the automobile age comes to fruition, the elegant, cloistered lifestyle of the Ambersons fades from view, finally disappearing altogether. This is superbly foreshadowed in the "winter outing" sequence (filmed in an L.A. icehouse) in which George's two-horse sleigh is abandoned in favor of Eugene's clunky horseless carriage. Welles evokes performances that his actors seldom (if ever) matched in later years; even the very limited Tim Holt is wholly believable-and even a bit pitiable-as the blinkered George Amberson Minafer. The current version, however, is but a pale shadow of Welles' original concept. Out of time and overbudget, the movie previewed badly and was eventually sliced down to an abrupt 88 minutes (by, among others, editor Robert Wise, who would go on to direct such films as West Side Story and The Sound of Music). Even though the film therefore must be regarded as a marred masterpiece, the remaining two-thirds of Welles' original concept is still a thrilling cinematic experience, especially whenever Agnes Moorehead is on the screen. ~ Hal Erickson, All Movie Guide

Pulp fiction writer Max Brand's 1936 creation Dr. Kildare made his screen debut in the amiable person of Joel McCrea in this well-received Paramount production. Aided by Janet (Barbara Stanwyck, young Dr. Kildare saves the life of gangster boss Hanlon (Lloyd Nolan), who awards the intern $1,000 for his troubles. Janet, who is being blackmailed by Innes (Stanley Ridges), one of Hanlon's rivals, attempts to steal the money but Kildare catches her and, disillusioned, returns the loot to Hanlon. But when Janet agrees to Innes' lascivious terms, Kildare thinks better of his decision and arranges for Hanlon to take care of the matter. M-G-M later starred Lew Ayres in a series of 17 "Dr. Kildare" programmers and the character resurfaced in the early 1960s in a television series featuring Richard Chamberlain. ~ Hans J. Wollstein, All Movie Guide