Roy Jenson Movies

Two young veterans of the Gulf War become deputy sheriffs in a small Florida town. They are assigned to capture a pair of murderous stickup artists who use motorcycles as getaway vehicles. It turns out that the robbers aren't just free-lance thugs but are working for a mastermind who keeps his face hidden so they (and the audience) won't know who he is. ~ Brian Gusse, All Movie Guide

In this socially-conscious drama, a migrant worker finds a new job on a plantation. He isn't there very long before he discovers that the local union leader is in cahoots with the plantation owner in a scheme to mistreat the other workers. Upon hearing this, the newcomer helps the workers to stand up for their rights. ~ Sandra Brennan, All Movie Guide

In this arch sci-fi sex comedy-cum-action extravaganza, a hard-nosed female mercenary helps a hapless yuppie find a new body for his robot girlfriend in the post-industrial wasteland of the American Southwest. In the year 2017, what little remains of civilization feeds off the scrap heap of 20th century waste, while even casual sex has become a matter of regulations and contracts. Like many other members of the L.A. white-collar elite, Sam Treatwell (David Andrews) takes refuge in a quasi-marriage with his beloved sex robot, Cherry (Pamela Gidley). After a soft-focus, bubbly sexcapade short circuits Cherry's body, Sam considers replacing her, but the shoddy production values of modern robots make it obvious that the vintage appliance is irreplaceable. To put it simply, the guy's in love. The wistful romantic therefore heads out to The Zone, a forbidding no man's land, where he hopes to find a new "chassis" in which to insert Cherry's unique personality chip. To do so, he needs the help of a "tracker," and E. Johnson (Melanie Griffith) is just the woman for the job. The gun-toting, red-headed road warrior leads Sam through a dystopian desert landscape full of psychopaths and opportunists toward their final destination: an abandoned warehouse full of antique androids. Along the way, Sam learns what it's like to interact with a woman who has brains and a heart instead of a microchip. Filmed in 1986, Cherry 2000 didn't receive its limited theatrical release until 1988, the same year star Griffith received an Oscar nomination for her role in Working Girl. Griffith and director Steven de Jarnatt previously worked together on the pilot for the 1980s revival of Alfred Hitchcock Presents. Ben Johnson, veteran of many a Hollywood Western, appears as E. Johnson's mentor, Six Finger Jake. ~ Brian J. Dillard, All Movie Guide

This 2-hour revival of the old David Carradine TV series was originally titled simply Kung Fu. Set in the west of the late 19th century, the film stars Carradine as Caine, the mystical Chinese-American priest who wanders the countryside seeking spiritual fulfillment-and occasionally busting a few bad-guy heads. Stopping over in a small town, Caine learns that an opium ring holds the townsfolk in thrall. Before the sun sets, Caine is engaged in a fierce martial-arts duel with a mysterious young man (played by Brandon Lee, son of Bruce). It comes as quite a jolt to Caine when he learns that his opponent is his own flesh and blood. Though Kung Fu: The Movie, originally telecast February 1, 1986, did not immediately result in a series, David Carradine would star in an updated version of the property, Kung Fu: The Legend Continues, in 1992. ~ Hal Erickson, All Movie Guide

Quincy (Jack Klugman) notices many discrepancies in the "official" evidence when his friend Ted Locke (Rudy Solari) is charged with setting his own business on fire to collect the insurance, killing an employee in the process. Unfortunately, Locke has been hauled before a Federal Grand Jury, and is at the mercy of relentless U.S. Attorney Philip St. Johns, who is determined to strike a blow against the Mob by using Locke as a pawn. Wielding his prosecutorial power like a club, St. Johns makes certain that Locke can neither defend himself, nor be defended by consul, against the charges levelled against him--and not surprisingly, Quincy is hopping mad. ~ Hal Erickson, All Movie Guide

Whenever one of their fellow Vietnam veterans is in trouble, you can count on the A-Team to come to the rescue. On this occasion, there are three disabled Vietnam vets, who in partnership with heroine-of-the-week Amanda (Robin Riker) have opened a desert resort called the Stagecoach Hotel. In his efforts to drive the vets off their property, evil land developer Frank Gaines (Alan Fudge) shuts down the water supply of both the hotel and a neighboring village. In order to foil the villain, the Team sets about to dig their own water well--and, as is customary, chaos ensues! ~ Hal Erickson, All Movie Guide

