Edwin Jerome Movies

After making Man Who Understood Women and seeing that the result was an ill-realized, uneven combination of Hollywood satire and tear-jerking melodrama, star Henry Fonda did not make another film until almost three years later. The story centers on a Hollywood producer who becomes so obsessed with turning his wife Leslie Caron into the sexiest star in Hollywood that he neglects her real needs. Feeling lonely and tired of Tinseltown, Caron returns to her native France and finds herself attracted to the handsome and very attentive pilot Cesare Danova. When Fonda hears about the budding affair, he flies into a rage and hires assassins to kill his rival. Unfortunately for him, the killers are romantics and decide that Caron and Danova are so in love that both must die so they can be together always. When Fonda finds out, he rushes over to France to try and save his wife. ~ Sandra Brennan, All Movie Guide

Art dealer Milo Gerard (George Macready) convinces wealthy Rufus Vanner (Rhys Williams) that he has a valuable Van Hooten painting, "The Purple Woman", for sale. In truth, the "masterpiece" is a fake, painted by alcoholic artist Aaron Hubble (Robert H. Harris). Worried that Milo will try to shift blame for the fraud on her, his wife Evelyn (Bethel Leslie) goes to Perry Mason for help. She's going to need it: Milo is subsequently murdered, and Evelyn is the number one suspect. (Ironically, in real life actor George Macready was a noted art collector and co-owner, with Vincent Price, of a prestigious Hollywood gallery). This episode was originally slated to air on November 22, 1958. ~ Hal Erickson, All Movie Guide

An old backstage legend is the source for this, the final episode of Alfred Hitchcock Presents' third season. Herbert Marshall stars as over-the-hill actor Colin Bragner, who hopes to stage a comeback in a play written by Adam Longworth (Tom Helmore). For his part, Longworth wants nothing to do with Bragner, considering him to be a mediocre actor. Nevertheless, Bragner invites Longworth and his wife (Julie Adams) to dinner, where he ultimately moves them to tears by telling them of a profoundly tragic incident in his past. Naturally, there's a twist to the story...but no murder this time out. ~ Hal Erickson, All Movie Guide

After accusing his wife Myrna (June Dayton) of trying to poison him, Ed Davenport (John Stephenson) dies in a motel room. Worse still, Ed has written a letter, implicating his wife in his death. By the time the police arrive, both corpse and letter have disappeared, but some arsenic-spiked candy is found on the scene--evidence enough to charge Myrna with murder when Ed's body is finally recovered. Faced with what seems to be an open-and-shut case, Perry Mason (Raymond Burr) must perform some spectacular legal calisthenics to save Myrna from execution. This episode is based on a 1954 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

When Alistair Cooke shows up to introduce Three Faces of Eve, we know that the fact-based story will bear more than a little fidelity to truth. Joanne Woodward won an Academy Award for her portrayal of Eve, a young Georgia housewife suffering from multiple personalities. Eve's husband (David Wayne), confused by his wife's aberrant behavior when assuming her two "other selves," seeks out help from a psychiatrist (Lee J. Cobb). Carefully probing Eve's subconscious via hypnosis, the doctor finds out that, though each of Eve's personalities is aware of the other's existence, none are related. After months of therapy, Eve is purged of her negative selves and is totally cured. Ironically, Joanne Woodward would herself play a psychologist confronted with a multiple-personality case in the Emmy-winning 1976 TV movie Sybil. ~ Hal Erickson, All Movie Guide

Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. Muldoon and Halloran first must determine why she was killed, which may (or may not) have to do with how a woman with a minimal income came by the jewelry -- was it a love affair gone bad (and if so, with whom?), or something more complex and sinister? Retracing the final 18 months of the victim's life, their investigation reaches out to a mysterious "Philip Henderson" with whom she was supposedly linked romantically, and to Frank Niles (Howard Duff), who's a little too fast-and-loose with the truth when he doesn't have to be to make Muldoon comfortable; to make things more complicated, Muldoon determines that there were at least two men involved with the actual commission of the murder. The victim turns out to have led a wild life, filled with men and parties, and was tied up with several sordid figures. Their investigation carries them into the highest and lowest ends of New York's social strata to find the killer, and it turns out there are a lot of interlocking reasons why at least three men might've wanted her dead. In the process, we get glimpses of the private lives of the detectives, which was something new in movies at this time; in the midst of all of this activity, the writers set up a fascinating contrast, in adjacent scenes, between Halloran, his wife, and their young son looking toward the future, with the parents of the dead woman, looking back with bitter regret and recriminations -- no movie ever presented in more subtle fashion the contrast between the zeitgeist of the 1930s and that of the postwar era. The final chase on the Williamsburg Bridge is one of the classic pieces of suspense cinema, as the armed and desperate killer races up the walkway past children playing and adults strolling, while detectives close in on foot from behind and patrol cars come up from ahead, with crowded subways rolling past, and then into the superstructure of the bridge for a stand-off and shootout. Sharp-eyed viewers will spot future character leads Paul Ford, James Gregory, John Marley, Kathleen Freeman, and Arthur O'Connell as well as familiar faces Tom Pedi, John Randolph, Molly Picon, and Walter Burke in the supporting cast. Cinematographer William Daniels and editor Paul Weatherwax won Oscars for their work, but awards might just as easily have been presented to director Jules Dassin, writers Albert Maltz and Malvin Wald, composers Miklos Rozsa and Frank Skinner, and, most notably, to producer/narrator Mark Hellinger, who intoned the closing monologue, which opens with one of the most famous tag lines in movie history: "There are eight million stories in the Naked City." ~ Bruce Eder, All Movie Guide