It's The African Queen meets Richard Pryor in this schmaltzy and salty attempt by Pryor to appeal to the family crowd. Pryor plays Joe Braxton, an inept burglar whose parole officer Donald (Robert Christian) wants to help out. Knowing that Joe is an excellent mechanic, he refers him to Vivian Perry (Cicely Tyson), the director of a school for emotionally disturbed children. The school is about to close for lack of funds, and Vivian wants to flee Philadelphia with eight of her charges and get to a farm in Washington State where the children can grow up in the fresh air and away from the urban environment. Joe is enlisted to drive the bus, which continually breaks down en route, permitting Joe plenty of time to interact with the kids -- taking them fishing, teaching them strip poker, and convincing a Vietnamese girl not to sell her body. The prim and proper Vivian holds up her nose at the vulgar and sloppy Joe, so it is inevitable that at journey's end the two will find true romance. ~ Paul Brenner, All Movie Guide

This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, All Movie Guide

Steve McQueen's penultimate film deals with a fascinating western legend, founded on an insightful script by Thomas McGuane and Bud Shrake. Unfortunately, the film was done in by the five directors --Don Siegel, Elliot Silverstein, James Guercio, William Wiard, and McQueen himself-- that were, at one point or another, attached to the project. The film deals with the infamous Texas gunslinger Tom Horn. Horn gained fame for a variety of exploits; he served with Teddy Roosevelt's Rough Riders and was the Pinkerton detective who captured the notorious outlaw Peg Leg Watson. But as Tom Horn begins, something in Horn (Steve McQueen) has snapped. Tom quits the Pinkertons and hires himself out to rancher John Coble (Richard Farnsworth) to assist him in putting an end to his problems with the local homesteaders and rustlers. But Horn performers his job with a chilling intensity, killing so many people with such bloodthirsty rage that it is even too much for Coble and the ranchers to take. When Horn's violence cannot be stopped, Coble has to take the law into his own hands to put a halt to Horn's bloodbath. ~ Paul Brenner, All Movie Guide

In a conventional, tried and true way, Foolin' Around tells the predictable story of a couple of widely divergent students who fall in love against all odds. Wes (Gary Busey) is attending a well-endowed college when he signs up for a psychology experiment and meets Susan (Annette O'Toole), a young woman from a terribly rich family. The two are immediately attracted to each other though they face more than economic differences -- Susan is engaged to the stolid Whitley (John Calvin). As events unfold, her grandfather (Eddie Albert) places his millions on Wes' side of the table since Whitley's opportunistic streak is as apparent as the white stripe on a skunk. Maybe the lovers have a chance after all, even if Whitley's mother (Cloris Leachman) is hung up on social status. ~ Eleanor Mannikka, All Movie Guide

Clint Eastwood's first comedy feature proved to be one of his most profitable vehicles. Eastwood plays Philo Beddoe, a bare-knuckle boxer who travels from fight to fight in a beat-up truck, accompanied by his "pal" Clyde, a orangutan with a mean right hook, and his human buddy Orville (Geoffrey Lewis). During a stopover, Philo meets and falls in love with would-be country & western singer Lynn Halsey-Taylor (Sondra Locke). After a while, she wants to break off the relationship, but he doesn't -- a shaky plot peg upon which to hang several reels' worth of zany car chases and confrontations with such opponents as a gang of bikers and a battalion of hostile lawmen. Adding to the fun is Ruth Gordon as Eastwood's don't-mess-with-me octogenarian mother, and Beverly D'Angelo as an ace sharpshooter. The enormous box-office success of Every Which Way But Loose yielded an equally wacky -- and equally lucrative -- sequel, Any Which Way You Can. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Jim (James Garner) infiltrates a sanitarium called Horizon's Crest to rescue T.T. Flowers (Strother Martin), who is being victimized by evil land developer Jack Muellard (Scott Brady). But though Muellard is temporarily stopped in his tracks, T.T. still isn't out of the woods yet--and in fact, the poor fellow may be "legally" murdered by a police SWAT team. This episode marks the spectacular demise of Jim Rockford's beloved Firebird 100! ~ Hal Erickson, All Movie Guide

Meek-and-mild longshoreman Pete Thornwall (Robert Walker Jr.) steps forward to take credit for the murder of much-despised loan shark Jake Hennafy (Roy Jenson). Although he is taken into custody, Pete basks in the knowledge that he has become a hero amongst his fellow dock workers, who rationalize that Hennafy was a man who needed killing. But Quincy threatens to burst Pete's bubble when he uncovers evidence that Hennafy died under entirely different circumstances--and that the real killer's motive had nothing to do with heroism. ~ Hal Erickson, All Movie Guide